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The Industrial Revolution drove countless American ceramics workshops out of business. Traces of these wares, whether well-preserved porcelain cups or smashed storage jars, are inspiring lectures and exhibitions.

From Sept. 18 through 20, “Declaring Independence: American Ceramics in the Making,” a conference at Colonial Williamsburg in Virginia, will discuss early producers from places ranging from Massachusetts to Alabama.

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Robert Winthrop Chanler lived big, painted big, loved big and was just plain big, 6-foot-4, 200-plus pounds, with a giant crown of shaggy hair. Despite all that, he remains an elusive figure among New York artists of the early 20th century. He is known for his serene fauvist-style paintings and fantastical scenes of forest and marine wildlife, but many of his works are lost; some are documented only through old photographs. 

A conference this month at the Vizcaya Museum and Gardens in Miami, the setting of one of his most outlandish masterworks, may answer some questions.

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