Displaying items by tag: Roy Lichtenstein

Los Angeles’ Museum of Contemporary Art (MOCA), which has been plagued by financial troubles for years, has quadrupled its endowment to over $100 million in the past nine months. Just last year the Los Angeles County Museum of Art offered MOCA $100 million to merge its two facilities with its own larger facilities. MOCA turned down the offer, opting to remain independent and launch a fundraising campaign for its endowment.

The campaign garnered the support of nearly 30 donors including financier and philanthropist Eli Broad and his wife, Edythe, who bailed the museum out nearly six years ago with a $30 million donation, and Jeffrey Deitch, MOCA’s former director. The museum is still searching for a permanent director following Deitch’s tumultuous departure.

MOCA is currently the only museum in Los Angeles dedicated solely to  collecting and exhibiting contemporary art. Its collection includes works by Roy Lichtenstein, Claes Oldenburg, Mark Rothko and Robert Rauschenberg.

On January 28, 2014, the Hill Collection of Renaissance and Baroque bronzes will go on view at the Frick Collection in New York. The Frick will be the only venue for the first public exhibition of the figurative statuettes, which span the 15th through the 18th century. The Hill Collection is exceptional in that it contains a number of rare, autograph masterpieces by Italian sculptors such as Andrea Riccio, Giambologna, and Giuseppe Piamontini.

In an unexpected twist, the show will juxtapose the bronzes alongside modern masterpieces from the Hill’s collection including works by contemporary artists such as Cy Twombly and Ed Ruscha. Collectors Janine and J. Tomilson Hill have spent around 20 years amassing their holdings -- a mix of Renaissance sculptures and works by postwar artists, specifically Andy Warhol, Roy Lichtenstein, Francis Bacon, Willem de Kooning, Lucio Fontana, Brice Marden, Ruscha, and Twombly.

The Hill Collection will be on view at the Frick through June 15, 2014.       

New York’s Contemporary art sales kicked off on Monday, November 11 at Phillips. The sale, which featured 40 lots, garnered over $68 million and sold 88% by lot and 84% by value. The top lot was Roy Lichtenstein’s Woman with Peanuts, which sold for $10.8 million, just past its low estimate of $10 million. Other highlights from the sale included Andy Warhol’s Nine Gold Marilyns (Reversal Series), which realized $$9.1 million and Jeff Koons’ Buster Keaton, which sold for $4.4 million. There were a number of records set for popular contemporary artists including Nate Lowman, Lucien Smith and Jacob Kassay.

Sales will continue on November 12 and November 13 at Christie’s and Sotheby’s.

Murals of New York City: The Best of New York’s Public Paintings from Bemelmans to Parrish is the first book to curate over thirty of the most important and influential murals located within New York City. Spanning over 100 years, the volume includes full-color images of works by Marc Chagall, Roy Lichtenstein, Maxfield Parrish and more.

From New Deal-era works to graffiti-influenced paintings, Murals of New York City explores the background of each masterpiece and the story behind those who commissioned and created the murals. Along with original photography, the book contains addresses and historical information on each mural, artist and location, including the circumstances in which they were created, restored and preserved.

Murals of New York City by Glenn Palmer-Smith will be available on October 8, 2013 from Rizzoli New York.

The art collection once belonging to the infamous Ponzi-schemer, Bernie Madoff, will be sold at Sotheby’s New York and Stair Galleries in Hudson, NY at the end of this year. The 61 works have an insured value in excess of $575,000. Securities Investor Protection Corporation trustee, Irving Picard, and the U.S. bankruptcy court are liquidating the assets, which include posters, rugs and fine art. Sotheby’s will be responsible for selling a large portion of the works and Stair Galleries will sell the remainder including posters, carpets and decorative items. The collection has been stored at Cirkers Fine Art Storage & Logistics in Manhattan since 2009.

While the majority of the lot is lackluster, there are a few important works including a lithograph by Pablo Picasso (1881-1973) illustrating a black bull, six bull lithographs by Roy Lichtenstein (1923-1997) and a small drawing of a woman’s head by Henri Matisse (1869-1954). There are also a number of works on paper by important postwar artists such as Jasper Johns (b. 1930), Andy Warhol (1928-1987), Frank Stella (b. 1936), Cy Twombly (1928-2011) and Ellsworth Kelly (b 1933). The sale will also include a pair of oriental rugs that once decorated Madoff’s offices in Manhattan and Queens.

Picard has been working to liquidate Madoff’s assets since the disgraced financier’s arrest in 2008. To date, he has collected about $9.3 billion to compensate the people and companies that Madoff defrauded. Picard has overseen the sales of three powerboats, various cars, jewelry, pianos and Madoff’s wine collection.

On July 2, 2013, a U.S. District judge decided the fate of 15 contemporary artworks once belonging to the disgraced financier and attorney, Marc S. Dreier. Dreier was convicted of fraud in 2009 for selling hundreds of millions of dollars in fake promissory notes to hedge funders and a section of his collection has remained in limbo ever since.

Judge Jed S. Rakoff ruled that the art holdings, worth $33 million, will be turned over to New York’s Heathfield Capital Limited, the company that suffered the greatest from Dreier’s scam. The works going to Heathfield Capital include a piece by the conceptual artist John Baldessari (b. 1931), an untitled work by Keith Haring (1958-1990), one work by Alex Katz (b. 1927), three by Roy Lichtenstein (1923-1997), an untitled work by Mark Rothko (1903-1970) and three pieces by Andy Warhol (1928-1987) including the iconic Jackie portrait of Jacqueline Kennedy Onassis. The bulk of Dreier’s collection was sold in 2010 at Phillips and the profits were reserved for creditors of Dreier’s law firm.

