Displaying items by tag: encounters

For its third edition (though the first to take place in March), Art Basel Hong Kong has racked up 231 galleries hailing from 37 countries — over half of them with spaces in Asia and Asia-Pacific. New additions include Paris’s kamel mennour, Zurich’s Mai 36 Galerie, Berlin’s Mehdi Chouakri, and New York’s Andrea Rosen Gallery, among others. Running from March 15 to 17, 2015, the fair will consist of five sections: “Galleries,” featuring 177 of the exhibitors; “Insights,” dedicated to 34 galleries with Asia-Pacific spaces; “Discoveries,” featuring one- and two-person emerging artist showcases from 20 galleries; “Encounters,” for large-scale sculpture; and the “Film” section, which debuted last year, and will be curated again by Li Zhenhua.

Two erotically charged works by the French painter Jean-Honoré Fragonard have been reunited at the Toledo Museum of Art for the first time in 25 years. ‘Blind Man’s Buff’ and ‘The See-Saw’ are the centerpieces of the exhibition ‘Love and Play: A Pair of Paintings by Fragonard,’ which is the first show in the museum’s ENCOUNTERS series that pairs exceptional works of art in new and inventive ways.

‘Blind Man’s Buff,’ which is part of the Toledo Museum’s collection, and ‘The See-Saw,’ which is on loan from the Thyssen-Bornemisza Museum in Madrid, were painted in Paris during the early 1750s and were most likely commissioned by Baron Baillet de Saint-Julien. The works passed through a number of private collections until they appeared on the market in 1954 and were ultimately separated. The companion paintings were reunited several times for temporary exhibitions in 1968, 1987 and 1988. In addition to the paintings, the Toledo Museum’s exhibition will include two engraved copies of the canvases, a Rococo terracotta sculpture by the French sculptor Clodion, and a small selection of French decorative arts.

Fragonard was one of the most celebrated artists of the 18th-century Rococo era of French painting and was known for his risque depictions of love and courtship. ‘Blind Man’s Buff’ and ‘The See-Saw’ epitomize the exuberance and hedonism that attracted Fragonard’s patrons.

‘Love and Play’ will be on view at the Toledo Museum through May 4, 2014.