Displaying items by tag: Architecture

New York’s Museum of Arts and Design (formerly the American Craft Museum) is currently hosting its inaugural “NYC Makers: The MAD Biennial,” an exhibition that highlights the city’s vast and varied creative communities. The first show to be organized under the leadership of the museum’s new Director Glenn Adamson, “NYC Makers” spotlights the work of 100 artisans, artists, and designers, living and working in New York City. The roster runs the gamut from famous creative figures such as performance artist Laurie Anderson and multimedia artist/singer-songwriter Yoko Ono to furniture designers, fashion designers, and architects.

The goal of the exhibition is to further the museum’s ongoing commitment to craftsmanship across all creative fields, promoting not only makers who exhibit their work in a museum setting, but also those who operate behind the scenes or on a more practical level. Makers featured in the exhibition were nominated by a pool of over 300 New York City-based cultural leaders, including curators, choreographers, academics, and journalists. Finalists were hand-picked by a jury led by Adamson and exhibition curator Jake Yuzna, the museum’s Director of Public Programs, based on their mastery of their respective craft.

In the third iteration of its Platform series, the Parrish Art Museum presents artist Maya Lin, whose ecologically inspired works exist at the intersection of art, architecture, and environmental science. Platform: Maya Lin, opening July 4 and continuing through October 13, 2014, reveals the artist's exploration of how humans experience and impact the landscape. It will be on view during the Parrish Art Museum's annual gala, the Midsummer Party, on July 12, 2014.

Platform: Maya Lin features Lin's Pin River-Sandy (2013), a massive geographical installation depicting the boundaries of Hurricane Sandy's flood plain, composed of thousands of straight pins. Installed on the east wall of the Norman and Liliane Peck/Peter Jay Sharp Foundation Gallery, the work has a span of 12 feet (112 5/8 x 144 x 1 1?2 inches). Lin's three marble sculptures, Arctic Circle (2013), Latitude New York City (2013), and Equator (2014), representing the typographies at each of these positions on the globe, are installed in concentric rings in the center of the gallery floor. Three new, recycled silver works, Accabonac Harbor (Long Island Triptych), 2014, Georgica Pond (Long Island Triptych), 2014, and Mecox Bay (Long Island Triptych), 2014, are particularly relevant to the location of the Museum on Long Island's East End, and are installed on the wall opposite Pin River-Sandy.

London-based creative design consultancy Universal Design Studio have been announced as the architectural team for Frieze London 2014.

Universal Design Studio was founded in 2001 by Edward Barber, OBE and Jay Osgerby, OBE to focus on architecture and interiors, building upon their award-winning product and furniture design portfolio.

In previous years the fair has employed a series of globally recognised architectural firms: Carmody Groarke (2011–2013), Caruso St John (2008-2010), Jamie Fobert (2006–2007) and David Adjaye (2003-2005).

Chicago Mayor Rahm Emanuel has announced plans for an international architecture exhibition that will take place in the city in late 2015. Modeled after Italy’s prestigious Venice Architecture Biennale, officials hope that the Chicago Architecture Biennial will boost tourism and help develop the city’s reputation as a progressive design center.

The inaugural Chicago Architecture Biennial will be co-curated by Sarah Herda, director of the Graham Foundation, which provides project-based grants to individuals and organizations and supports architecture’s role in the arts, culture, and society, and Joseph Grima, former editor-in-chief of the architecture and design magazine, Domus. Grima previously co-curated the 2012 Istanbul Design Biennial. Herda and Grima will develop the Biennial’s program with help from a swath of influential architects including, David Adjaye, Elizabeth Diller, Frank Gehry, Jeanne Gang, and Stanley Tigerman, as well as curator Hans-Ulrich Obrist and Pritzker Prize Jury Chair Peter Palumbo. The team will draw inspiration from Chicago’s rich architectural landscape, which includes buildings by Frank Lloyd Wright, Mies van der Rohe, and Louis Sullivan.

