Displaying items by tag: Private Collection

A prized Picasso portrait, which has been in the Goldwyn family collection since it was acquired by Hollywood legend Samuel Goldwyn Sr. in 1956, has been sold to another film and entertainment mogul from halfway around the world.

Wang Zhongjun, chairman and co-founder of entertainment giant Huayi Brothers Media Group, purchased Pablo Picasso’s “Femme au chignon dans un fauteuil” at Sotheby’s Impressionist & Modern Art Evening Sale on May 5 for US$29.93 million (HK$233 million).

It is rare for private collections of American paintings, drawings, and watercolors to span the entire nineteenth century—from America’s artistic development in the Federal period to the aesthetic movement of the late nineteenth century. It’s rarer still when the collection is coupled with American sculpture spanning the same period, particularly considering that there were few American sculptors of note for much of the first half of the century. The art within this East Coast private collection encompass paintings by Trumbull and Stuart to Chase and Sargent and sculpture from Houdon to Saint-Gaudens.

Most American sculpture of the early nineteenth century consists of portraits that celebrate the founding fathers of the nation. As such they complement paintings of the period which, while also recording the likenesses of the early patriots, include historical events, often battles...

To continue reading this article about nineteenth-century sculpture, visit InCollect.com.

The private art and furniture collection of the famed architect and designer of Sydney Opera House Jørn Utzon is going under the hammer at Bruun Rasmussen Auctioneers in Copenhagen in June.

Built upon Utzon's refined taste and close personal relationships to many renowned artists and designers, the Dane's collection includes pieces from the likes of Le Corbusier, Georges Braque, Fernand Léger, Henri Laurens, Pablo Picasso, Asger Jorn, and Alvar Aalto.

The highlight of the collection is doubtlessly a tapestry by Le Corbusier titled "Les dés sont jetés" (the dice is cast) (1960) which Le Corbusier created when the pair collaborated on the decoration of the Sydney Opera House.

Two Francis Bacon self-portraits are going on public display for the first time after resurfacing in a private collection.

Descendants of the original collector have decided to sell the paintings, which are expected to fetch £15m each at auction.

Experts knew of the works’ existence, but had no idea who had bought them soon after they were completed about 40 years ago.

The paintings will go on show at Sotheby’s in London and New York before going under the hammer in July.

Nineteen major paintings lent from the private collection of Thelma and Melvin Lenkin of Chevy Chase, Md., are on view at the Smithsonian American Art Museum through Aug. 16. Mary Cassatt’s renowned “Reading ‘Le Figaro’” is joined by major oil paintings by George Bellows, Martin Johnson Heade, John Singer Sargent, John Sloan, William Glackens, John La Farge, Everett Shinn and others. These artworks have been installed on the second-floor galleries of the museum within the chronological flow of the museum’s permanent collection to create a narrative around the excitement of the late 19th and early 20th centuries in America, a “coming-of-age” period in American art. Many of the works are on public view for the first time.

On this, her first visit to Texas, Almudena Ros de Barbero is fully prepared for the state’s tendency to do things in a very big way.

But in this case, she’s the conduit to big by curating the first of two anniversary blockbusters at the Meadows Museum at Southern Methodist University. Say hello to “The Abelló Collection: A Modern Taste for European Masters,” which opened this weekend.

Ros is official curator of the private collection of Juan Abelló and his wife, Anna Gamazo, whom Meadows director Mark Roglán describes as two of the top collectors in the world.

On May 21, as the star lot of its sale of American Art, Christie’s will offer "Two Puritans" by Edward Hopper (1882-1967). Painted in 1945 at the height of Hopper’s career, "Two Puritans," one of only three canvases by the artist of that year and the only one in private hands, is estimated to bring in excess of $20 million when it appears at auction for the first time this spring. The painting has been included in nearly every major exhibition and publication on the artist and, most recently was on view in Paris at the Grand Palais, where the Hopper exhibition broke attendance records, proving that the artist has arrived on an international stage.

Elizabeth Beaman, Head of American Art, states; “Edward Hopper's masterwork 'Two Puritans' can be considered at once an intimate and revealing portrait of the artist and his wife, as well as a testament to his dogged dedication to realism in the face of a changing visual world that increasingly championed abstraction.

In another sign of the market’s bubbling strength, Christie’s announced it will offer Alberto Giacometti’s life-size bronze “Pointing Man (L’Homme au Doigt)” from 1947 on May 11 in New York, along with an unpublished estimate in the record-breaking region of $130 million. Of the six works in the famed edition, as well as one artist proof, this example is believed to be the only one that is hand-painted by the artist. Five of the six in the edition are tucked away in museums or private foundations, including the Museum of Modern Art in New York and the Tate Modern in London. Only two are left in private hands.

“Pointing Man,” standing 69 7/8 inches tall and bearing a crusty patina, as if charred by the horrific aftermath of the Second World War, reaches out with his spindly right arm, while his left remains raised at shoulder height, as a fencer might guardedly stand before an opponent.

A private collection of musical automata that would have been created in Europe for export around the world will lead Sotheby’s New York sale of Important Watches on June 11.

The 21-piece collection, valued at $2.3 million, was assembled over 50 years, and includes pieces by renowned craftsman such as Jacquet-Droz and Piguet & Meylan.

“These works were the ultimate luxury toys of their day – a sign of wealth that epitomized Swiss technological and creative genius."

On March 17, Christie’s hosted its first-ever evening sale dedicated to Asian art in New York. The occasion was the first offering from the prized Robert Hatfield Ellsworth Collection, regarded as the most prestigious — not to mention largest — private collection of Asian art to hit the auction block. Thanks to the freshness of the material and the pedigreed provenance, the house had no trouble securing buyers for all 57 lots, and with a whopping $61,107,500, total, the results demonstrated strength across all areas of the market for Indian, Himalayan, Southeast Asian, Chinese, and Japanese art.

The sale began promptly at 6 p.m., with fierce participation from telephone bidders and individuals in the room for a superb gilt-bronze figure of a seated bear from China’s Western Han Dynasty (206 BC).