Displaying items by tag: Paintings

When Henry Clay Frick set out to furnish his new residence at 1 East 70th Street, his intention was to replicate the grand houses of the greatest European collectors, who surrounded their Old Master paintings with exquisite furniture and decorative objects. With the assistance of the art dealer Sir Joseph Duveen, Frick quickly assembled an impressive collection of decorative arts, including vases, potpourris, jugs, and basins made at Sèvres, the preeminent eighteenth-century French porcelain manufactory. Many of these objects are featured in the upcoming exhibition "From Sèvres to Fifth Avenue," which presents a new perspective on the collection by exploring the role Sèvres porcelain played in eighteenth-century France, as well as during the American Gilded Age. While some of these striking objects are regularly displayed in the grand context of the Fragonard and Boucher Rooms, others have come out of a long period of storage for this presentation. These finely painted examples will be seen together in a new light in the Portico Gallery.

Two Francis Bacon self-portraits are going on public display for the first time after resurfacing in a private collection.

Descendants of the original collector have decided to sell the paintings, which are expected to fetch £15m each at auction.

Experts knew of the works’ existence, but had no idea who had bought them soon after they were completed about 40 years ago.

The paintings will go on show at Sotheby’s in London and New York before going under the hammer in July.

The Muscarelle Museum of Art is going for baroque with its latest exhibit.

After a series of hugely successful renaissance-themed exhibits, the museum has embarked on a mission to showcase another side of Italy’s rich artistic legacy. "Twilight of a Golden Age: Florentine Painting after the Renaissance" has opened, offering visitors to the museum a chance to see the work of the great Italian painters who followed the Renaissance during the baroque period.

The more than 20 paintings and sculptures contained in the exhibit are on display courtesy Sir Mark Fehrs Haukohl, a private art collector who circulates his gallery of baroque Italian paintings and sculptures through museums in the U.S.

Federal agents have recently recovered dozens of lost historic art pieces ordered and funded by the U.S. government during the Great Depression.

Investigators with the Inspector General’s office of the General Services Administration told the News4 I-Team they located a trove of Works Progress Administration artwork in the attic, basements and storage areas of some California libraries.

The 122 paintings were among an estimated 100,000 pieces of Works Progress Administration that have gone missing in the decades since their completion, according to an I-Team investigation.

Nineteen major paintings lent from the private collection of Thelma and Melvin Lenkin of Chevy Chase, Md., are on view at the Smithsonian American Art Museum through Aug. 16. Mary Cassatt’s renowned “Reading ‘Le Figaro’” is joined by major oil paintings by George Bellows, Martin Johnson Heade, John Singer Sargent, John Sloan, William Glackens, John La Farge, Everett Shinn and others. These artworks have been installed on the second-floor galleries of the museum within the chronological flow of the museum’s permanent collection to create a narrative around the excitement of the late 19th and early 20th centuries in America, a “coming-of-age” period in American art. Many of the works are on public view for the first time.

The Minnesota Marine Art Museum (MMAM) in Winona is proud to announce a large, two-gallery exhibition by one of America’s most beloved artists – Winslow Homer (1836-1910).

The exhibition, titled “The Wood Engravings of Winslow Homer,” will be exhibited through August 7, 2015. The exhibition highlights Homer’s engravings which include his portrayals of the American Civil War, as well as his landscapes, seascapes and inspirations from daily life. Complementing these prints are two significant paintings by Homer that are from the collections of the MMAM, including an oil painting and a watercolor.

Jackson Pollock, the master of Abstract Expressionism, reached an endgame with his groundbreaking drip paintings in 1950, and then experimented with a new technique, akin to drawing, of pouring thinned black enamel onto unprimed cotton duck.

“The power of Pollock’s allover drip paintings from 1947 to 1950 is so all-commanding that they’ve forced a blind spot in our ability to look at other aspects of the artist’s genius,” said Gavin Delahunty, senior curator of contemporary art at the Dallas Museum of Art. He began researching Pollock’s “black pourings,” made from 1951 to 1953, after conversations with artists including Wade Guyton, Jacqueline Humphries and Julie Mehretu, who discussed their influence.

The Ackland Art Museum at the University of North Carolina at Chapel Hill has acquired what is widely considered to be a masterpiece of 20th century art by Marcel Duchamp.

The newly-acquired work of art by Duchamp, “From or by Marcel Duchamp or Rrose Sélavy,” is a so-called “boîte” (box) containing 80 small-scale reproductions of the artist’s works. These range from his avant-garde paintings, such as the famous “Nude Descending a Staircase” that scandalized the New York art world at the Armory Show in 1913, to his provocative “ready-mades,” including the 1917 “Fountain,” an inverted urinal signed with the pseudonym “R. Mutt.”

There's been an art heist at the Sam Simon Foundation in Malibu, California, and police are hunting for two paintings—one by American Pop artist Roy Lichtenstein—worth an estimated $200,000 each, reports the AP. The foundation, which rescues shelter dogs and trains them to become service dogs for the disabled, was founded by The Simpsons co-creator Sam Simon, who died last month at 59, after a long battle with colon cancer.

The paintings were reported missing on April 10, and are thought to have been taken at some point during the previous day.

Who doesn’t love trying something new? In the mid-1900s a number of modern artists experimented with new types of commercial paint using it as a base layer for their paintings. Now, decades later, their paint choices are turning out to have some negative consequences.

Abstract Expressionist painters Hans Hofmann, Jackson Pollock and others took advantage of an explosion of new paints, including zinc oxide and commercial white house paints, that became available in the years following the first and second world wars.