Displaying items by tag: manuscripts

Heritage Auctions, which is based in Dallas, TX, has announced that they will be expanding their New York City office. The company has leased over 5,000-square-feet of additional space next to their current Park Avenue location. The expansion, which has tripled the auction house’s space in New York, will include an area for private sales, a showroom for exhibiting auction highlights, and a saleroom for small, on-site auctions. Heritage will continue to hold their larger sales at the Fletcher Sinclair mansion across from the Metropolitan Museum of Art.

Heritage, which was established in 1976, is currently the largest auction house specializing in collectibles such as rare coins, civil war memorabilia, fine and rare wine, and rare books and manuscripts. The auction house brought in around $900 million in sales last year.

Baltimore’s Walters Art Museum, which houses a vast collection of paintings, sculptures, art objects, and artifacts from around the world and throughout the ages, has joined forces with Stanford University Libraries to digitize its medieval manuscript collection. The Walters plans to make the works available online and has reached an agreement with Stanford Libraries to give over 100,000 high-resolution images of its manuscripts to the University’s Digital Repository.

While the original manuscripts will remain at the Walters Museum, the high-resolution images will be accessible to scholars around the world so that they can analyze the works and compare them with manuscripts in other locations.

The Walters Art Museum currently has 850 medieval illuminated manuscripts and 150 single leaves, which range in date from the 9th to the 19^th century; it is one of the most significant collections of medieval manuscripts in North America.

On March 9, 2013 the Crystal Bridges Museum of American Art opened a sweeping exhibition focused on the work of the widely popular 20^th century painter and illustrator, Norman Rockwell (1894-1978). Rockwell is best known for his archetypical portrayals of American life as well as his cover illustrations for The Saturday Evening Post magazine, a job he fulfilled for over 40 years.

American Chronicles: The Art of Norman Rockwell is a traveling exhibition that features 50 original Rockwell paintings as well as the 323 covers the artist created for the Saturday Evening Post. The show features some of Rockwell’s most recognized images including Triple Self-Portrait (1960), Girl at Mirror (1954), and Going and Coming (1947) as well as portraits of presidents Dwight D. Eisenhower and John F. Kennedy. American Chronicles includes a number of pieces from Rockwell’s archives such as preliminary sketches, color studies, photographs, letters, manuscripts, and detailed drawings.

The well-rounded exhibition allows visitors a glimpse into Rockwell’s artistic process and illustrates how he came to be the visual interpreter of day-to-day life in post-World War II America. American Chronicles: The Art of Norman Rockwell will be on view at the Crystal Bridges Museum through May 27, 2013.

Upon her death on January 7, 2013 at the age of 91, Ada Louise Huxtable (1921-2013), a pioneering architecture critic, writer and historian, left her entire estate and her archives to the Getty Research Institute in Los Angeles. The bequest also included an apartment in New York City, a house in Marblehead, MA, and the archives of Huxtable’s husband, industrial designer, Garth Huxtable (1911-1989).  Huxtable served as the architecture critic for the New York Times from 1963 to 1982 (she was the first full-time architecture critic at an American newspaper) and as a writer for the Wall Street Journal.

The Huxtable Archives, which include notes, correspondence, research files, manuscripts, drawings, and photography, will become part of the Getty’s Special Collections holdings. Huxtable, a proponent of historic preservation, will have her own groundbreaking work conserved for the benefit of the public and the field of architecture thanks to her partnership with the Getty.

The Centre Pompidou in Paris sent a number of French masterpieces to Shanghai’s Power Station of Art for the exhibition Electric Fields: Surrealism and Beyond – La Collection du Centre Pompidou, which opened on December 16. The show marks the first collaboration between the Pompidou, a leading museum of modern and contemporary art, and a Chinese institution.

The exhibition, which is part of the Shanghai Biennale, features approximately 100 works from the Pompidou’s collection including works by Rene Magritte (1898-1967), Andreas Gursky (b. 1955), Marcel Duchamp (1887-1968), and Ed Ruscha (b. 1937). The show is divided into six categories that explore various Surrealist themes and includes paintings, sculpture, video and manuscripts.

The show’s title is a combination of two influences – the name of the venue, a former electric power station, and Andre Breton (1896-1966) and Philippe Soupault’s (1897-1990) seminal piece of Surrealist literature, The Magnetic Fields (1919). The exhibition runs through March 15, 2013 in Shanghai.

Now in its 58^th year, the Brussels Antiques and Fine Art Fair (BRAFA) will take place January 19-27, 2013 at the exhibition space, Tour & Taxis. Featuring 128 dealers from 11 countries, the fair will present works from the Middle Ages to the 20^th century including antiquities, jewelry, furniture, ceramics, drawings, engravings, Old Master as well as modern paintings, sculpture, textiles, contemporary art, photography, and much more.

After drawing in 46,000 visitors last year, BRAFA organizers have made a number of adjustments in hopes of surpassing 2012’s numbers. There will be 26 new exhibitors present and an increased emphasis has been placed on pre-Columbian art; archaeology; primitive arts; 17^th to 19^th century furniture; 19^th to 20^th century paintings, sculptures, and drawings; Asiatic arts; 20^th century decorative arts; and modern and contemporary art. BRAFA has also added a new section to this year’s fair devoted to manuscripts. Exhibitors in this section include Signatures (Paris), Librairie Thomas-Scheler (Paris), and Sanderus Antiquariaat (Ghent, Belgium).

