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The nineteenth century critic George W. Sheldon spoke to the popularity of William Hart's (1823–1894) cabinet landscapes2 when he observed they "may be found in almost all the principal private collections in the Atlantic cities...These productions always meet with a…
Whatever high jinks his mermaids and sailors may be up to in the foreground, paintings by celebrated Cape Cod folk artist Ralph Cahoon typically have a background of sea and sky. Often there's a clipper ship or two sailing on…
The ceiling height and abundant light make the great room a natural display area for many of the couple's interests. The two stands beside the matching sofas reflect the owners' interest in both form and surface quality. One, with a…
This year’s ADA Award of Merit is going to the husband and wife team of Richard and Jane Nylander in recognition of their contribution to and influence on museums and scholarship. “Their many years of devotion to the field have…
On December 20, 1951, French artist Jean Dubuffet (1901–1985) gave his now-famous “Anticultural Positions” speech at the Arts Club of Chicago. Coining the term Art Brut (“raw” or “rough” art), Dubuffet spoke of the merits of art created away from…
Sunday, 21 March 2010 02:02

Women Artists of the Hudson River School

These were the candid and elated words of newspaper correspondent Charlotte Ricker when, in 1882, she reached the summit of New Hampshire’s South Twin Mountain along with the first group of women ever to ascend the peak. During the latter…
At Philadelphia’s Pennsylvania Academy of the Fine Arts (PAFA) first-year art students enroll in “Cast Drawing,” a discipline with a long history in Europe and America. Artists have practiced drawing plaster casts of ancient sculpture for over two centuries, yet…
Thursday, 31 May 2007 20:49

Edward Hopper: Hours of Darkness

Many of Edward Hopper’s (1882–1967) most admired paintings are night scenes. An enthusiast of both movies and the theater, he adapted the device of highlighting a scene against a dark background, providing the viewer with a sense of sitting in…
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