Displaying items by tag: lectures

After opening the James Christie Room at Hong Kong’s Alexandra House in February, Christie’s has launched a new art space at the Imperial Club in Beijing. This is the auction house’s first art space in mainland China and it will serve as a multi-purpose platform for collectors and art enthusiasts. Christie’s will  use the space for exhibitions, lectures, art programs, and private shows. The auction house has similar facilities in London, Paris, and New York. 

Steven P. Murphy, the Chief Executive Officer at Christie’s, said, “We share the vision with China of developing art and culture, and look forward to contributing to the growing vibrant art scenes in Beijing. The opening of our first art space in Mainland China is part of our dedication to building exhibition spaces like this around the world. We look forward to welcoming more Chinese collectors and friends on a regular basis.”

An exhibition of nine works from the Feng Wen Tang Collection of Paintings by Qi Baishi is currently on view at the new space. The show will run through April 19.

On November 16, 2014, the Harvard Art Museums -- including the Busch-Reisinger Museum, the Arthur M. Sackler Museum, and the Fogg Museum of Art -- will reopen to the public under one state-of-the art roof. The project, which began in 2008, has entailed a complete renovation and expansion of Harvard’s museum system. The endeavor has increased gallery space by 40 percent, for a total of approximately 43,000 square feet.

Harvard tapped renowned architect Renzo Piano to transform 32 Quincy Street in Cambridge, Massachusetts, the landmark building that previously housed the Fogg and Busch-Reisinger Museum, into the university’s artistic hub. The new facility combines the 32 Quincy Street building, which was constructed in 1927, with a new addition and a striking glass rooftop structure that will allow controlled natural light into the facility’s conservation lab, study centers, and galleries. The overhaul also includes a theater for lectures and public programming.

The Busch-Reisinger Museum, which was founded in 1903, is the only museum in North America dedicated to the art of the German-speaking countries of Central and Northern Europe. The Fogg Art Museum, which opened to the public in 1896, boasts extensive holdings of American and European art from the Middle Ages to the present. The Arthur M. Sackler Museum, which holds a remarkable Asian art collection, was established in 1985 in a separate building from the Fogg and Busch-Reisinger. The museum has been closed since June to prepare for its relocation to the new facility.  

Thomas W. Lentz, the Elizabeth and John Moors Cabot Director of the Harvard Art Museums, said, “We knew that we had an opportunity to redefine the Harvard Art Museums as an accessible and connected 21st-century facility for teaching and learning, so we engaged Renzo Piano to design a building to implement that vision. We asked him to design it from the inside out—to create a new kind of laboratory for the fine arts that would support our mission of teaching across disciplines, conducting research, and training museum professionals. We also wanted to strengthen the museums’ role as an integral part of Cambridge and Boston’s cultural ecosystem. We look forward to welcoming students, faculty, and staff at Harvard, our Cambridge friends and neighbors, the entire Greater Boston community, and travelers from afar into our new home this November.”

Next month, the Antiques Dealers’ Association of America will kick off its inaugural online antiques show. From 10AM on Tuesday, April 1 until 10PM on Thursday, April 3, patrons can browse offerings on their computer, tablet or smartphone from any location. Participating dealers will offer everything from American antiquities and Americana to fine art, folk art, and decorative objects.

The Antiques Dealers’ Association of America was established in 1984 as a non-profit trade association. Its main objective is to enhance the professionalism surrounding the business of buying and selling antiques. Members include a variety of dealers who are committed to integrity, honesty and ethical conduct in the antiques trade. Membership is renewed on an annual basis and is subject to review by the Association’s Board of Directors. The Antiques Dealers’ Association also organizes lectures and seminars on various topics concerning antiques.

For more information about the Antiques Dealers’ Association of America’s online antiques show click here.

Tony Fusco and Robert Four, the arts promoters and producers behind Boston’s marketing and PR agency, Fusco & Four/Ventures, LLC, are adding Boston Design Week to their roster of annual art and design shows. They are also the producers of the Boston International Fine Art Show, the Ellis Boston Antiques Show, and AD20/21, which will anchor events in the new Boston Design Week. Fusco said, “The goal of Boston Design Week is to increase public awareness and appreciation of all aspects of design and foster recognition of the vital role design and creative industries play in our lives. We want to offer the public an opportunity to explore architecture, urban design, interior design, fashion, graphic design, product and industrial design, and studio design such as furniture, decorative arts, sculpture, textiles, jewelry and more.”

