Displaying items by tag: Old Masters

Around 1,500 artworks worth approximately one billion euros ($1.35 billion) were found in a dilapidated apartment in Munich. The shocking discovery was made public on Sunday, November 3 by the German news magazine, Focus. The trove includes works by celebrated impressionist and modern masters such as Henri Matisse, Marc Chagall and Pablo Picasso as well as Old Masters including Albrecht Durer.

The masterpieces, which were allegedly confiscated by Nazis or sold under duress by their Jewish owners, were found in the apartment of Cornelius Gurlitt, the son of the art dealer Hildebrandt Gurlitt, who reportedly acquired the works in the late 1930s and 1940s. Gurlitt’s father had been put in charge of selling the stolen artworks abroad by Joseph Goebbels, Hitler’s Minister of Propaganda, but secretly hoarded many of them and later claimed that they were destroyed in the bombing of Dresden. Gurlitt, an unemployed recluse, sold a number of the paintings over the years and lived off of the profits. 200 of the pieces have outstanding return requests from the original owners’ heirs.

In a shocking twist, it was revealed that officials have known about the looted artworks since 2011, when investigators searched Gurlitt’s apartment after he was caught by customs authorities on a train from Switzerland to Munich with a large amount of cash. Julian Radcliffe, chairman of the Art Loss Register, told AFP, “I think it’s the biggest find of Holocaust pictures that there’s been for years, but it’s still a tiny fraction of the total number of pictures that we’re looking for.” The works are currently being held in a customs warehouse outside of Munich.    

Two works by the famous Venetian painter Canaletto, which have been owned by a succession of bankers, will be sold during Sotheby’s Old Masters sale in London on December 4, 2013. The identically sized canvases both show views of the St. Mark’s Square and the Rialto Bridge in Venice. Created between 1738 and 1742, the paintings have been entered as one lot by HSBC Holdings Plc’s (HASBA) corporate art collection.

The paintings, which carry an estimate of $19.5 million, will be previewed in Moscow, Hong Kong, New York and London prior to the sale.

A recently discovered painting by Pieter Brueghel the Younger was revealed to the public at Frieze Masters in London this week. Old Master dealer and discoverer of the painting, Johnny Van Haeften, believes that the work is a reinterpretation of a painting by Pieter Bruegel the Elder, the artist’s father. The first version of the painting, created in 1566, resides in the Musees Royaux des Beaux-Arts in Brussels.

The Census at Bethlehem was first purchased in 1611 by a collector at Brueghel the Younger’s studio in Antwerp. For hundreds of years the painting remained in the possession of the same English family and although the owners knew of the work’s pedigree, they never publicized their important holding. In the 1940s, the painting was brought to Africa with other family possessions and eventually loaned to the family of Lord Delamere. In an unexpected twist, Van Haeften discovered the painting in Africa, as offshore trustees of the Delamere family now own it.  

The Census at Bethlehem sold for $10 million during the first few days of Frieze.

Dürer, Rembrandt & Whistler: Prints from the Collection of Dr. Dorrance T. Kelly is now on view at the Bruce Museum in Greenwich, CT. The exhibition is comprised of one of the finest local collections of Old Master prints, which was assembled by Dr. Dorrance T. Kelly. Kelly, who had primarily collected American 20^th century prints and prints by John James Audubon (1785-1851) in the past, began collecting Old Master works in recent years.

Kelly’s collection includes rare etching, woodcuts and engravings by German printmaker Albrecht Dürer (1471-1528); nearly 30 works by Rembrandt (1606-1669); sheets by Canaletto (1697-1768); and several sheets by the Spanish artist Francisco de Goya (1746-1828). The collection is rounded out by a group of etched cityscapes and figure studies by James McNeil Whistler (1834-1903).

 Dürer, Rembrandt & Whistler: Prints from the Collection of Dr. Dorrance T. Kelly will be on view at the Bruce Museum through August 18, 2013. A scholarly catalogue and educational programs complement it.

Thanks to the keen eyes of the Metropolitan Museum of Art’s curators, the institution snapped up an important Old Master drawing at an auction at Swann Galleries for $840 (with premium). The auction, which took place on January 29, 2013, was part of the highly anticipated Old Masters Week in New York.

The drawing was described in the auction catalogue as being from the early 19^th century and of French origin. An illustration in brush, black ink, and gray wash of Socrates dying, the drawing was said to be modeled after Jacques-Louis David’s (1748-1825) painting The Death of Socrates, a work that resides in the Met’s permanent collection. The original painting by David was acquired by the museum in 1931 and is among the artist’s greatest works.

As it turns out, the alleged copy, which was given an estimated selling price of $500-$700, was a previously unrecorded preliminary compositional study for David’s painting. Along with the painting, the Met owns a well-developed chalk drawing of The Death of Socrates, which helped the Met’s curators to authenticate the compositional drawing despite differences in setting, positions, and gestures of the figures featured in the painting.

The drawing was acquired by the museum via Katrin Bellinger, a frequent agent for the institution.

The fate of Berlin’s collection of Old Masters painting has been a source of controversy for nearly a year. While museum space in the city dwindles, the works are currently being held in the Gemäldegalerie, a museum devoted to European art from the 13^th to 18^th centuries, fueling concerns that the paintings may soon be banished to a storage facility.

German culture minister Bernd Neumann attempted to nix fears by reassuring the public that a new institution will be built to house the collection within five to six years. However, there is still some concern as to where the collection, which boasts masterworks by Rembrandt (1606-1669), Sandro Boticelli (1445-1510), Johannes Vermeer (1632-1675), and Peter Paul Rubens (1577-1640), will be exhibited until then.

