Displaying items by tag: Facebook

In most exhibitions, especially in mainstream museums, the curator is an elusive and scholarly figure, applying his or her knowledge and ever refined tastes to meticulously craft a show that will engage and enlighten. #SocialMedium does things a bit differently.

For this hyper-contemporary exhibition, the Frye Art Museum in Seattle invited an unusual guest curator to organize the show -- the entire internet. Over a two week period in August, the Frye shared 232 of their collection's paintings on various social media sites including Facebook, Pinterest, Tumblr and Instagram. Internet enthusiasts from around the globe transformed into "citizen curators" simply by "liking" an image.

The Frick Collection announced the launch of a new mobile app, which provides instant access to content related to every work of art in the Frick’s permanent collection. Via this new platform, users can browse for information about particular objects and search the collection by artist, genre, gallery location, and audio stop number. Works of art can be saved as favorites to enjoy offline or share via email, Facebook, Twitter, Pinterest, and Google+. The app connects to The Frick Collection’s database (collections.frick.org) to provide continually updated information.

Also available to users is audio commentary (in English) for select works of art, as well as audio guides to the galleries in six languages (English, Spanish, German, French, Italian, and Japanese). Visitors can listen to audio content, with headphones, on their own smartphones. Access to free Wi-Fi is available in the museum. Additionally, an interactive map allows app users to navigate the galleries and a comprehensive, up-to-date events calendar lists upcoming gallery talks, lectures, and special events.

Cameron and Tyler Winklevoss, the Internet entrepreneurs perhaps best known for their associations with Facebook and Bitcoin, are the latest techies to leap into the art world. This week, the twins’ Winklevoss Capital announced an investment round in Paddle8, a New York-based art auction house known for their high-profile charity events including a recent Faberge Egg auction. Paddle8 has flirted publicly with the use of Bitcoins for art transactions in the past and is one of the more tech-savvy of the online auction houses looking for a piece of the international market. Winklevoss Capital declined to discuss the specifics of the investment but said it was their first in the art or auction arenas.

Because of more restrictive U.S. visa requirements in the wake of 9/11 and a growing appetite for Western art in emerging markets in Asia, Africa, and elsewhere, online fine art auctions have turned into a bit of a boom industry.

Fotografiska, the Swedish-based photography museum, says that it has been forced to censor images on its Facebook pages to avoid them being deleted by the social-media giant.

The museum, which is devoted to contemporary photography, is showing 200 works by Robert Mapplethorpe (until 2 October). His oeuvre presents difficulties because of its focus on the nude; according to the museum’s spokesman, Facebook “dislikes nakedness whether it is in paintings or photography”.

Fotografiska shows works by many challenging contemporary artists. “We do not warn people about entering certain rooms, but they have titles such as ‘Nude’ and ‘Sex’. We even show erect penises, but from an artistic point of view,” he said.

To promote its Mapplethorpe show, the museum is showing works on the website depicting nudity, but with the offending areas of the body covered by blue rectangles and white lettering–an obvious reference to Facebook’s corporate colours and logo. The text reads “Facebook-friendly square”.