Saturday, 27 June 2015 03:00

Rarely Seen Masterworks Offer a Sweeping Survey of Two Centuries of American Watercolors

Possibly Mary B. Tucker, Girl in Calico; Verso: Contour sketch of same subject, ca. 1840 – 1850. Watercolor, brush and brown ink, and graphite, with selective applications of glazing on cream wove paper; verso: brush and brown ink over graphite. Gift of Edward Duff Balken, Class of 1897. Possibly Mary B. Tucker, Girl in Calico; Verso: Contour sketch of same subject, ca. 1840 – 1850. Watercolor, brush and brown ink, and graphite, with selective applications of glazing on cream wove paper; verso: brush and brown ink over graphite. Gift of Edward Duff Balken, Class of 1897. Courtesy Princeton University Art Museum.

RINCETON, NJ.- Rarely on view due to their sensitivity to light, the Princeton University Art Museum’s extensive holdings of American watercolors are distinguished by their quality and breadth as well as by the institution’s sustained commitment to the collection’s growth over time. Painting on Paper: American Watercolors at Princeton presents 90 selections from this remarkable collection, supplemented by select loans, providing a potent overview of American art as well as a survey of the importance and evolution of watercolor painting in the U.S. since the early 19th century.

Among the noted artists included in the exhibition are John James Audubon, Milton Avery, Charles Burchfield, Alexander Calder, Dorothy Dehner, Charles Demuth, Richard Diebenkorn, Arthur Dove, Thomas Eakins, Sam Francis, William Glackens, Adolph Gottlieb, Childe Hassam, Winslow Homer, Edward Hopper, Jacob Lawrence, John Marin, Claes Oldenburg, Maurice Prendergast, John Singer Sargent, Ben Shahn, James McNeill Whistler, and Andrew Wyeth.

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