Displaying items by tag: american regionalism

"American Gothic," the famous American Regionalist painting by Grant Wood, is on display at the Cincinnati Art Museum for the first time through Nov. 16, 2014. The masterpiece joins Wood’s "Daughters of Revolution" in the exhibition, "Conversations around American Gothic."

The two celebrated paintings of the 1930s are the focus of an historic loan exchange between the Art Institute of Chicago, the permanent home of "American Gothic," and the Cincinnati Art Museum, which houses "Daughters of Revolution." In turn, "Daughters" will journey to Chicago, Paris and London in the 2016 exhibition, "Freedom and the Brush: American Painting in the 1930s."

The Art Institute of Chicago announced that they have acquired Thomas Hart Benton’s (1889-1975) Cotton Pickers (1945), a critical example of American Regionalism, a realist modern art movement that gained popularity during the 1930s. Regionalist artists forsook urban life in favor of creating scenes of everyday rural life in America. Benton was a pioneer of the movement and is considered a pivotal figure in American art.

Cotton Pickers is a rare example of Benton’s large-scale paintings and it is the first oil painting by the artist to enter the museum’s collection. It will bolster the Art Institute’s world-renowned collection of paintings from the period, which includes Grant Wood’s (1891-1942) iconic painting American Gothic (1930) and John Steuart Curry’s (1897-1946) Hogs and Rattlesnakes (1930). The addition of Cotton Pickers helps the Art Institute tell the story of Regionalism more fully. Judith Barter, the Field-McCormick Chair and Curator in the American Art Department, considers the painting one of the museum’s most important acquisitions in the last several decades.

Cotton Pickers will be exhibited alongside American Gothic and Hogs and Rattlesnakes.