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Monday, 14 October 2013 12:50

Currier Museum Loaned European Masterpieces

The Currier Museum of Art in Manchester, NH has been loaned two significant impressionist landscape paintings – one by Vincent van Gogh and another by Pierre-August Renoir. The works will be on view at the museum through the end of January.

The van Gogh painting was created in 1887 and features a peasant in a field near a country road, with Paris off in the distance. The painting illustrates how contemporary impressionist and neo-impressionist artists living in Paris affected van Gogh’s work. The Renoir painting shows a woman holding a parasol and a bouquet of flowers, with another behind her, emerging from the trees. Although there are figures in the painting, the composition is highly influenced by the landscape.

The two masterpieces will be exhibited alongside Claude Monet’s The Seine at Bougival, which is a part of the Currier’s collection.

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After a Bucharest court opened a trial today in the Dutch heist that saw $24 million worth of art stolen from Rotterdam’s Kunsthal Museum, the accused ringleader refused to reveal where the missing paintings are hidden. Radu Dogaru, who was denied a trial in a Dutch court, admitted to stealing the paintings with two accomplices. Back in August, Dogaru offered to return five of the seven stolen paintings if he was granted a trial in the Netherlands rather than Romania where punishments for robbery are more severe. Dogaru’s lawyer, Catalin Dancu, said, “My client has made a 180-degree turn and is now saying: if the Dutch authorities don’t want to take me, nobody will ever see those paintings again.”

Last October, Dogaru and his accomplices made off with Pablo Picasso’s Tete d’Arlequin, Claude Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed. Following the heist, rumors began to circulate that Dogaru’s mother, Olga, had incinerated the stolen paintings in her stove in an attempt to protect her son. Olga Dogaru later retracted her statement although fragments of oil paintings were found in the ashes in her stove.

Dogaru is currently asking for a simplified legal procedure in Romania, where he could be given a 14-year prison sentence. Insurer Aon Plc paid nearly the full worth of the works to the Triton Foundation, which owned the artworks at the time of the theft. The paintings were on loan to the Kunsthal Museum to celebrate the Dutch institution’s 20th anniversary.

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AXA Art Insurance Co. has leveled a lawsuit against Christie’s over several paintings that were destroyed last October during Hurricane Sandy. The claim states that the auction house failed to secure a valuable art collection that was being kept in one of its storage facilities in Brooklyn, New York despite the ongoing warnings about the damage Hurricane Sandy was expected to bring.

Paintings worth at least $1.5 million, which once belonged to the late cellist Gregor Piatigorsky and his chess champion wife, Jacqueline, were left on the ground floor of the storage facility where they were damaged by rising flood waters. While the suit didn’t specify which works were destroyed, the Piatigorskys’ collection included paintings by Edgar Degas, Claude Monet and Chaim Soutine.

A rep for Christie’s told the New York Daily News that they have not yet been served with court papers.

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On Tuesday, August 13, 2013 a Bucharest court adjourned the trial of six Romanians charged with stealing seven paintings from the Kunsthal Museum in Rotterdam. Immediately following opening proceedings, the court president postponed the trial to September 10th, allowing more time for legal issues, such as bail requests, to be examined. Although short, the suspects’ court appearance was not uneventful.

Shortly before the hearing opened, Ragu Dogaru’s lawyer offered on behalf of his client to return five of the stolen works in return for being tried in the Netherlands rather than Romania where punishments for robbery are more severe. Earlier this year rumors began to circulate that Dogaru’s mother, Olga, had incinerated the stolen paintings in her stove in an attempt to protect her son. While it has not been confirmed that Dogaru is actually in possession of any of the masterpieces, his offer could suggest that five of the works are still intact.

Last October, the thieves made off with Pablo Picasso’s Tete d’Arlequin, Claude Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed. The works were on loan from the Triton Foundation to celebrate the Kunsthal Museum’s 20th anniversary.

The total value of the haul, which is being called the “theft of the century” in the Netherlands, is $24 million according to prosecutors. Despite their high value and incredible importance, none of the paintings were equipped with alarms.

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Experts investigating the catastrophic art heist that rattled the Netherlands in October 2013 have found the burned remains of at least three oil paintings in a home belonging to the mother of one of the chief suspects. Olga Dogaru, who had previously admitted to burning the works and then withdrew her claim, originally said that she incinerated the canvases – two Monets and one Picasso – in an attempt to protect her son.

Investigators found traces of three or four paintings in ashes taken from a wood-burning stove along with nails and tacks. Ernest Oberlaender-Tarnoveanu, head of Romania’s National History Museum, which analyzed the contents of the stove, said, “The number and the type of nails we found (in the ashes) indicate that we have at least three paintings there. There are also tacks that could belong to a fourth one.” While investigators did find the remains of burned oil paintings, it is yet to be determined whether or not they are the same works that were stolen from the Kunsthal Museum.

