Displaying items by tag: Metropolitan Museum of Art

When it comes to exploring Picasso, it would seem there is little left for curators to discover, despite his prodigious output. Right now, there are two major gallery exhibitions, at Gagosian and at Pace, as well as a show of Cubist works including Picasso from the Leonard Lauder collection at the Metropolitan Museum of Art.

But what few people realize is that Picasso’s sculpture is still relatively uncharted territory. The last show devoted to it in this country took place in 1967 at the Museum of Modern Art. B

Almost 125 years ago, after bouts of self-mutilation and hospitalization, Vincent van Gogh announced to his brother Theo his plans to embark on a series of floral paintings. The iconic Post-Impressionist painter completed almost 130 of these works in this last phase of life. But following his death, the depictions of wildly spinning flora, left behind at the Saint-Rémy asylum where van Gogh was living, were eventually split up.

This May, the Metropolitan Museum of Art will exhibit four of the riveting depictions, side by side, for the very first time. The show, titled "Van Gogh: Irises and Roses," will feature just what it states.

Bidsquare, the online bidding platform for over 35 leading auction houses, announces Bidsquare Cares: a holiday benefit auction of art experiences to aid the Ebola workers of Doctors Without Borders. Bidding opened at bidsquare.com on Black Friday, November 28th at 12:00PM EST, and closes on Monday, December 8th at 12:00PM EST.
 
Up for grabs are 35 one-of-a-kind art and city experiences from the leading auction houses that created Bidsquare: Brunk Auctions, Cowan’s Auctions, Leslie Hindman Auctioneers, Pook & Pook, Inc., Rago and Skinner, Inc.

Tour highlights include a walk and talk with David Rago at the Metropolitan Museum of Art; a National Public Radio behind the scenes tour in Cincinnati; and a helicopter ride over Chicago. Among the other gifts to give to yourself or others: a tabletop bronze sculpture by Klaus Ihlenfeld valued at $800 and a gift certificate for fine jewelry from Skinner.

The Frick Collection has always been rich in Spanish paintings, particularly works by Velázquez, El Greco and Goya. The museum’s founder, Henry Clay Frick, bought three canvases by El Greco on his travels to Spain, and they currently hang together as part of “El Greco in New York,” an exhibition organized in collaboration with the Frick, the Metropolitan Museum of Art and the Hispanic Society to commemorate the 400th anniversary of the artist’s death.

But in 1904, before Frick acquired any of these well-known paintings, he bought a self-portrait by the 17th-century Baroque artist Bartolomé Esteban Murillo.

The Metropolitan Museum of Art announced Monday that it had received a major gift of 20th-century works by African-American artists from the South, including 10 pieces by Thornton Dial and 20 important quilts made by the Gee’s Bend quilters of Alabama.

The works, 57 in all, are being donated by the Souls Grown Deep Foundation, which was begun in 2010 by the scholar and collector William S. Arnett to raise the profile of art by self-taught African-Americans. Thomas P. Campbell, the Met’s director, described the gift, which also includes work by Lonnie Holley, Nellie Mae Rowe and Joe Minter, as a significant enlargement of the museum’s holdings of work by black American artists.

On November 19, during the Whitney Museum of American Art’s annual fall gala, director Adam D. Weinberg announced that the institution’s long-awaited downtown location will open on May 1, 2015. The Whitney closed the doors of its Brutalist Marcel Breuer building last month, following a wildly successful Jeff Koons retrospective. The building, which was the Whitney’s home for nearly fifty years, will be leased by the Metropolitan Museum of Art for the next eight years, with the possibility of extending the agreement for a longer term. The Met plans to present exhibitions and educational programming in the iconic building.

The Whitney’s new home will be located at 99 Gansevoort Street in New York City’s vibrant meatpacking district, between the High Line, an elevated linear park, and the Hudson River. Designed by the Italian architect Renzo Piano, the new building will roughly double the Whitney’s exhibition and programming space, allowing the first comprehensive presentation of its collection of modern and contemporary American art.

Of all the portraits that Paul Cézanne painted during his lifetime (1839-1906), his most frequent subject was himself. Second came his wife, Marie-Hortense Fiquet (1850-1922). The exhibition “Madame Cézanne,” opening Wednesday and running through March 15 at the Metropolitan Museum of Art, will present 23 of the 29 images of her that Cézanne is known to have made. They don’t give much away. Far from idealized as a woman or a beloved mate, she usually appears stiffly reserved, a dignified enigma. In fact, not a lot is known about her.

The Metropolitan Museum of Art’s marble sculpture "Adam" by Tullio Lombardo (ca. 1455–1532) will return to public view on November 11, following a tragic accident in 2002 and an unprecedented 12-year conservation project. It is the first life-sized nude marble statue since antiquity and the most important Italian Renaissance sculpture in North America. Tullio carved Adam in the early 1490s for the monumental tomb of doge Andrea Vendramin, now in the church of Santi Giovanni e Paolo, Venice, and it is the only signed sculpture from that iconic monument. The sculpture and its restoration will be the focus of Tullio Lombardo’s "Adam: A Masterpiece Restored," the inaugural installation in the Museum’s new Venetian Sculpture Gallery.

Thomas P. Campbell, Director and CEO of the Metropolitan Museum, said: “We are proud to return this great Tullio sculpture to public view in a beautiful new gallery. Our extraordinary conservators collaborated with a team of experts over 12 years to pursue this extremely challenging work. The results of their care and innovation are stunning.”

The leadership of the Archaeological Institute of America (AIA) has once again condemned the St Louis chapter of its organization for consigning artifacts to auction. Held by the society since 1911-12, the two objects, a Mayan vase from Quiriqua in Honduras (est £3,800-£5,000) and a Zapotec urn from Monte Alban, Mexico (est £1,900-£3,100) are due to be sold at Bonhams, New York, on 12 November. Last month, the group put up its “Harageh Treasure” of Egyptian artifact for auction at Bonhams London, but the collection was pulled at the last minute and privately acquired by the Metropolitan Museum of Art for an undisclosed sum.

Some 60 jeweled objects from the private collection formed by Sheikh Hamad bin Abdullah Al-Thani will be presented at The Metropolitan Museum of Art in the exhibition "Treasures from India: Jewels from the Al-Thani Collection."  The presentation will provide a glimpse into the evolving styles of the jeweled arts in India from the Mughal period until the early 20th century, with emphasis on later exchanges with the West. The exhibition will be shown within the Metropolitan Museum’s Islamic art galleries, adjacent to the Museum’s own collection of Mughal-period art. 
 
“It is with great delight that we present to the public this selection of works representing several centuries of tradition and craftsmanship in the jeweled arts—from India’s Mughal workshops to the ateliers of Paris,” Thomas P. Campbell , Director and CEO of the Metropolitan Museum, said when announcing the exhibition.