Displaying items by tag: Curator

New research in the archives has made it possible to pinpoint the exact location of Johannes Vermeer’s world-famous The Little Street. Frans Grijzenhout, Professor of Art History at the University of Amsterdam, consulted seventeenth-century records that had never before been used for this purpose and clearly indicate the site of The Little Street in Delft. The discovery of the whereabouts of Vermeer’s The Little Street is the subject of an exhibition running from 19 November 2015 to 13 March 2016 in the Rijksmuseum. It will then transfer to Museum Prinsenhof Delft.

Pieter Roelofs, curator of seventeenth-century paintings at the Rijksmuseum, said: ‘The answer to the question as to the location of Vermeer’s The Little Street is of great significance, both for the way that we look at this one painting by Vermeer and for our image of Vermeer as an artist.’

The Barnes Foundation — which is still feeling out its new identity in downtown Philadelphia after relocating in 2012 from its original home in the suburb of Merion, Pa. — announced Thursday that it had chosen Sylvie Patry, a longtime curator at the Musée D’Orsay in Paris, to be its new chief curator and deputy director for collections and exhibitions.

Ms. Patry, 46, is a specialist in Impressionist and Post-Impressionism, which is the strength of the Barnes’s collection, built by Albert C. Barnes, a willful and eccentric pharmaceutical tycoon, and opened in 1922.

Kim Conaty has been appointed curator for the Rose Art Museum at Brandeis University. Conaty comes to the Rose from The Museum of Modern Art in New York, where she was the Sue and Eugene Mercy, Jr., Assistant Curator of Drawings and Prints. In her new position, Conaty will play a key role in planning exhibitions and interpreting the Rose’s exceptional collection of post-war art, undertake significant research, and evaluate potential acquisitions. Conaty will join the Rose staff in December 2015. 

“I am delighted to welcome Kim as a creative partner during an historic period of ambitious growth for the Rose," said Christopher Bedford, Henry and Lois Foster Director of the Rose.

The Minneapolis Institute of Arts (or Mia, as it is styled now) announced today that Robert Cozzolino will be the museum’s new Patrick and Aimee Butler Curator of Paintings. He is expected to begin his position at the Minnesota museum on March 1, 2016.

Cozzolino comes from the Pennsylvania Academy of Fine Arts. In his eleven-year tenure at the Philadelphia museum, where he is currently a senior curator and the Evelyn and Will Kaplan Curator of Modern Art, Cozzolino established himself as an expert in American painting.

The curator of Pittsburgh’s Andy Warhol Museum has resigned less than five months after being named to the position.

Museum officials say Dublin native Bartholomew Ryan resigned Friday as the Milton Fine Curator of Art. He began the job May 18.

Ryan’s arrival at the Warhol Museum was heralded, with the museum’s director calling him “one of the most dynamic young curators in America.”

Forgotten for two decades, a dusty old canvas hidden in a corner of a small Dutch museum has been revealed as a painting by American artist James Whistler.

"Thanks to chemical analysis and an examination of its origins, we have concluded that we have an authentic Whistler," museum curator Jan Rudolph de Lorm told AFP.

Douglas Druick, the director and president of the Art Institute of Chicago, has announced that he will step down from the position when a suitable replacement is found.

Druick announced his decision during a meeting with the museum's board on Tuesday evening.

Druick, who first joined the Art Institute as a curator in 1984, was serving as acting president when he was appointed to succeed James Cuno as director of the institution in 2011.

Dia Art Foundation has named art historian and curator James Meyer to fill two leadership posts as the New York-based nonprofit known for its cavernous exhibition space in Beacon, N.Y., works to reassert its presence in Chelsea.

In January Mr. Meyer, now an associate curator of modern art at the National Gallery of Art in Washington, D.C., will become Dia’s deputy director. He will also be chief curator, a newly created role that Dia’s director, Jessica Morgan, said reflected the foundation’s expanded scope.

The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College announces a major gift of over 500 photographs from photographer, curator, and collector Jack Shear. 

Shear’s extensive donation serves as a visual history of photography from its inception in the 1840s to the present day. The collection chronicles different photographic processes, techniques, and artistic approaches from an early half-plate ambrotype of Niagara Falls to a Polaroid self-portrait by a young Robert Mapplethorpe. Historic works include important examples by photographic pioneers such as Berenice Abbott, Diane Arbus, Eugène Atget, Manuel Alvarez Bravo, Ralph Eugene Meatyard, Alfred Stieglitz, and Edward Weston.

The Art Institute of Chicago announced that Gloria Groom has been named the chair of the museum’s European Painting and Sculpture department. She will now oversee the museum’s collection of Medieval, Renaissance, Baroque, Rococo, early 19th-century, Impressionist, and Post-Impressionist art.

Groom, who is also currently the Art Institute’s David and Mary Winton Green Curator, is known best for her work related to Impressionism and Post-Impressionism, and has written about the work of Pierre Bonnard and Édouard Vuillard.