Displaying items by tag: acquired

Thanks to the keen eyes of the Metropolitan Museum of Art’s curators, the institution snapped up an important Old Master drawing at an auction at Swann Galleries for $840 (with premium). The auction, which took place on January 29, 2013, was part of the highly anticipated Old Masters Week in New York.

The drawing was described in the auction catalogue as being from the early 19^th century and of French origin. An illustration in brush, black ink, and gray wash of Socrates dying, the drawing was said to be modeled after Jacques-Louis David’s (1748-1825) painting The Death of Socrates, a work that resides in the Met’s permanent collection. The original painting by David was acquired by the museum in 1931 and is among the artist’s greatest works.

As it turns out, the alleged copy, which was given an estimated selling price of $500-$700, was a previously unrecorded preliminary compositional study for David’s painting. Along with the painting, the Met owns a well-developed chalk drawing of The Death of Socrates, which helped the Met’s curators to authenticate the compositional drawing despite differences in setting, positions, and gestures of the figures featured in the painting.

The drawing was acquired by the museum via Katrin Bellinger, a frequent agent for the institution.

The Museo del Prado, the main Spanish national art museum located in Madrid, received the largest private donation in decades on Tuesday, January 29, 2013. Prado officials announced that the museum was the recipient of 12 medieval and Renaissance works by Spanish artists.

Barcelona-based businessman and engineer Jose Luis Varez donated the collection to the institution during a ceremony, which counted the Spanish Prime Minister Mariano Rajoy among its guests. Jose Pedro Perez Llorca, president of the Prado’s board of trustees, said, “These aren’t times of lavish state spending, so this donation is generous and tremendously timely.” Spain’s dire economic standing has led to severe spending cuts in an attempt to meet public deficit targets.    

The recently acquired paintings and sculptures include the central panel of an altarpiece from a church in northeastern Spain titled The Virgin Tobed (1359). The Catalan Italo-Gothic painting is believed to be by 14^th century artist Jaume Serra (died after 1405). The works will join the Prado’s exemplary collection, which includes paintings by Spanish masters such as El Greco (1541-1614), Diego Velázquez (1599-1660), and Francisco de Goya (1746-1828).

To thank Varez for his generous donation, the Prado will name a room in the museum in his honor.

The J. Paul Getty Museum in Los Angeles will return a terracotta head depicting the Greek god Hades to Sicily. The museum has been working with Italian officials for two years to decide whether or not the artifact should be returned. The Getty purchased the terracotta head from New York collector Maurice Tempelsman for $530,000 in 1985. Tempelsman had originally acquired the piece from the disgraced antiquities dealer Robin Symes.

Officials determined that the terracotta head was originally located in Sicily at a sanctuary site for the goddess Demeter and her daughter Persephone. The piece’s provenance was discovered by comparing the head to four terracotta fragments found near the famous and highly looted archaeological site Morgantina in Sicily. It soon came to light that the head was illegally excavated from Morgantina in the early 1970s.

The Getty entered into an agreement with Italy’s Ministry of Culture in 2007 after a long legal battle regarding looted works and the museum’s former curator, Marion True. The Getty now has connections in various parts of Italy to facilitate cultural exchange and has been working closely with Sicilian officials since 2010.

The head of Hades will be on view at the Getty Villa as part of the exhibition The Sanctuaries of Demeter and Persephone at Morgantina through January 21, 2013. The work will then join the Getty-organized traveling exhibition Sicily: Art and Invention between Greece and Rome before being placed in Sicily’s Museo Archeologico.