Displaying items by tag: private collections

In fall 2015, the Minneapolis Institute of Arts will present “Eugène Delacroix and Modernity,” the first major exhibition to explore the legacy of the celebrated French painter, an influential trailblazer and one of the first modern masters of the form. The exhibition takes Cézanne’s observation that “we all paint in Delacroix’s language” as its starting point to reveal how Delacroix revolutionized French painting for the next generation of artists, leaving an indelible mark on Matisse, Van Gogh, Gauguin, Renoir, Degas, Monet, and others. The MIA is partnering with the National Gallery, London, for this unprecedented survey, featuring important works from the museums’ collections as well as rarely seen works from private collections. The exhibition opens at the MIA on October 18, 2015, and runs through January 10, 2016. It is on view at the National Gallery, London, February 10 through May 15, 2016.

By the time of his death, Eugène Delacroix (1798–1863) was one of the most revered artists in Paris and a hero of the avant-garde. By challenging the status quo by pushing the boundaries of the “Grand Style” of painting into the realm of modernism, he paved the way for younger artists. His large-scale paintings were the first to use the expressive, improvisational markmaking of the Impressionists, the dreamlike allusion of the Symbolists, and the bold colors of Morocco made famous 80 years later by Renoir and Matisse.

‘Seurat: Master of pointillism’ opens this week at the Kröller-Müller Museum in Otterlo, Netherlands. We spoke to the curator, Toos van Kooten, to find out more about the exhibition and how it came about.

Can you tell us a bit about the exhibition?

Georges Seurat is known for his meticulously stippled paintings and his eerily illuminated black-and-white drawings. His oeuvre comprises some 50 paintings and about 200 drawings, which became highly sought-after following his untimely death. The Kröller-Müller Museum is the only museum in the world that has five paintings to its name, including the famous painting Le Chahut. This valuable collection, assembled by Mr and Mrs Kröller-Müller in the early 20th century, is the basis for an exhibition devoted entirely to this great painter, with the underlying question: what makes his work so special and so well loved?

A Ming Dynasty wine cup sold for $36.05 million at Sotheby’s in Hong Kong on Tuesday, April 8, breaking the world auction record for Chinese porcelain. The tiny porcelain cup, which features a color painting of a rooster and a hen tending to their chicks, was purchased by the Shanghai-based financier, Liu Yiqian, by telephone bid.

The previous record for Chinese porcelain was set in 2010 when a gourd-shaped vase from the Qianlong period sold for $32.58 million. The chicken cup also surpassed the previous world record for Ming Dynasty porcelain, which was set in 2011 by a blue and white vase that brought more than $21 million. Nicolas Chow, deputy chairman of Sotheby’s Asia, said, “There is no more legendary object in the history of Chinese porcelain. This is an object bathed in mythology.”

The chicken cup was created during the reign of the Chenghua Emperor between 1465 and 1487, a period known for its exceptional porcelain. A number of later emperors were so enamored by the chicken cup’s design that they commissioned numerous copies. There are less than 20 such cups in existence, with only four in private collections. Yiqian’s cup is the only genuine chicken cup in China.

This fall, New York’s Museum of Modern Art (MoMA) will present a monumental exhibition devoted to Henri Matisse’s cut-outs. Late in his career, Matisse developed his cut-out technique, which involved cutting organic shapes out of painted sheets of paper and arranging them into lively compositions on his studio’s walls. The process gave Matisse a renewed sense of freedom and he lauded the technique for its immediacy and simplicity, which he believed helped him express his artistic urgencies more completely.

“Henri Matisse: The Cut-Outs” will be the largest and most extensive presentation of these unique works. The exhibition will present approximately 100 cut-outs -- borrowed from public and private collections around the world -- alongside a selection of related drawings, prints, illustrated books, stained glass, and textiles.

MoMA’s own Matisse cut-out, “The Swimming Pool,” recently underwent a multi-year conservation effort and will serve as a centerpiece of the exhibition. The cut-out, which was composed specifically for Matisse’s dining room in his apartment in France, was acquired by MoMA in 1975 and has been off view for over 20 years.

“Henri Matisse: The Cut-Outs” will be on view at the Museum of Modern Art from October 25, 2014 through February 8, 2015.

The Fine Arts Museums of San Francisco are currently hosting the exhibition “Modern Nature: Georgia O’Keeffe and Lake George” at the de Young Museum. The show, which was organized by the Hyde Collection in Glens Falls, New York in association with the Georgia O’Keeffe Museum in Santa Fe, New Mexico, is the first exhibition to explore Georgia O’Keeffe’s paintings of Lake George.

Between 1918 and 1934, O’Keeffe would spend months at her husband Alfred Stieglitz’s family estate slightly north of Lake George Village in New York’s Adirondack Park. During this highly productive period, O’Keeffe created over 200 paintings depicting the bucolic, wooded setting, which differ greatly from her well-known renderings of the sparse Southwestern landscape.

“Modern Nature” features 53 works from public and private collections and includes botanical compositions of flowers and vegetables as well as still lifes and paintings of the trees that grew on the 36-acre estate. The exhibition also includes paintings of weathered barns and other structures as well as panoramic landscapes. Works have been loaned from a number of celebrated public institutions including the Seattle Art Museum, the Denver Art Museum, the High Museum of Art, the Museum of Modern Art, the National Gallery of Art, and the Walker Art Center.