The 10-day citywide design festival, which is scheduled to take place March 20-30, 2014, will include over 60 design events, exhibitions, lectures, receptions, behind-the-scenes tours, and other activities throughout greater Boston. Highlights include the American Society of Interior Designers annual awards gala on March 20 at the Mandarin Hotel; the Boston Preservation Alliance’s 2014 forum, which will take place on March 20 at the Modern Theatre in Downtown Crossing; and ongoing open houses, lectures and special sales in Park Square and on Newbury and Boylston Streets.

AD20/21: Art & Design of the 20th and 21st Centuries will take place March 27 through March 30 at the Cyclorama, Boston Center for the Arts, during Boston Design Week’s final days. Now in its seventh year, the show and sale will present modern and contemporary fine art, jewelry, vintage and contemporary studio furniture, sculpture, photography, fine prints and more.

For more information visit www.bostondesignweek.com.

Southern Methodist University’s Meadows School of the Arts will present the seminar “The World of Art and the Fine Art of Crime” this fall from October 14 to October 18, 2013. The seminar will be helmed by retired art crime specialists from the FBI and Scotland Yard and will explore issues relating to art management, operations and collecting, famous art crimes, and international repatriation efforts.

The seminar will include lectures by two renowned art crime investigators – Richard Ellis, a former detective with New Scotland Yard who helped lead the Art & Antiques Squad for over a decade, and Virginia Curry, a former FBI undercover agent and Art Crime Team member who has worked on a number of high profile cases. The daily talks will be complemented by trip to museums, galleries, and auction houses to speak with various arts managers. Topics will include security and provenance issues, Nazi thefts during World War II, the looting of Native American art, and issues of rightful ownership.

“The World of Art and the Fine Art of Crime” has been made possible by the Meadows School’s division of Arts Management and Arts Entrepreneurship.

Art Basel, the most anticipated art fair in the world, will be held from June 13-16, 2013 in Switzerland. A VIP preview and vernissage were held on June 11 and June 12 respectively and included the $12 million sale of Alexander Calder’s (1898-1976) Sumac (1961) by London’s Helly Nahmad Gallery.

Now in its 44^th year, Art Basel welcomes 304 international exhibitors to Messe Basel, a venue situated at the border of Switzerland, France and Germany. The fair presents the finest works of modern and contemporary art by more than 4,000 artists. Works on view include paintings, drawings, sculptures, installations, photographs, video and editioned works. The show is split into eight sectors – Galleries, Feature, Statements, Edition, Unlimited, Parcours, Film, and Magazines – and allows patrons to explore the many facets of modern and contemporary art including museum-quality paintings, curated projects, and site-specific artworks.  

The remarkable roster of exhibitors includes Acquavella Galleries Inc. (New York), Castelli Gallery (New York), Gagosian Gallery (multiple locations), Hauser & Wirth (Zurich/New York), Dominique Levy (New York), and Lisson Gallery (Milan/London).

Art Basel offers a full program of events including symposiums, artist talks, and lectures. Featured participants include Massimiliano Gioni, curator of the 55^th Venice Biennale and Director at the New Museum, and Hans Ulrich Obrist, co-director of the Serpentine Gallery in London.    

The fourth edition of Art Antiques London will open on June 13, 2013 at Kensington Gardens in London. The show attracts collectors, curators, and exhibitors from across the globe and presents everything from furniture, paintings, and jewelry to sculpture, ceramics, and silver. This year, Art Antiques London is happy to welcome a number of new international exhibitors including Roell Fine Art (The Netherlands), Sabbadini (Italy), and Christopher Perles (France).

The fair, which is held through June 19, 2013, includes a private viewing on June 12, a collectors’ dinner on June 13, and a lecture series, which will feature a talk on Russian Imperial porcelain and sculptures led by Dr. Ekaterina Khmelnitskaya, the curator of Russian porcelain at the State Hermitage Museum in St. Petersburg Russia.  

Art Antiques London is organized by Haughton International Fairs. For more information visit http://www.haughton.com/international-fairs/19/fair_pages/art-antiques-london.

