Displaying items by tag: Andy Warhol

Three of Andy Warhol's most iconic portraits from the 1980s will go to auction at Bonhams in London on February 12 at the Post-War & Contemporary Art sale. Each depicts a person that was a close friend of the artist as well as an important figure of the decade: socialite Marjorie Copley, photographer Robert Mapplethorpe, and artist Jean-Michel Basquiat.

"Portrait of Marjorie Copley" (1980), an icy, demure departure from the bright Pop colors that largely dominated Warhol's work during this period, has been given an estimate of £180,000–£250,000 ($271,743–$377,421).

The Los Angeles County Museum of Art (LACMA) is kicking off its 50th anniversary with a major gift of contemporary art. Local collectors Jane and Marc Nathanson have promised the institution eight works created  over four decades, including seminal pieces by Damien Hirst, Roy Lichtenstein, Frank Stella, and Andy Warhol. The bequest marks the beginning of a campaign, chaired by LACMA trustees Jane Nathanson and Lynda Resnick, to encourage additional promised gifts of art in honor of the institution’s anniversary. The Nathansons’ donation is estimated to be worth around $50 million.

Well known for their philanthropic endeavors in the Los Angeles area, the Nathansons have made several contributions to LACMA’s collection, including supporting the acquisition of a set of Ed Ruscha prints in honor of the museum's 40th anniversary.

The Contemporary Art Evening auction at Phillips on February 12 features works by many art world heavyweights including Andy Warhol, Allen Jones, Julian Schnabel, and Antony Gormley, but the star that is likely to steal the show is undoubtedly Ai Weiwei's sculpture "Circle of Animals/Zodiac Heads." This group of 12 gold-plated sculptures, portraying the signs of the Chinese zodiac, is offered as Lot 8 with a pre-sale estimate of £2-£3m.

Created in 2010 the zodiac heads are inspired by those which once comprised a water clock-fountain at the Old Summer Palace, the complex of palaces and gardens in Beijing built between 1750 and 1764 by Emperor Qianlong of the Qing dynasty.

On Friday, January 23, 2015, Allan Katz, a collector and dealer of period American folk art and Americana, debuted a new catalogue at the opening of the prestigious Winter Antiques Show in New York City. Brimming with beautifully photographed folk art objects and Americana, the catalogue offers a glimpse into Katz’s illustrious inventory.

Highlights from the catalogue include “Dude” -- a carved and paint-decorated wood and metal figure with fabric clothing. Created around 1910, “Dude” was part of Andy Warhol’s extensive American folk art collection. The Pop artist began collecting in the 1950s and in 1977, New York City's American Folk Art Museum featured his collection in the exhibition Folk and Funk.

At a press reception held Jan. 16 prior to the opening of the Brandywine River Museum of Art’s major retrospective of Jamie Wyeth’s work, Jamie Wyeth repeatedly expressed his unease at “revisiting his early work.” He said that he knew he “grew from his early work” but that it “doesn’t interest him” to see it now. While he may express such sentiments, those attending the exhibition will find much to fascinate and engage them as they follow his development as an artist. The exciting exhibition on the walls of the Brandywine galleries which have been painted in handsome hues of burgundy and maroon to complement the paintings, examines his distinctive approach to realism over the course of six decades, from his earliest portraits to the present. Landscapes of the Brandywine Valley and coastal Maine, family members and fellow artists (including the engaging portrait of Andy Warhol painted in 1976, whom he described as “very childlike”), are shown as well as domesticated and wild animals, many executed in “combined mediums,” the term he uses to describe his technique.

On Saturday, January 31, 2015, the Wadsworth Atheneum in Hartford, Connecticut, will unveil its reinstalled collections of post-war and contemporary art. Featuring work from 1945 to the present, the collections will be housed in three dedicated galleries that have been newly renovated and refurbished over the past year.

The Wadsworth’s illustrious post-war and contemporary holdings will be divided between the Huntington Gallery, where mid-century abstract painting and sculpture by artists such as Ellsworth Kelly, Willem de Kooning, Alexander Calder, Helen Frankenthaler, Jackson Pollock, Mark Rothko, and Tony Smith will be displayed; the Hilles Gallery, which will feature works by Robert Rauschenberg, Kara Walker, Cindy Sherman, Andy Warhol, Chuck Close, and Richard Tuttle; and the Colt building’s mezzanine gallery, where one of Sol LeWitt’s famed wall drawings will be on view as well as works by other minimalists and conceptualists.

The University Museum of Contemporary Art is marking its 40th anniversary with of “40 Years/40 Artists,” featuring the work of artists whose exhibitions at the museum―at crucial moments in their careers―had the effect of opening up dialogue about ideas relevant to contemporary art and society.

The artists include Andy Warhol, Daniel Buren, Joel Shapiro, William Wegman, Dawoud Bey, Miroslaw Balka, Tom Friedman, David Goldblatt, Joel Sternfeld, Jenny Holzer, Kimsooja, LaToya Ruby Frazier, and Carrie Mae Weems, as well as architects Billie Tsien and Tod Williams, among many other renowned local, national and international artists.

Having noticed the growing number of works created in the 1960s that have begun to dominate the Contemporary art sales, we asked the good people at Artnet to provide us with enough data to see better how 1960s works have come into their own. Artnet looked at the top 1000 works for each year between 2000 and 2014, then they gave us the works created in the 1960s that appeared on those lists. Karolina Prawdzik turned that data into these charts.

The chart above shows the share of the top 1000 works that were created in the 1960s. Remember that many of Contemporary art’s blue chip artists did their seminal work in the decade: Andy Warhol, Roy Lichtenstein, Mark Rothko, and Yves Klein.

Among the beneficiaries of the latest round of funding from New York's Andy Warhol Foundation for the Visual Arts are exhibitions devoted to Alberto Burri, R.H. Quaytman, Walid Raad and Arlene Shechet. The $4 million, or £2.6 millon in grants will go to more than 40 organizations, that will range from New York museums including the Museum of Modern Art and the Guggenheim, to organizers of the Raad and Burri shows, respectively - to non-profit organizations like Atlanta's Burnaway, which publishes an art magazine that trains young writers.

A fact which artlyst considers to be a worthy beneficiary, especially considering Warhol's acceptance of media in its entirety - including, of course, the creation of his own magazine 'Interview' - and Squeaky Wheel/Buffalo Media Resources, in Buffalo, New York, which promotes and supports film, video and new media arts.

"New York Painting and Sculpture: 1940 – 1970" was the Met’s most exciting exhibition to date under the auspices of director Thomas Hoving, who turned Henry Geldzahler loose to prick the art world to alertness. Paul Kasmin Gallery announces "The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art," on view at 293 Tenth Avenue from January 13 – March 14, 2015. Curated by Stewart Waltzer, this comprehensive group show reprises Geldzahler’s seminal exhibition and includes exemplary works by Josef Albers, Alexander Calder, John Chamberlain, Joseph Cornell, Mark di Suvero, Dan Flavin, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Donald Judd, Ellsworth Kelly, Roy Lichtenstein, Morris Louis, Robert Motherwell, Isamu Noguchi, Kenneth Noland, Claes Oldenberg, Jules Olitski, Robert Rauschenberg, James Rosenquist, Frank Stella and Andy Warhol, featuring works from the original exhibition.