The stories behind some of London’s most radical public sculptures are traced in a display drawing on the Henry Moore Institute’s rich collection of sculptors’ papers in Leeds, England. The exhibition sheds new light on sculpture in the capital, charting the creative process, political debates and critical responses surrounding realized and unrealized works from the early twentieth century onwards.

Highlights include Laurence Bradshaw’s (1899-1978) iconic Karl Marx Memorial (1956) which stands in Highgate Cemetery in north London. A pilgrimage site for international socialist leaders and politicians over the past 50 years, the monument has also been a target for attacks and demonstrations, including damage from homemade bomb explosions in the 1970s.