Dogaru, her son, Radu, and four other Romanians will go on trial on Tuesday, August 13, 2013 in Bucharest. The thieves made off with Pablo Picasso’s Tete d’Arlequin, Claude Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed. The works were on loan from the Triton Foundation to celebrate the Kunsthal Museum’s 20th anniversary.

Four of the stolen works were oil paintings and three – including Pablo Picasso’s Tete d’Arlequin and Claude Monet’s Waterloo Bridge – were either pastel or colored ink on paper and would be impossible to identify if burned.

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The San Diego Sheriff’s Department released a statement on Tuesday, August, 6, 2013 asking for the public’s help in finding sculptures, jewelry and nearly a dozen paintings that were stolen from a Rancho Santa Fe home on either June 17th or June 18th. The unknown suspects made off with over $5 million in valuables that included Chinese sculptures, elaborate custom jewelry made from gold, diamonds, tourmaline and other precious gems as well as a print by Claude Monet and one by Camille Pissarro.

While detectives have not revealed the name of the homeowner or the specific address of the ransacked home, the residence was unoccupied at the time of the theft. Investigators are hoping that help from the public will allow them to locate the stolen goods and identify suspects. Authorities are offering a $1,000 reward for any useful information leading to an arrest.

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Olga Dogaru, a Romanian woman who told investigators that she burned seven modern art masterpieces to protect her son, denied her claim in court on Monday, July 22, 2013. Dogaru’s son, Radu, was one of six suspects involved in the Kunsthal Museum heist, the biggest art-related robbery to take place in the Netherlands in years.

During the hearing, Dogaru alleged that she “made up” the story about incinerating $130 million worth of art in a desperate attempt to guard her son, who had admitted to stealing the paintings last October. If she is found guilty of “destruction with very serious consequences” Dogaru could serve up to 30 to years in prison under Romanian law. Last week, news circulated that forensic investigators had found trace evidence in the ash in Dogaru’s stove.

The heist took place on October 16, 2013 and proceeded to shake the art world. The six suspects made off with Pablo Picasso’s Tete d’Arlequin, Claude Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed in less than 90 seconds. The works were on loan from the Triton Foundation to celebrate the Kunsthal Museum’s 20th anniversary.

The suspects will stand trial next month.    

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Wednesday, 17 July 2013 18:11

Suspect’s Mother Burned Stolen Paintings

The mother of Radu Doragu, one of the suspects in the Kunsthal Museum art heist, admitted to burning seven stolen paintings including works by Pablo Picasso and Claude Monet. She said that she incinerated the works, which were valued at $130 million to “destroy any evidence.”

Doragu along with five other Romanians are accused of stealing Picasso’s Tete d’Arlequin, Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed from the Kunsthal Museum in Rotterdam. The works were taken on October 16, 2012 in less than 90 seconds.

The suspects will stand trial in August for what is being called one of the most significant thefts in history.

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Six Romanians will stand trial over the heist that took place at Rotterdam’s Kunsthal Museum this past October. Seven major paintings by artists such as Pablo Picasso, Claude Monet, and Henri Matisse were stolen during the robbery – the largest in years for the Netherlands.

The lifted works include Picasso’s Tete d’Arlequin, Matisse’s La Liseuse en Blanc et Jaune and Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, which were on loan from the Triton Collection and on view as part of an exhibition celebrating the museum’s 20th anniversary. The paintings, which have not been recovered, are valued at more than $130 million. In May, investigators were analyzing ashes found in the home of one of the suspect’s mothers, raising fears that the works may have been incinerated.

Radu Dogaru and Adrian Procop are accused of masterminding the theft. Dogaru and several other suspects have been in custody since January 2013, while Procop remains at large. A date for the trial has not been set.

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Boston-based collector, Dorothy Braude Edinburg, has gifted nearly 1,000 works of art to the Art Institute of Chicago, making it one of the most significant donations in the museum’s history. The gift includes approximately 800 works on paper – primarily European prints and drawings from Old Mast to modern – and 150 works of Asian art. The donation will complement the considerable long-term loans and prior gifts made by Edinburg including works by Vincent van Gogh (1853-1890), Paul Gauguin (1848-1903), Pablo Picasso (1881-1973) and Henri Matisse (1869-1954).

The most recent gift, along with Edinburg’s previous donations, is part of the Harry B. and Bessie K. Braude Memorial Collection, which honors Edinburg’s parents. Highlights include nearly 50 extremely rare Japanese volumes, many of which are from the Edo period, a sorely unrepresented period in American museum collections; Chinese celadons from the 12th and 13th centuries; and prints and drawings by Edgar Degas (1834-1917), Claude Monet (1840-1926), Edvard Munch (1863-1944) and James McNeill Whistler (1834-1903), among many others.

Edinburg said, “I have never thought of my collection as a personal endeavor. I have always believed that it should ultimately enter a major museum and serve a broad public…I have seen the Art Institute as the eventual home for my entire collection for many years, and I am thrilled to taking another step forward with this gift in honor of my parents.”        

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