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The Louvre’s new outpost in Abu Dhabi, which is slated to open in 2015, has assembled the 130 paintings, miniatures, sculptures, and other artworks that will form its permanent collection. Museum officials allowed reporters a sneak peek of the works including paintings by Pablo Picasso (1881-1973), Rene Magritte (1898-1967), Édouard Manet (1832-1883), and Paul Gauguin (1848-1903). The entire collection will be on view from April 22 to July 20, 2013 as part of the exhibition The Birth of a Museum at a gallery on the island of Saadiyat, close to where construction for the new museum is currently underway.

Louvre Abu Dhabi’s collection is comprised of numerous works from private collections, many of which have never been on public view before. Highlights from the museum’s holdings include Picasso’s gouache, ink, and collage work on paper Portrait of a Lady (1928); Gauguin’s Children Wrestling (1888); and Paul Klee’s (1879-1940) Oriental Bliss (1938).

The Louvre’s new venue, which was designed by the French architect Jean Nouvel, is the museum’s first branch outside of France. The venture is expected to bring the Louvre and its French partner museums approximately $1.31 million over 30 years. The Louvre also has an offshoot location in the northern city of Lens.

The Louvre has been on the hunt for a director since the current chief, Henry Loyrette, announced his resignation in December 2012. Today, April 3, 2013, French President Francois Hollande announced his decision to appoint Jean-Luc Martinez, a French specialist in Greek, Roman, and Etruscan antiquities, as the museum’s new director.

Martinez, who has worked with the Louvre since 2007, is currently helming the restoration of the museum’s famed sculpture Winged Victory of Samothrace. He has participated in a number of other projects at the museum including the creation of the Louvre’s outpost in the French city of Lens as well as the museum’s expansion in Abu Dhabi.

Martinez, 49, has signed on for a three-year term and will take over operations in mid-April. Loyrette, who has been the Louvre’s director for 12 years, leaves behind a lasting legacy. During his time at the museum Loyrette nearly doubled the Louvre’s annual attendance. By the end of 2012, approximately 10 million people were visiting the museum each year, making it the busiest museum in the world. Loyrette also implemented the museum’s contemporary art program, employed a policy that relied on crowed-sourced fundraising, and launched a number of successful public campaigns.

The search for a new chief was extensive; for the first time in the museum’s 220-year history the Louvre considered hiring non-French candidates for the role of director.

Eugène Delacroix’s (1798-1863) celebrated painting Liberty Leading the People was defaced while on view at the Louvre’s satellite location in Lens, which opened in the former mining town in northern France in December 2012. French police have a detained the woman accused of scrawling a graffiti tag along the bottom of the work.

Delacroix, a leader of the Romantic school in French painting, painted Liberty Leading the People to celebrate the July revolution of 1830, which brought down France’s Charles X. The work was featured on the country’s 100-franc banknote before the Euro was adopted and is rumored to have inspired New York’s Statue of Liberty.

Just before the museum closed for the day on Thursday, February 7, 2013, a 28-year-old woman scribbled in 12 inch writing what officials believe to be a reference to a 9/11 conspiracy theory. Officials believe that the work can be easily cleaned, but a restoration expert from the Louvre was being sent to Lens to perform a thorough examination. Museum officials have not yet decided if the painting will need to be removed.    

Leonardo da Vinci’s (1452-1519) Virgin and Child with Saint Anne currently resides in the Louvre’s illustrious collection in Paris. Last year, the painting was the highlight of an exhibition at the French institution, which included compositional sketches, preparatory drawings, and landscape studies as well as related works by other artists. The work even made an appearance at the Louvre’s outpost in Lens, an industrial town in northern France. Considered his final masterpiece, da Vinci worked on Virgin and Child with Saint Anne for years, ultimately leaving the painting unfinished at the time of his death in 1519.

The J. Paul Getty Museum in Los Angeles recently put a different version of the painting on view. The work, which appeared in the Louvre’s exhibition, was made in da Vinci’s workshop, but not by his hand. It will remain on view with the museum’s Italian Renaissance paintings indefinitely.

The painting was bequeathed to UCLA in 1939 by California real estate developer Willitts J. Hole. The work was transferred to the Hammer Museum in 1995 after the university took over management and operation of the institution. Sadly, Virgin Child with Saint Anne has spent decades in storage. In fact, it hasn’t been prominently displayed since the 1940s when it hung in the UCLA library. The reason the work has languished in storage for so long is that the Hammer Gallery requires that any work displayed in its historical art galleries be a part of founder Armand Hammer’s personal collection. Since Virgin and Child with Saint Anne was a gift, it doesn’t qualify.

The painting arrived at the Getty in 2010 prior to being shipped to Paris for the Louvre exhibition. Museum staff analyzed, cleaned, and repaired some varnish before shipping the painting to Europe. Now that Virgin and Child with Saint Anne is back at the Getty, museum officials are happy to have the work on public display.

After twelve years at the helm of the world’s busiest museum, Henri Loyrette announced that he will leave his post at the Musée du Louvre in April of 2013. Before becoming the president and director of the Louvre, Loyrette served as the first curator and then the director of Paris’ Musée d’Orsay from 1994 to 2001 and has served as France’s chief curator of heritage since 1975. Loyrette has already informed the president of France, François Hollande, and the country’s minister of culture of his departure.

The Louvre attracts more visitors each year than any other institution in the world and Loyrette has managed to keep that number on the rise. In fact, the number of visitors has almost doubled under Loyrette’s leadership; 5.1 million patrons were reported in 2001 and by the end of 2012, almost 10 million people will have visited the Louvre this year.

However, Loyrette did much more than increase attendance during his time at the Louvre. He is responsible for implementing the museum’s contemporary art program and has organized exhibitions by Cy Twombly (1928-2011), Anselm Kiefer (b. 1945), and many other renowned modern artists. Loyrette employed a new policy that relied on crowd-sourced fundraising and launched a number of successful public campaigns that asked art enthusiasts to help the museum make important acquisitions. Loyrette also oversaw the opening of the Louvre’s outpost in the northern city of Lens as well as the expansion of the museum’s Islamic art galleries, which opened earlier this year.

Loyrette will no longer be in charge when the Louvre’s outpost in Abu Dhabi opens. The controversial project stirred debate in the French art world as Abu Dhabi has paid nearly $1.3 billion to use the Louvre name for thirty years and to gain access to the museum’s collection during that time. Designed by French architect Jean Nouvel, the Abu Dhabi location is slated to open in 2015.

In response to critic’s who say French art is elitist, the Louvre has embarked on the “Louvre-Lens” project and have built an extension of the museum in the poor mining city located in northern France. The project, which opens this week, is housed in a glass and aluminum structure and stands in stark contrast to the rest of the impoverished area.

While the Louvre is well intentioned, locals are wary. French President, Francois Hollande, visited the museum on December 4 but failed to venture outside the institution’s walls. While art is welcome, locals feel they are in greater need of expanded job opportunities and a more stable economy. Still, the Louvre hopes that they can help transform Lens similarly to how the Guggenheim Museum turned the burned-out, industrial city of Bilbao, Spain into a travel destination.

Lens was leveled as a result of World War I and II. After that, the city spent decades as mining area and endured many related tragedies. After the last mine closed in 1986, the city fell into poverty. Now one of the country’s poorest cities, Lens has an unemployment rate of 24 percent; the national average is 9 percent.

Designed by a Japanese firm, the museum boast two large exhibition spaces and features a diverse body of work including Cycladic sculptures, Egyptian statues, 11^th century Italian mosaics, and Leonardo da Vinci’s restored masterpiece, The Virgin and Saint Anne.