One aspect of my research for the New-York Historical Society’s exhibit (see The Armory Show at 100: Modern Art and Revolution, pp. 150–159) was to identify and locate as many as possible of the over 1400 objects included in the 1913 exhibition. For major works by major artists, this was a straightforward task. But for minor works by major artists and for works by more obscure artists, it was not so simple.
