Displaying items by tag: Renovation

A $5.4 million donation from David M. Rubenstein, co-founder and co-chief executive of D.C.-based private-equity firm The Carlyle Group, and a philanthropist known for contributions to landmarks of American history, has completed fundraising for the renovation of the Smithsonian’s Renwick Gallery.

The building, the Smithsonian’s third oldest, houses craft objects and decorative arts from the 19th century to the present, and the donation is the final part of a two year, $30 million public/private campaign to overhaul infrastructure and renovate the Grand Salon, which will be named in honor of Rubenstein.

Since it opened to the public in 1822, the Royal Picture Gallery Mauritshuis has been one of those quiet gems, set in a 17th-century classical townhouse in the center of this patrician city and frequented by lovers of Dutch Golden Age painting. But when it closed for a renovation and expansion two years ago, and a selection from its collection went on tour, Mauritshuis gained an instant celebrity it had never had before.

Wherever the paintings went, millions of people followed, enduring long lines to see two works in particular: Vermeer’s doe-eyed “Girl With a Pearl Earring” (circa 1665), which has become one of the most famous paintings in Western art, and Carel Fabritius’s “The Goldfinch” (1654), a mere slip of a work — about 13 inches by 9 inches — but a giant hit because of Donna Tartt’s best seller of the same title. Also in that show was a sampling of works by Rembrandt and Rubens, Hals and Steen, but they were just the icing on top.

Andrew Carnegie used the third floor of his Fifth Avenue mansion as a gymnasium where he practiced his putting. The current owner, the Cooper-Hewitt, National Design Museum, plans to put a small mini-golf green there on Tuesday when the news media gets a preview of the mansion’s nearly completed $91 million renovation.

The gesture is partly a playful way to honor a piece of the building’s history. But it also represents a larger message that the museum is trying to send as it reopens later this year after three years of being closed: This institution, which highlights the importance of design in everything from architecture to umbrellas, can be fun for all kinds of visitors — not just specialists.

He was carved nearly 1,000 years ago from the wood of a giant cryptomeria, a type of cypress native to Japan. Since then, he’s been worshiped as a god, survived a devastating fire, endured a lengthy ocean voyage and delighted generations of Rhode Island art lovers.

Still, there’s a good chance the majestic “Buddha Dainichi Nyorai” — better known as the RISD Museum’s big wooden Buddha — has never had it so good.

Indeed, the massive carving and dozens of other objects have been given a thorough primping and pampering as part of a two-year, $2.7-million renovation of the museum’s top-floor Radeke Building galleries. The new galleries, which house everything from Asian prints and ceramics to ancient Egyptian artifacts to contemporary fashions and textiles, open to the public Friday.

The Hood Museum of Art at Dartmouth received an anonymous $10 million donation. The gift, which will be put towards building the centerpiece of the two-year renovation and expansion project:  a new Museum Learning Center.

The renovation project, helmed by Tod Williams Billie Tsien Architects—designers of the American Folk Art Museum building and the new Barnes Foundation—is part of Dartmouth’s aim of beefing up its campus arts district. The expansion will increase the museum’s current 39,000-square-foot space by 15,000 square feet, giving it more room to show off the museum’s collection, which touts some 65,000 objects including paintings by Perugino, Pablo Picasso, Georgia O’Keeffe, and Rockwell Kent, along with a collection of Assyrian stone reliefs. The expansion will also add three classrooms for the use of digital technology.

The New York Public Library’s revised renovation plan — to upgrade the Mid-Manhattan Library and create more public space in its flagship Fifth Avenue building — is expected to cost about $300 million, according to library officials who outlined new details of the project in interviews.

The anticipated budget matches what the library had originally suggested its previous plan — to insert a circulating branch at its main library at 42nd Street — might cost.

But officials, for the first time, revealed that the original plan, mostly scrapped last month in large part because of questions about the price tag, would actually have cost more than $500 million, according to independent estimates they commissioned last June.

Situated prominently at the eastern end of The Hague—not the city in the Netherlands, but a crescent-shaped inlet that feeds into the Elizabeth River as it passes through Norfolk, Virginia—the Chrysler Museum of Art’s newly renovated and expanded Italianate pile opened to the public again last week after 17 months of construction. Local firm H&A Architects designed identical, two-story porticoed gallery wings that flank the main entrance and added 10,000 square feet of exhibition space for American and European painting and sculpture and the museum’s renowned glass collection. The addition—which brings the total programmable space to 220,000 square feet—mimics the classical style of the original 1933 structure and a 1989 building project that unified the exteriors by removing asymmetrical and Brutalist additions completed in 1965 and 1974. “We wanted to maintain the balanced, palazzo house quality of the exterior,” explains museum director Bill Hennessey.

While the architecture may be conservative, not much else about the institution is, starting with its namesake, Walter Chrysler, Jr. The eldest son of the auto tycoon, Chrysler began amassing what would become a world-class art collection while still a student at Dartmouth in the early 1930s. Controversial dealings would eventually run the scion out of New York City, where he once served as the first chairman of the fledgling Museum of Modern Art’s library committee, and later the artists’ colony in Provincetown, Massachusetts, where he maintained a museum in a former church building during the 1960s.

The Metropolitan Museum of Art in New York has announced plans for a major renovation of its Lila Acheson Wallace Wing. Completed in 1987, the Wing houses the museum’s Modern and contemporary collection, which includes works by the circle of early American modernists around Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and John Marin; large-scale paintings by Abstract Expressionists, such as Willem de Kooning, Jackson Pollock, and Mark Rothko; and modern design, from Josef Hoffmann and members of the Wiener Werkstätte to Art Nouveau jewelry by René Lalique.

The Met, which is the largest art museum in the United States, is in the midst of re-evaluating its layout, and addressing the Lila Acheson Wallace Wing’s shortcomings is a top priority. As it stands, the Wing does not allow for a chronological presentation of the museum’s collection, creating a disjointed visitor experience. To remedy the issue, The Met plans to rebuild the Wing, potentially from scratch. Enhanced exhibition space will also allow the museum to better display its Modern and contemporary art holdings, which got a considerable upgrade last spring when philanthropist and cosmetics mogul Leonard A. Lauder donated 79 Cubist paintings, drawings, and sculptures.

One of the nation’s oldest museums, known for its daring contemporary art exhibitions next to the White House and for its financial troubles, is being taken over by two larger institutions and will soon close for renovations.

Under an agreement signed Thursday, the long-struggling Corcoran Gallery of Art and its College of Art and Design will merge with George Washington University and the federally funded National Gallery of Art.

The three sides agreed the Corcoran will close around Oct. 1 for an undetermined amount of time and undergo renovations. When it reopens, it will offer free admission like the National Gallery’s other buildings on the National Mall.

“The architect Frank Gehry’s design for a renovation and expansion of the Philadelphia Museum of Art will be unveiled on July 1 in an exhibition at the museum on Benjamin Franklin Parkway,” the New York Times reports. “The show, ‘Making a Classic Modern: Frank Gehry’s Master Plan for the Philadelphia Museum of Art,’ will offer a first look at the architect’s large-scale models, site plans, sections and renderings of the project.”