Displaying items by tag: database

The Getty Research Institute has launched an expanded dealer stock book database that provides free online access to almost 24,000 records created from the Knoedler Gallery painting stock books. Books 1 through 6, dating from 1872 to 1920, are available now; stock books 7 through 11 will be added soon.

Knoedler Gallery in New York was a central force in the evolution of an art market in the U.S. This newly enhanced database can be used to reconstruct the itineraries of thousands of paintings that crossed the Atlantic during the Gilded Age—including many that ended up in major American museums.

The Frick Collection announced the launch of a new mobile app, which provides instant access to content related to every work of art in the Frick’s permanent collection. Via this new platform, users can browse for information about particular objects and search the collection by artist, genre, gallery location, and audio stop number. Works of art can be saved as favorites to enjoy offline or share via email, Facebook, Twitter, Pinterest, and Google+. The app connects to The Frick Collection’s database (collections.frick.org) to provide continually updated information.

Also available to users is audio commentary (in English) for select works of art, as well as audio guides to the galleries in six languages (English, Spanish, German, French, Italian, and Japanese). Visitors can listen to audio content, with headphones, on their own smartphones. Access to free Wi-Fi is available in the museum. Additionally, an interactive map allows app users to navigate the galleries and a comprehensive, up-to-date events calendar lists upcoming gallery talks, lectures, and special events.

The Delaware Art Museum in Wilmington has launched a website that allows users to explore its vast collection from any location. The eMuseum features the institution’s best known works of art, many of which are not currently on view, and allows visitors to browse collections by object or artist. Users can view images of each work and create their own collections through the site.

To date, over 1,000 paintings, drawings, and sculptures have been photographed, catalogued, and uploaded to the website. The museum’s entire 12,500-work collection will be available online by 2018. The first phase of the project was made possible thanks to a $13,000 Museums for America grant from the Institute of Museum and Library Services and support from the Welfare Foundation. 

The Delaware Art Museum focuses on American art of the 19th through the 21st centuries and English Pre-Raphaelite art of the mid-19th century. To access the museum’s new database, click here.

An 18^th century portrait of the German Duchess Anna Amalia of Saxe-Weimar-Eisenach commissioned by the German writer Johann Wolfgang von Goethe has been returned to its rightful heirs after 70 years. The oil painting by Angelika Kauffmann went missing from the duchess’ descendants’ palace in Poland during World War II. The work did not resurface until 2011 when a Polish consignor brought the work to Sotheby’s.

The painting was returned to the city of Weimar during a ceremony at the Weimar palace. Michael Saxe-Weimar-Eisenach, the heir of the painting, has decided to loan the work to the city permanently. Upon its completion, the work, which is said to be worth hundred of thousands of euros, hung in the Roman House in Weimar, which was also commissioned by Goethe. The painting was later moved to the palace in Weimar and then to a family residence in Silesia, which is now part of Poland.

A Sotheby’s employee in London was the first to spot the painting on a German database for lost art. After reporting its reappearance to Weimar city officials, Sotheby’s held on to the painting until an agreement was reached. An exhibition of the work at the Roman House is being planned for next year.