Displaying items by tag: louvre lens

Über collector François Pinault is launching an artist residency program in a former rectory, the Quotidien de l’Art reports. The residency is located a stone’s throw from the Louvre-Lens, Pas-de-Calais (northern France). One of Pinault’s main advisers, former culture minister Jean-Jacques Aillagon, said the patron was inspired by a visit to the Louvre’s northern outpost and wants “to contribute to the regeneration of the area.”

The art critic Robert Hughes described Goya's Disasters of War etchings as the greatest anti-war manifesto in the history of art. It is fitting, then, that as the world prepares to mark the 70th anniversary of the D-day landings and 100 years since the start of the 1914-18 war, 15 of these Goya prints will form the centrepiece of a powerful exhibition opening on Wednesday at the Louvre's outpost in Lens, a depressed former mining town flattened in the bombings of the first world war.

The exhibition's curator, the art historian Laurence Bertrand Dorléac, claims, however, that The Disasters of War: 1800 to 2014 is not pacifist.

The Louvre has been on the hunt for a director since the current chief, Henry Loyrette, announced his resignation in December 2012. Today, April 3, 2013, French President Francois Hollande announced his decision to appoint Jean-Luc Martinez, a French specialist in Greek, Roman, and Etruscan antiquities, as the museum’s new director.

Martinez, who has worked with the Louvre since 2007, is currently helming the restoration of the museum’s famed sculpture Winged Victory of Samothrace. He has participated in a number of other projects at the museum including the creation of the Louvre’s outpost in the French city of Lens as well as the museum’s expansion in Abu Dhabi.

Martinez, 49, has signed on for a three-year term and will take over operations in mid-April. Loyrette, who has been the Louvre’s director for 12 years, leaves behind a lasting legacy. During his time at the museum Loyrette nearly doubled the Louvre’s annual attendance. By the end of 2012, approximately 10 million people were visiting the museum each year, making it the busiest museum in the world. Loyrette also implemented the museum’s contemporary art program, employed a policy that relied on crowed-sourced fundraising, and launched a number of successful public campaigns.

The search for a new chief was extensive; for the first time in the museum’s 220-year history the Louvre considered hiring non-French candidates for the role of director.