Displaying items by tag: conceptual

Iris van Herpen’s work has always pushed the boundaries of art and fashion, being so often more conceptual than wearable, so it seems fitting that her oeuvre will soon be presented stateside in an exhibition.

The High Museum of Art in Atlanta announced November 20 that it will exhibit the work of the cutting-edge Dutch fashion designer, who was the first to successfully embrace 3D-printed fashion, and was most recently inspired by the Large Hadron Collider for her Spring-Summer 2015 ready-to-wear collection.

The Dia Art Foundation is well known for its stewardship of two of the greatest pieces of American land art: Robert Smithson’s “Spiral Jetty” in Utah and Walter De Maria’s “Lightning Field” in New Mexico.

In 2015, after years of planning, it will open an ambitious new long-term project that is intended to ask provocative questions about what “American” means and to push the boundaries of the foundation’s roots in the Minimalist and Conceptual movements of the 1960s and ’70s.

The Sterling and Francine Clark Institute in Williamstown, MA recently received its most considerable gift of American paintings since its founding in 1955 and is holding an exhibition to celebrate the major acquisition. George Inness: Gifts from Frank and Katherine Martucci presents eight landscapes by the influential American painter George Inness (1825-1894) dating from 1880 to 1894. The works will appear alongside two Inness paintings collected by the Clarks themselves. The show will highlight Inness’ later work when he moved away from his signature plein-air style towards a more conceptual aesthetic that relied on the use of light and shadow.

The Swedish philosopher Emanuel Swedenborg significantly influenced Inness and inspired the artist to look at nature through a more spiritual lens. Inness moved away from straightforward depictions of the natural world towards a style that blended realism with a sense of otherworldliness. Inness achieved this through color, composition and painterly techniques that involved the gentle blurring of natural forms.

Highlights from the exhibition include Sunrise in the Woods, The Road to the Village, and Green Landscape. George Inness: Gifts from Frank and Katherine Martucci will be on view through September 8, 2013.

Twenty-seven early Mark Rothko (1903-1970) works are currently on view at the Columbus Museum of Art in Ohio as part of the exhibition Mark Rothko: The Decisive Decade, 1940-1950. The formative paintings are on loan from the National Gallery of Art in Washington, D.C., which boasts a strong Rothko collection of nearly 300 works.

Rothko’s works from the early 1940s are often overlooked and were even omitted from a Rothko retrospective at the Museum of Modern Art in 1961. The exclusion set the tone for how people interpret Rothko’s oeuvre, often deeming his earlier works as less significant than his later works. Mark Rothko: The Decisive Decade aims to dispel that notion.

The paintings on view, many of which are on paper, chart Rothko’s artistic evolution from vaguely figurative to purely abstract. Known for his layered canvases featuring often-rectangular blocks of color, Rothko explored various influences before developing his well-known signature style. The Decisive Decade illustrates Rothko’s early experimentation with shape, space and color and includes works by Arshile Gorky (1904-1948), Robert Motherwell (1915-1951), and Jackson Pollock (1912-1956) that share similar visual and conceptual characteristics with Rothko’s paintings.    

Mark Rothko: The Decisive Decade will be on view at the Columbus Museum of Art through May 26, 2013.

The Phillips Collection in Washington, D.C. will unveil its first permanent installation in over 50 years. Founded by the art collector and critic Duncan Phillips (1886-1966) in 1921, the Phillips Collection is the United States’ first modern art museum.

The new addition to the institution is a room made entirely from beeswax titled Wax Room. The experimental piece is the work of Wolfgang Laib (b. 1950), a conceptual German artist who is well known for his sculptural works made from natural materials. Laib has been making his beeswax chambers for over 25 years using hundreds of pounds of melted beeswax to coat walls and ceilings. The otherworldly spaces he creates are warmly lit by single hanging light bulbs.

The Phillips Collection’s other permanent installation is its Rothko Room, which holds four paintings by the abstract expressionist painter Mark Rothko (1903-1970). The intimate presentation of Rothko’s works was added as a permanent exhibit in 1960, six years before Duncan Phillips’ death. Phillips worked closely with Rothko, deciding which walls to hang each painting on and the kind of lighting and furniture that would best suit the room. The Phillips Collection was the first American museum to dedicate a space to Rothko’s work and it remains the only one designed in collaboration with the artist himself.

Laib’s progressive work is a welcomed addition to the Phillips Collection. While Phillips’ holdings consisted of many Impressionist paintings and other mainstream works, he also had a taste for the unconventional. Phillips was one of the earliest patrons of American modernists including John Marin (1870-1953) and Arthur Dove (1880-1946) and also harbored great admiration for Abstract Expressionism before it became a respected art movement.

Laib’s Wax Room will be unveiled on March 2, 2013.