The Speed Art Museum in Louisville, KY announced that it has exceeded its $50 million fundraising goal for its Changing Speed expansion and renovation project by $334,000. The campaign’s success will allow the museum to complete Phase I and II of its plan, which includes building a new North Building, a central utilities building, and an art park and piazza.

The New North Building will span 62,500-square-feet and will double the museum’s overall physical space. The state-of-the-art renovation will include larger spaces for special exhibitions, contemporary art galleries, a family education welcome center, indoor and outdoor cafes, a museum shop, and a multifunctional pavilion for lectures and performances.

A major family gift made by civic leader Christy Brown will allow the Speed Art Museum to complete Phase III of its plan, which includes building a new South Building and extensive renovations to the existing structure. Brown made an $18 million contribution to the project in honor of her late husband, Owsley Brown II. The new 9,500-square-foot South Building will include additional gallery space and a state-of-the-art theater that will be capable of showing 16mm and 35mm films. The South Building will also include a renovated 5,600-square-foot gallery in the Speed’s current structure to house the museum’s significant collection of early Kentucky fine and decorative arts, which includes paintings, sculptures, furniture, silver, and other objects.

Work on Phase III of the Speed’s plan is underway and Phase I and II are expected to start this summer. All construction and renovations are expected to reach completion by the winter of 2015 and a grand re-opening is slated for early 2016.

Louisville philanthropist Hattie Bishop Speed founded the Speed Art Museum in 1925. It is the oldest, largest, and foremost art museum in Kentucky. The Speed is currently closed for the renovations but a temporary exhibition space was established in downtown Louisville’s Nulu district.

Seven works by the renowned Italian painter Piero della Francesca (1411/13-1492) are currently on view at the Frick Collection in New York. Piero della Francesca in America is the first monographic exhibition in the United States to focus on Piero, one of the founding figures of the Italian Renaissance.

Among the seven works on view at the Frick are six panels from the Sant’Agostino altarpiece (1454-69), a work commissioned for the Church of St. Agostino in Piero’s native Borgo San Sepolcro. Soon after the altarpiece was completed, it was dismantled, removed from the church, and the panels dispersed. Eight panels survive to this day including the four belonging to the Frick, three more, which are housed in European museums, and another belonging to the National Gallery in Washington, D.C.

The Frick’s reunion of the six panels is the largest reassembly from Piero’s masterpiece ever to appear on display. The panels are accompanied by the Virgin and Child Enthroned with Four Angels (circa 1460-70), the only intact altarpiece by Piero in the United States. Acquired by Sterling Clark (1877-1956), the heir to the Singer Sewing Machine fortune and an avid art collector in 1913, the work is now part of the Sterling and Francine Clark Institute’s collection in Williamstown, MA.  

The exhibition, which is on view in the Frick’s oval room, is accompanied by a number of lectures, gallery talks, and seminars. Piero della Francesca in America will be on view through May 19, 2013.

Officials at Harvard University in Cambridge, MA announced that they will open the newly renovated and expanded Harvard Art Museums in the fall of 2014. The project, which began in 2008, has entailed a complete reinvention of Harvard’s museum system and will place the Busch-Reisinger Museum, the Arthur M. Sackler Museum, and the Fogg Museum of Art under one state-of-the-art roof.  

Renowned architect Renzo Piano was enlisted to transform 32 Quincy Street, the landmark building that currently houses the Fogg and Busch-Reisinger museums, into Harvard’s artistic hub. The new facility will combine the 32 Quincy Street building, which was constructed in 1927, with a new addition and a striking glass rooftop structure that will allow controlled natural light into the facility’s conservation lab, study centers, and galleries. The overhaul also includes a theater for lectures and public programming.

The Arthur M. Sackler Museum, which was established in 1985 in a separate building from the Fogg and Busch-Reisinger, has remained open during the recent construction. The Sackler will close June 1, 2013 to prepare for the relocation of its remarkable Asian art collection to 32 Quincy Street.

The Bush-Reisinger Museum, which was founded in 1903, is the only museum in North America dedicated to the art from the German-speaking countries of Central and Northern Europe. The Fogg Art Museum, which opened to the public in 1896, boasts extensive holdings of American and European art from the Middle Ages to the present.