Pritzker Prize-winning architect Peter Zumthor has rejiggered his masterplan for the Los Angeles County Museum of Art‘s (LACMA) campus to avoid the neighboring La Brea Tar Pits. When the original designs for the massive, $650-million overhaul of LACMA’s disjointed group of buildings was announced last year, the administration of the Page Museum at the La Brea Tar Pits raised objections and claimed that the Zumthor plan would block rainfall and sunlight on the geological tourist destination and still-active paleontological research site rich with Ice Age fossils.

The new plan, as Jori Finkel writes for the New York Times, calls for a building that keeps its distance from the tar pits, instead stretching across Wilshire Boulevard to land on a lot currently used for parking.

The French multinational luxury goods conglomerate, LVMH Group, announced that the long-awaited Fondation Louis Vuitton Pour la Création (or the Louis Vuitton Foundation for Creation) will open on October 27 in Paris. The Foundation will be housed in a building commissioned by LVMH’s chairman and Chief Executive Officer, Bernard Arnault, and designed by the Canadian-American architect, Frank Gehry. The €100 million building, which resembles a cloud of glass, is located in Paris’ Bois de Boulogne district.

The 126,000-square-foot structure features 11 exhibition galleries that will house the modern and contemporary art collection of the LVMH Group, which includes works by Jean-Michel Basquiat, Takashi Murakami, and Jeff Koons, as well as masterpieces from Arnault’s personal holdings. The Foundation, which promotes contemporary artistic creation both in France and internationally, will also host temporary exhibitions, artist commissions, multi-disciplinary performances, and events.

The biggest museum fundraising campaign in San Francisco history is nearing its $610 million goal two years before the opening of a new wing that will more than double the space for artworks by Andy Warhol, Mark Rothko and David Hockney.

About $570 million, or 94 percent, has been raised by the San Francisco Museum of Modern Art for its 235,000-square-foot (21,800-square-meter) expansion and to add $245 million to the museum’s endowment. The $305 million wing designed by the Snohetta architecture firm is rising behind SFMOMA’s current home, opened two decades ago in the technology-heavy South of Market area, or SOMA.

The Palm Springs Art Museum announced that it will unveil its new Architecture and Design Center on November 9. The Edwards Harris Pavilion will be the hub of the museum’s exploration of architecture and design, and will feature spaces for exhibitions, educational and community programs, and research. The 13,000-square-foot building will also include a museum shop, curatorial offices, and a storage area.

The Architecture and Design Center is located in a restored mid-century Modern bank in downtown Palm Springs. The structure was designed in 1961 by the celebrated architect E. Stewart Williams to be the Santa Fe Federal Savings & Loan building and was recently designated as a protected Class I Historic Site. The Architecture and Design Center’s inaugural exhibition, “An Eloquent Modernist, E. Stewart Williams, Architect,” will explore Williams’ contributions to Desert Modern style as well as the Coachella Valley’s architectural landscape.

Andrew Carnegie used the third floor of his Fifth Avenue mansion as a gymnasium where he practiced his putting. The current owner, the Cooper-Hewitt, National Design Museum, plans to put a small mini-golf green there on Tuesday when the news media gets a preview of the mansion’s nearly completed $91 million renovation.

The gesture is partly a playful way to honor a piece of the building’s history. But it also represents a larger message that the museum is trying to send as it reopens later this year after three years of being closed: This institution, which highlights the importance of design in everything from architecture to umbrellas, can be fun for all kinds of visitors — not just specialists.

On July 5, the Victoria and Albert Museum (V&A) will unveil a new gallery filled with objects that have been acquired through the institution’s Rapid Response Collecting initiative. The new collecting approach strives to help the museum engage in a timely way with important global events that shape, or are shaped by design, architecture, and technology.

A decidedly historic institution, the V&A’s new gallery will feature an ever-changing display that illustrates how design reflects and defines how we live together today.