Drier is currently service a 20-year sentence at a federal prison in Minnesota.

Jean-Michel Basquiat’s (1960-1988) neo-expressionist painting Untitled (1982) sold for $29 million at Christie’s in London on June 25, 2013, surpassing its pre-sale estimate of $24.7 million. The work, which was acquired by the seller for $1.7 million in 2002, sold to a telephone bidder. Untitled was painted in the same year as Dustheads, the Basquiat painting that sold for $48.8 million in May 2013, setting the record for the artist at auction.

Other highlights from the Post-War and Contemporary art sale included Roy Lichtenstein’s (1923-1977) Cup of Coffee (1961), which sold for $4.2 million and exceeded its $3 million high estimate; Willem de Kooning’s (1904-1997) uncharacteristically serene Untitled XXVIII, which brought $4.4 million, well past its high estimate of $3.5 million; and Yves Klein’s (1928-1962) SE 181 (1961), a sculpture in the artist’s signature blue hue, which garnered $4.1 million, surpassing its high estimate of $2.7 million. However, not all lots fared so well. Andy Warhol’s (1928-1987) Colored Campbell’s Soup Can (1965) failed to meet its low estimate of $3.4 million due to its unpopular color palette. Steven S. Cohen, the disgraced founder and CEO of SAC Capital Advisors LP, previously owned the work.

Overall, the sale realized a total of $108.4 million and sold 90% by value and 80% by lot. Francis Outred, International Director and Head of Post-War & Contemporary Art, said, “Overall the auction showed an intelligent, solid market and a depth of global bidding, which is a testament to the worldwide interest in Post-War and Contemporary art.”

A painting by renowned Pop artist Roy Lichtenstein (1923-1997) will be the highlight of Masterpiece London, which takes place at the Royal Hospital Chelsea from June 27 through July 3, 2013. Now in its fourth year, the show presents the finest art, antiques, and design from across the globe.

While works ranging from furniture, jewelry, and books to classic cars, watches, and whiskey will be offered, there is one particular artwork generating tons of pre-show buzz. Geoffrey Diner, a Washington, D.C.-based art dealer, will present Roy Lichtenstein’s Puzzle Portrait (1978), which has not been seen in public in 30 years and has never appeared at auction. Similar paintings are part of the Guggenheim Museum’s and the Metropolitan Museum of Art’s collections in New York. Puzzle Portrait is expected to garner around $10 million.    

Diner has revealed little about the painting’s provenance other than the fact that it was sold in 1984 to “a prominent American collection.” Diner purchased the painting privately last year and the change of ownership still has not been registered in the Lichtenstein Foundation archives. The identity of the previous owners will be revealed to the buyer upon acquisition of the painting. The future buyer will also be given the personal correspondence between them and the artist from the original transaction.

After a whirlwind of auctions last week in New York, which included a historic $495 million post-war sale at Christie’s, Phillips’ Contemporary Art Evening Sale on May 16, 2013 seemed quite subdued. The boutique auction house’s sale garnered $78.6 million and sold 81% by lot and 88% by value.

The highlight of the night was Andy Warhol’s (1928-1987) Pop Art masterpiece, Four Marilyns (1962), which sold for $38.2 million. The sale confirmed that Warhol remains a powerful presence in the art market. During the auction two other Warhol works were sold -- Flowers (1964), which brought $2.4 million and Marilyn Monroe (Marilyn) (1967), which sold for upward of $2 million. Other major sales that night included Jean-Michel Basquiat’s (1960-1988) Untitled (1961), which garnered over $4 million and Roy Lichtenstein’s (1923-1997) Still Life (1972), which also sold for upward of $4 million.

Phillips has undergone a number of changes in the past year. Following the departure of Chairman Simon de Pury in December 2012, the company changed its name from Phillips de Pury & Co. to Phillips. In February 2013, the auction house revealed 10,000-square-feet of new gallery space at the company’s headquarters on Park Avenue in Manhattan. The expansion was an attempt to compete with the major auction houses such as Sotheby’s and Christie’s.

Christie’s Post-War and Contemporary Evening Art Auction on May 15, 2013 in New York garnered $495 million – the highest total in auction history. Packed with masterpieces from an array of important art movements including Abstract Expressionism and Pop, many of the works offered were from lauded private collections and institutions. Brett Gorvy, Chairman and International Head of Post-War and Contemporary Art, said, “The remarkable bidding and record prices set reflect a new era in the art market, wherin seasoned collectors and new bidders compete at the highest level within a global market.”

The top lot of the night was Jackson Pollock’s (1912-1956) Number 19, 1948 (estimate: $25 million - $35 million). A prime example of Pollock’s drip paintings, the work sold for $58.3 million and set the record for the artist at auction. The influential art critic, Clement Greenberg, singled our Number 19 as the painting that offered enough proof to justify calling Pollock one of the most significant painters of our time.

Other highlights include Roy Lichtenstein’s (1923-1997) iconic work of pop art, Woman with Flowered Hat (1963) (estimate: approximately $30 million), which sold for $56.1 million and set the record for the artist at auction; Jean Michel-Basquiat’s (1960-1988) Dustheads (estimate: $25 million - $35 million), a neo-expressionist work from the 1980s, which sold for $48.8 million, an auction record for the artist; and Mark Rothko’s (1903-1970) color field painting, Untitled (Black on Maroon) (1958) (estimate: $15 million-$20 million), which sold for $27 million.

Out of 70 works offered at last night’s auction, only 4 failed to find buyers.