Displaying items by tag: archaeological

After an act of 'so-called' restoration akin to the horrors of 'Ecce Homo' - a mural depicting Christ with a crown of thorns, became an internet sensation when it was disfigured by Seniora Gimenez, while she attempted to restore it. The 120-year-old fresco had been transformed into something which resembled a character from "Planet of the Apes" - according to Turkish media, the country's culture ministry is investigating reports that a number of valuable Roman mosaics were badly damaged during botched restoration at an archaeological museum.

Spain is to return to Colombia 691 indigenous artefacts seized in a police operation 11 years ago.

Most of the ceramic items are of huge cultural and archaeological value, and date back to 1400BC.

They had been smuggled out of South America by a man linked to the drug gangs before being recovered in Spain, the embassy in Madrid said.

Following a court order in Spain, the items were handed over to the Colombian authorities.

They were put in the Museum of America in Madrid and will be returned to Colombia in the next few months.

Last week, it was discovered that part of a fresco was missing from the ancient Roman city of Pompeii. It is believed that thieves broke into a closed-off section of the UNESCO World Heritage site and chiseled off a portion of the fresco bearing a depiction of the Greek goddess Artemis.

Police have launched an investigation into the disappearance of the eight-inch wide fragment. They will be reviewing surveillance footage from the perimeter of the site in hopes of identifying the thieves, but there are no security cameras within the ruins.

Professor Umberto Pappalardo, an archaeological expert at the Suor Orsola Benincasa University in Naples, told AFP he believes petty criminals were behind the theft, rather than art thieves aiming to sell the fragment on the international market. Pappalardo added, “Selling a stolen fresco from a site as well documented as Pompeii would be a very, very tall order. There would certainly not be any market for it in Italy.”    

In January, a fragment of fresco was taken from another part of Pompeii and sent to the curator’s office in an anonymous package. Pompeii, one of Italy's main tourist attractions, has become a symbol for decades of mismanagement of the country's cultural sites. Italy's new Culture Minister, Dario Franceschini, has promised to increase maintenance work at Pompeii. 

In the first exhibition of its kind in 50 years, the DeWitt Wallace Decorative Arts Museum, one of the Art Museums of Colonial Williamsburg in Virginia, is presenting the exhibition "A Rich and Varied Culture: The Material World of the Early South." The show, which features more than 400 objects drawn from the Colonial Williamsburg collections, will include a dozen categories of media and represent four geographic regions of the South -- the Chesapeake region, the Carolina Low Country, the Backcountry South, and the Gulf Coast. Works from 10 other institutions and 14 private collections will also be exhibited.

Together, furniture, paintings, prints, metals, ceramics, mechanical arts and arms, architectural elements, archaeological objects, rare books, maps, costumes, accessories and musical instruments will tell the story of the region’s population from the 17th century through 1840 as it expanded westward and southward toward the frontier. Each of the works on view has undergone exhaustive research, which has yielded some unexpected findings. For example, a painting of Frances Parke Custis, on loan from Washington and Lee University, was revealed to be the work of the Brodnax Limner, a little-known artist who worked in Virginia during the 1720s.  

Ronald L. Hurt, the Colonial Williamsburg Foundation’s vice president for collections, conservation, and museums and its Carlisle H. Humelsine Chief Curator, said, “The early American South has long been depicted as a society that produced almost none of the objects used by its substantial populace. However, the opposite is true. Southern artists and artisans generated a vast body of material in virtually every medium. The abundance and diverse cultural resonance of these goods will be powerfully conveyed by the objects assembled for this exhibition.”

"A Rich and Varied Culture: The Material World of the Early South" was entirely funded by Williamsburg residents, Carolyn and Michael McNamara. The exhibition will be on view at the DeWitt Wallace Decorative Arts Museum for five years, until 2019.

For years, Italy, Greece, and other ancient lands have accused American museums of ignoring evidence that antiquities in their collections were looted from archaeological sites. Five years ago, the Association of Art Museum Directors (AAMD) responded by making the requirements for acquiring ancient works much more stringent. The revised guidelines advised American museums against acquiring works unless solid proof existed that the artifact, prior to 1970, was outside the country where it was discovered in modern times, or was legally exported from that country after 1970.

 1970 remains an important date, as it marks the year UNESCO put a stop to the illicit trafficking of antiquities. The year is now regarded as the standard cutoff for collecting. Works that appear on the market without documentation dating back that far are much more likely to have been stolen, looted, or smuggled out of their countries.

 On Wednesday, January 30, 2013 the AAMD announced a few additional restrictions for American museums. The AAMD, which has 217 member museums in North America, now requires institutions to post a public explanation on the AAMD’s website if they acquire any ancient works with spotty ownership records. In addition, the museum much provide an image of the object, any known provenance information, and an explanation as to why they decided to acquire the work. If an institution fails to comply, they will be subject to ethical scrutiny and possible expulsion from the AAMD.

 Officials hope that the tighter acquisition regulations will discourage American museums from obtaining questionable artifacts while supporting transparency between the United States and nations of origin who may lay claim to the antiquities.

The J. Paul Getty Museum in Los Angeles will return a terracotta head depicting the Greek god Hades to Sicily. The museum has been working with Italian officials for two years to decide whether or not the artifact should be returned. The Getty purchased the terracotta head from New York collector Maurice Tempelsman for $530,000 in 1985. Tempelsman had originally acquired the piece from the disgraced antiquities dealer Robin Symes.

Officials determined that the terracotta head was originally located in Sicily at a sanctuary site for the goddess Demeter and her daughter Persephone. The piece’s provenance was discovered by comparing the head to four terracotta fragments found near the famous and highly looted archaeological site Morgantina in Sicily. It soon came to light that the head was illegally excavated from Morgantina in the early 1970s.

The Getty entered into an agreement with Italy’s Ministry of Culture in 2007 after a long legal battle regarding looted works and the museum’s former curator, Marion True. The Getty now has connections in various parts of Italy to facilitate cultural exchange and has been working closely with Sicilian officials since 2010.

The head of Hades will be on view at the Getty Villa as part of the exhibition The Sanctuaries of Demeter and Persephone at Morgantina through January 21, 2013. The work will then join the Getty-organized traveling exhibition Sicily: Art and Invention between Greece and Rome before being placed in Sicily’s Museo Archeologico.