In honor of the fair’s tenth year at Tour & Taxis, BRAFA’s architects, Volume Architecture, have designed an extraordinary entrance inspired by Byzantine architecture, particularly that of the mosques in Istanbul.

VIP guests will be given a sneak peek of the impressive fair at BRAFA’s exclusive charity event on January 18. A silent auction will be held during the evening and proceeds will benefit the Merode Foundation to support its work on educational and social projects in Brussels’ working class neighborhoods.

Exhibitor highlights include Whitford Fine Art (London), which specializes in French and British 20^th century painting and sculpture, Leysen Jewelers (Belgium), jewelers to the Belgian royal family, and Guy Pieters Gallery (Paris/Belgium), a leading force in the contemporary art world for the past 30 years.

Los Angeles’ J. Paul Getty Museum purchased a Flemish illuminated manuscript at Sotheby’s for $6.2 million on Wednesday, December 5. The Roman de Gillion de Trazegnies by Lieven van Lathem (1430-1493) consists of eight painted half-page miniatures and 44 historiated initials. Lathem is renowned for his paintings of secular scenes during the Flemish high Renaissance of manuscript illumination. The Roman de Gillion de Trazegnies is considered his finest work from the period.

The major acquisition adds to the Getty’s already phenomenal collection of 15^th century illuminated manuscripts, which includes Lathem’s only documented manuscript, The Prayer Book of Charles the Bold. Acquired in 1989, Prayer Book serves as the main reference for all other Lathem attributions. The purchase of the Roman de Gillion de Trazegnies joins two of the artist’s defining works in one collection – a remarkable feat.

Roman de Gillion de Trazegnies tells the story of the curious adventures of a nobleman from the family of Trazegnies, whose seat was in Hainaut (present-day Belgium). The tale mixes genres including travelogue, romance, and epic and follows the protagonist, Gillion, on a journey to Egypt, where he comes a bigamist and dies in battle as a hero.

The illumination had been on loan for the Getty’s 2003 landmark exhibition, Illuminating the Renaissance.

California based auction house, Profiles in History, announced today that they will exhibit highlights from their upcoming auction, The Property of a Distinguished American Private Collector. The exhibit will be held at Douglas Elliman’s Madison Avenue Gallery from December 3 through December 9. The exhibit was supposed to be held at Fraunces Tavern Museum, but an alternate location was needed after Hurricane Sandy inflicted a fair amount of damage on the museum.

The Property of a Distinguished American Private Collector includes over 3,000 manuscripts that will be auctioned off at a series of sales beginning on December 18. The first part of the sale will include 300 of the most important letters and manuscripts from the collection and carries an estimate in excess of $8,000,000.

One of the most notable highlights of the exhibition and sale is a four-page handwritten letter by Vincent van Gogh. In the letter written to his close friends, Monsieur and Madame Ginoux, just seven months before his death, van Gogh talks of his failing mental and physical. He writes, “Disease exists to remind us we are not made of wood…” The letter, penned on January 20, 1890, is expected to bring between $200,000 and $300,000.

Other important documents on view include several manuscripts by George Washington, a Thomas Paine manuscript, a rare Emily Dickinson letter, and other correspondences by Sigmund Freud, Carl Jung, Karl Marx, Charles Darwin, and Thomas Edison.

The Getty Research Institute in Los Angeles has acquired a number of 18^th and 19^th century prints by James Ensor (Belgian, 1860 – 1949) and Jean-Jacques de Boissieu (French, 1736 – 1810). An anonymous collector gifted the works to the museum. “Prints are a significant collecting priority for us,” said Marcia Reed, chief curator of special collections at the Getty. The gift will flesh out the museum’s already impressive Ensor holdings and will add a solid representation of Boissieu’s work.

Among the Ensor prints are three hand-colored etchings that are exceptional examples of his work from the 1890s, the period that is considered to be his artistic peak. Two of the three prints were inspired by Edgar Allen Poe stories and bear the skeletons, masks, and crowds of people that Ensor often included in his work. The Getty already has a compilation of Ensor’s correspondence and manuscripts including 100 signed postcards and letters, 16 prints, and his masterpiece, Christ’s Entry into Brussels in 1889 in its collection.

The gift of Boissieu’s work includes 23 etchings that span the artist’s career. Well-known as a painter and draftsman, Boissieu was also a renowned printmaker and was highly regarded for his work during the 18^th century. The collection includes several sheets of Boissieu’s studies of heads – both human and animal.

The Getty Museum plans to host a major, monographic exhibition of Ensor’s work in 2014. The show will include the prints gifted to the Research Institute.

The archives of Frank Lloyd Wright, widely regarded as one of the greatest architects of modern times, will move to New York City to become part of the permanent collections of Columbia University and the Museum of Modern Art, the institutions announced on Tuesday.

The Frank Lloyd Wright Foundation said its decision to work with MoMA and Columbia would ensure the archives, including more than 23,000 of Wright's architectural drawings, are properly conserved and seen more widely by scholars and the public.

"This is all part of our cultural heritage," said Sean Malone, the foundation's CEO. The foundation has spent the past two years deciding how to conserve the archives, he said.