Initial plans had the Old Masters collection going to the Bode Museum while the new Museum of 20^th Century and Modern Art took over the Gemäldegalerie. However, Neumann has suggested a number of other options. One of the plans has the Old Masters remaining in the Gemäldegalerie and building an entirely new modern art museum. Another one of Neumann’s strategies has the Bode Museum swapping out its sculpture collection in exchange for the Old Masters paintings.

Neumann’s various plans will be proposed to the Prussian Foundation and a decision will be reached this spring.

Now in its 58^th year, the Brussels Antiques and Fine Art Fair (BRAFA) will take place January 19-27, 2013 at the exhibition space, Tour & Taxis. Featuring 128 dealers from 11 countries, the fair will present works from the Middle Ages to the 20^th century including antiquities, jewelry, furniture, ceramics, drawings, engravings, Old Master as well as modern paintings, sculpture, textiles, contemporary art, photography, and much more.

After drawing in 46,000 visitors last year, BRAFA organizers have made a number of adjustments in hopes of surpassing 2012’s numbers. There will be 26 new exhibitors present and an increased emphasis has been placed on pre-Columbian art; archaeology; primitive arts; 17^th to 19^th century furniture; 19^th to 20^th century paintings, sculptures, and drawings; Asiatic arts; 20^th century decorative arts; and modern and contemporary art. BRAFA has also added a new section to this year’s fair devoted to manuscripts. Exhibitors in this section include Signatures (Paris), Librairie Thomas-Scheler (Paris), and Sanderus Antiquariaat (Ghent, Belgium).

In honor of the fair’s tenth year at Tour & Taxis, BRAFA’s architects, Volume Architecture, have designed an extraordinary entrance inspired by Byzantine architecture, particularly that of the mosques in Istanbul.

VIP guests will be given a sneak peek of the impressive fair at BRAFA’s exclusive charity event on January 18. A silent auction will be held during the evening and proceeds will benefit the Merode Foundation to support its work on educational and social projects in Brussels’ working class neighborhoods.

Exhibitor highlights include Whitford Fine Art (London), which specializes in French and British 20^th century painting and sculpture, Leysen Jewelers (Belgium), jewelers to the Belgian royal family, and Guy Pieters Gallery (Paris/Belgium), a leading force in the contemporary art world for the past 30 years.

Major Surrealist art collectors, Ulla and Heiner Pietzsch, are hoping to donate their impressive holdings to the city of Berlin. The only problem is there doesn’t seem to be room in any of the museums for the works. Worth nearly $200 million, the Pietzsch’s collection includes pieces by Salvador Dali (1904-1989), Max Ernst, (1891-1976) Rene Magritte (1898-1967), Yves Tanguy (1900-1955), and Joan Miro (1893-1983). The result of over fifty years of fervent collecting, the Pietzsch’s collection is currently hanging on the walls of their home in a suburb of Berlin.

The Pietzsches lent their collection to Berlin’s Neue Nationalgalerie for an exhibition in 2009. The show drew almost 200,000 visitors and proved that their holdings would be an asset to the city’s art offerings. Upon seeing the public’s high level of interest in their collection, the Pietzsches decided to donate the works to Berlin after their deaths; their only stipulation is that the works be kept on permanent display.

Earlier this year, officials suggested moving the Berlin’s Old Master paintings to make room for 20^th century works but an online petition and spate of angry newspaper columns ensued. Authorities are currently working on plans to accommodate the gift.

One option currently being explored is the construction of an entirely new museum to house the Old Masters collection. If the city decides to do so, the Gemaeldegalerie at Potsdamer Platz would be freed up for 20^th century art, including the Pietzsch’s collection. Currently, the only space in Berlin for 20^th century art is at the Ludwig Mies van der Rohe-designed Neue Nationalgalerie. However, the space is too small to display all of Berlin’s holdings, much less the Pietzsch’s expansive collection.

Officials aim to release alternative plans to accommodate the Pietzsch gift during the first half of 2013.

The inaugural Frieze Masters fair is already drawing comparisons to TEFAF Maastricht, the pinnacle of Old Masters fairs that takes place annually in the Netherlands. Featured alongside the contemporary art world staple, the Frieze Art Fair, Frieze Masters has been watching the sales add up.

Highlights include a Louise Bourgeois bronze, Avenza Revisted (1968–69), that was sold by New York’s Cheim & Reid gallery for $1.5 million, Bruce Nauman’s installation, Parallax Shell (1971), along with the drawing for it, which was sold by Sperone Westwater (New York) for $2–3 million, and Pablo Picasso’s Homme et Femme au Bouquet (197) which brought in around $9 million during the fair’s preview thanks to Wan de Weghe Fine Art (New York).

Concluding on October 14, Frieze Master still has plenty of time to keep the sales coming.

Taking over two galleries at New York City’s Morgan Library & Museum, Dürer to de Kooning: 100 Master Drawings from Munich, spans the sixteenth through the twentieth centuries. The show includes rarely seem works by old masters such as Michelangelo, Rembrandt, Raphael, and Rubens as well as nineteenth century sheets by van Gogh and contemporary works by Pablo Picasso, David Hockney, and Georg Baselitz. The drawings, which are on loan from the Staatliche Graphische Sammlung in Munich, have never before been on view in the United States.

Comprised of a complex of buildings on Madison Avenue, the Morgan began as the private library of the financier Pierpont Morgan. In 1924, eleven years after Pierpont’s death his son, J.P. Morgan, Jr., turned the library into a public institution.

100 Masters will be on view through January 6, 2013.