Displaying items by tag: maquettes

The most comprehensive career retrospective in the U.S. to date of the work of Frank Stella, co-organized by the Whitney Museum of American Art and the Modern Art Museum of Fort Worth, will debut at the Whitney this fall. Frank Stella: A Retrospective brings together the artist’s best-known works installed alongside lesser known examples to reveal the extraordinary scope and diversity of his nearly sixty-year career. Approximately 100 works, including icons of major museum and private collections, will be shown. Along with paintings, reliefs, sculptures, and prints, a selection of drawings and maquettes have been included to shed light on Stella’s conceptual and material process. Frank Stella: A Retrospective is organized by Michael Auping, Chief Curator, Modern Art Museum of Fort Worth, in association with Adam D. Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art, New York, with the involvement of Carrie Springer, Assistant Curator, Whitney Museum of American Art, New York.

The Parrish Art Museum will debut an extensive survey of the photography of Chuck Close, one of the most important figures in contemporary art, opening this Sunday, May 10 with a reception at 11 a.m.

On view through July 26, the exhibition will feature some 90 images from 1964 to the present, showcasing an arc of the artist’s exploration of photography— from early black and white maquettes to monumental composite Polaroids and intimately scaled daguerreotypes and his most recent Polaroid nudes. The exhibition explores how Mr. Close has stretched the boundaries of photographic means, methods and approaches.

"Intimacy" is not a word that first comes to mind when thinking about Alexander Calder's steel work. But when you step inside Dominique Levy's immaculate townhouse galleries on the Upper East Side, where some 40 rarely-seen Calder maquettes are on view, intimate is exactly how it feels.

Collaborating with architect Santiago Calatrava Lévy presents two floors of Calder's miniature (the smallest work is 1.5 inches tall) to table-top sized sculptures. Many have not been on view since his MoMA retrospective in 1943.

Brock & Co. is currently presenting a monumental exhibition featuring the works of renowned American metal sculptor, Albert Paley. Albert Paley: Selected Works, 1985–2013 presents a selection of sculptures, drawings and monotypes by the artist. The show also includes several maquettes for larger works, two of which were part of the Paley on Park Avenue show, which featured 13 newly executed works by the sculptor, created to support the Fund for Park Avenue’s Temporary Public Art Collection.

An opening reception will be held at the Brock & Co. gallery in Concord, MA on Sunday, November 10 from 3PM – 7PM. Albert Paley will be present to discuss his work from 4PM – 5PM.

Albert Paley: Selected Works, 1985 –2013 will be on view at Brock & Co. through December 20, 2013. For more information visit www.brockandco.com.

Two permanent galleries dedicated to the work of the English sculptor Henry Moore (1898-1986) opened on Tuesday, May 14, 2013 at the Tate Britain in London. The museum presents a collection of approximately 30 works including film, photographs, maquettes, drawings, and large-scale sculptures. Moore’s Recumbent Figure (1938), which was the first of the artist’s works to join the Tate’s collection, is also on view.

Moore, who served as a trustee of the Tate for two terms from 1941-1956, worked closely with the institution. The first gallery of his works explores the artist’s relationship to the museum and how the Tate amassed its Moore collection. The artist made a number of generous donations to the institution during his life including a set of prints, which he gave to the Tate in 1976 and 36 sculptures, which he bequeathed to the museum in 1978. The Tate currently owns over 600 of Moore’s works ranging in date from 1921-1984.

The Tate’s second gallery focuses on Moore’s array of public commissions and the process he used to create them. During the 1950s and 1960s, Moore worked almost entirely in plaster, which was then cast in bronze. Most of his works from this period are figurative or centered on the landscape and the natural world. Moore’s large-scale sculptures set in a wide-ranging array of settings from this time are some of his best-known works. The sculptures in this gallery are complemented by drawings and maquettes as well as films and photographs of Moore at work in his studio.

A highly successful sculptor, Moore used the money he made from his work to endow the Henry Moore Foundation, which continues to support education and the promotion of the arts.