Colin B. Bailey, director of the Fine Arts Museums of San Francisco, said, “It is especially gratifying to host this pioneering and scholarly exhibition of Georgia O’Keeffe’s Lake George‒period works, as the artist’s ‘Petunias’ (1925), featured in the exhibition, is a highlight of our renowned collection of modernist works by artists associated with the Stieglitz circle.”

The de Young Museum is the only west coast venue for the exhibition. “Modern Nature” will remain on view through May 11, 2014.

A monograph of the work of William Glackens, one of the founders of the Ashcan School and member of the 20th century American artist group, The Eight, will be published by Skira Rizzoli this year. The illustrated volume will feature some of Glackens’ most celebrated works including paintings previously unknown to the general public, nudes, portraits, still lifes, street scenes and landscapes. The monograph will also include scholarly essays that will explore Glackens’ relationship with French painting, his interest in fashion and costume, his depictions of women, and his work as an illustrator.

The monograph will accompany a retrospective of Glackens’ work, which will be held at the Parrish Art Museum in Water Mill, NY from July 27, 2014 through October 13, 2014. The exhibition is being co-organized with the Barnes Foundation in Philadelphia and the Nova Southeastern University in Fort Lauderdale and will include approximately 75 works from private collections and public museums across the U.S. The show will be the first major retrospective of Glackens’ work in over fifty years.

Although he was one of the most celebrated portrait painters of his era, Swedish artist Anders Zorn is not widely recognized today. San Francisco’s Legion of Honor aims to highlight many rarely seen works by Zorn in the exhibition ‘Anders Zorn: Sweden’s Master Painter.’

Zorn, who rivaled John Singer Sargent as the most sought-after portraitist of the members of high society including presidents, industry giants, and various other aristocrats, was also an accomplished watercolorist and etcher. The Legion of Honor’s exhibition features 100 works by the artist from public and private collections throughout Europe and the United States and spans Zorn’s prolific career.

‘Anders Zorn: Sweden’s Master Painter’ will be on view at the Legion of Honor through February 2, 2014.

Furniture tells us much about the past—about social customs and human interaction, about the relationship between Americans and the world, about the changing nature of technology and the evolution of aesthetics. The Cabinetmaker and the Carver: Boston Furniture from Private Collections, October 4, 2013–January 17, 2014 is part of Four Centuries of Massachusetts Furniture, a unique initiative undertaken by eleven cultural institutions to celebrate and document the Commonwealth’s long tradition of furniture making that started in Boston in the 1630s and continues today.1 This exhibition offers visitors to the Massachusetts Historical Society in Boston a rare opportunity to see nearly fifty examples of significant furniture borrowed from private collections in the greater Boston area. Ranging in date from the late seventeenth century to about 1900, these privately held treasures, supplemented with documents, portraits, and other material from the MHS collections, provide in capsule form a look at the trajectory of cabinetmaking in the Hub.

The Hyde Collection in Glens Falls, NY will extend the hours of the exhibition Modern Nature: Georgia O’Keeffe and Lake George from 10AM to 6PM on Saturday, September 14 and Sunday, September 15 – the show’s final days. The exhibition, which was organized in association with Georgia O’Keeffe Museum in Santa Fe, NM, explores the artist’s paintings of Lake George. O’Keeffe would spend months at her husband Alfred Stieglitz’s family estate slightly north of Lake George village between 1918 and the mid-1930s. Her paintings from this time period, which feature wooded, bucolic settings, differ greatly from her well-known renderings of the sparse New Mexican landscape.

Modern Nature presents 58 paintings from public and private collections and includes botanical compositions of flowers and vegetables as well as still lifes. The exhibition also includes paintings of weathered barns and other structures as well as panoramic landscapes of the lake.

Modern Nature will travel to the Georgia O’Keeffe Museum (October 4, 2013 – January 6, 2014) and then to San Francisco’s de Young Museum (February 8, 2014 – May 11, 2014) following its time at the Hyde Collection.

The Hyde Collection in Glens Falls, NY, in association with the Georgia O’Keeffe Museum in Santa Fe, NM, has organized the first exhibition to explore Georgia O’Keeffe’s paintings of Lake George. Between 1918 and the mid-1930s, O’Keeffe would spend months at her husband Alfred Stieglitz’s family estate slightly north of Lake George village. O’Keeffe’s paintings of the wooded, bucolic setting differ greatly from her well-known renderings of the sparse New Mexican landscape.

Modern Nature: Georgia O’Keeffe and Lake George presents the artist’s full swath of works created during her time at Lake George. The exhibition features 58 paintings from public and private collections and includes botanical compositions of flowers and vegetables as well as still lifes. O’Keeffe also painted a series of arboreal portraits that highlighted the variety of trees such a birches and poplars that grew in abundance around Lake George. In addition, the exhibition includes paintings of weathered barns and other structures as well as panoramic landscapes of the lake.

Modern Nature will be on view at the Hyde Collection through September 15, 2013. It will then travel to the Georgia O’Keeffe Museum (October 4, 2013 – January 6, 2014) and then to San Francisco’s de Young Museum (February 8, 2014 – May 11, 2014).