Displaying items by tag: dealers

International Fine Print Dealers Association (IFPDA) has announced the exhibitors for its annual Prints Fair that runs from November 4 to 8, at the Park Avenue Armory. Launched in 1991, the fair will present 89 exhibitors this year, selected from the foundation’s members of international art dealers. “The Fair tracks 500 years of printmaking,” said IFPDA executive director Michele Senecal, “and given that it draws the top collectors and curators, exhibitors must be diligent in their efforts to secure the best offerings to present, whether they be Old Master, Modern, or Contemporary.”

Heralded as the centerpiece of Expo Art Week -- Chicago’s citywide celebration of all things arts and culture -- Expo Chicago (September 17-20, 2015) has emerged as a decidedly innovative and multifaceted art fair. Now in its fourth year, Expo Chicago, which focuses on modern and contemporary art and design, champions established and emerging artists alike -- a quality that has earned it a stellar reputation among a wide range of collectors, dealers, enthusiasts, interior designers, and curators. According to Tony Karman, the President/Director of Expo Chicago, “There is so much to look forward to at this year’s fair...With artwork from 140 galleries from 16 countries and 47 cities, it is a one-stop opportunity to survey the work and trends in the...

The reporters staked her out. The investigators said she conspired with crooked dealers. And her museum colleagues seemed content to watch her disappear, as if one of the world’s most powerful, respected and sought-after art historians deserved to be the only American curator brought to trial.

Ten years ago, Marion True, then curator of antiquities for the J. Paul Getty Museum in Los Angeles — the wealthiest museum in the world — was formally accused by the Italian government of taking part in a stolen-art ring. Within months, she would lose her job, her career and leave the country.

The Tenth Annual MASTER DRAWINGS NEW YORK week will take place January 23 through January 30, with a Preview scheduled for Friday, January 22, at 30 leading art galleries on the Upper East Side’s “Gold Coast’ in New York.

Timed to coincide with New York’s major January art-buying events, including the Old Master auctions and The Winter Antiques Show, over the past decade MASTER DRAWINGS NEW YORK has given top dealers from the US as well as the UK, France, Germany, Spain and Italy an opportunity to show their newest acquisitions to the largest assembly of drawings scholars and patrons to gather in New York each year.

Collecting scrimshaw is a dicey hobby, given the prevalence of forgeries in the field — plastic resin copies are known as fakeshaw.

The welding supply magnate Thomas Mittler, who died in 2010 at 67, bought whale bone and tooth carvings with the guidance of scholars and dealers, including Nina Hellman, who owns a marine antiques store on Nantucket. Her new book, “Through the Eyes of a Collector: The Scrimshaw Collection of Thomas Mittler,” was published by Charlotte Mittler, the widow of Mr. Mittler; he had long planned to commission a publication about his hundreds of acquisitions.

The Art Newspaper has discovered that the largest and most powerful due diligence service used by the art world is at the center of three separate provenance disputes, two of which are working their way through international courts.

The Art Loss Register (ALR), a company founded by Julian Radcliffe that works with law enforcement officials worldwide, more than 80 auction houses, most major art fairs and innumerable collectors and dealers, has provided certificates confirming that works of art were free from claim, when they were in fact subject to claims by third parties or stolen.

Sotheby’s sold a yellow-and-blue Mark Rothko abstract from 1954 for $46.5 million on Tuesday. The following night, archrival Christie’s International hollered back by selling a rust-colored, rectangular version that Rothko painted four years later for $82 million.

Dealers said Christie’s Rothko, “No. 10,” was prized in part because its blurry brown and black hues famously matched the somber mood of the artist at that time in his career. It sold to a telephone bidder.

Judged by visitor and exhibitor figures—56,000 visitors and 200 galleries from 23 countries this year—Art Cologne, whose 2015 edition closed on April 19, is not quite in the top ten fairs internationally. But as a regional event with a strong focus on Germany’s vibrant art scene and the German, Benelux and eastern European market, it has established itself as an essential stop-off on the art fair circuit for many collectors and dealers. “We need to be here,” said Alex Reding of the Luxembourg gallery Nosbaum Reding.

The Antiques Dealers’ Association of America's innovative online antiques shows are entering their second year of success, and the organization has expanded their online show campaign to include three mid-week events in 2015: April 28-30, September 8-10, and December 1-3.

The shows have proven popular among collectors, with many of the participating dealers reporting strong sales to new customers. The architects of the online show concept have carved out a niche by addressing many of the issues that can prove problematic with brick-and-mortar shows as well as difficulties with buying antiques elsewhere online. There are no long opening lines, no long commutes or overnight stays, and like the U.S. Postal Service, antiques dealers hoping to close a sale answer their phones rain, sleet, or snow. Every object is sold with the guarantee of authenticity, and every listing includes photographs, price, measurements, origin, date, and description.

Being first in line requires nothing more than visiting www.adadealers.com at the opening of the show. When the link goes live, the show is open. It can be accessed from any computer, tablet, or smartphone. Buying is as easy as sending an e-mail or making a phone call. There are no third parties, no need to register to view pricing, no doubt about the type of seller you’re engaging. Every exhibitor is a member of the ADA, which was established in 1984 with the objective of making the business of buying and selling antiques more professional. Members are recommended by a committee of peers, and sign an agreement to abide by strict bylaws.

The dates for the three 2015 ADA Online Antiques Shows have been strategically spaced throughout the year to offer collectors the opportunity to shop from some of the best dealers in the country in between major on-site events. Our participating dealers also fill the rosters of some of the most highly anticipated shows of the year, like New York’s Winter Antiques Show, the Delaware Antiques Show, and the San Francisco Fall Antiques Show.

Objects offered at the ADA’s previous online shows have ranged in price from under two hundred dollars to tens of thousands and items at both ends of the spectrum have regularly sold. The online show platform has filled a void in the antiques e-commerce landscape. It’s exciting, fun, easy, and the art and antiques are guaranteed.

For more information about the shows, please visit www.ADADealers.com or contact ADA Executive Director, Judith Livingston Loto at 603-942-6498.

The Antiques Dealers’ Association of America, Inc. (ADA) was established in May 1984 as a non-profit trade association. Its major objective is to make more professional the business of buying and selling antiques. This year, the association celebrates thirty-one years of excellence in the antiques trade.

An employee at Russia's Hermitage Museum was arrested for stealing books and documents, some centuries-old, from the institution's celebrated collection and then trying to sell them to antique dealers, officials said Monday.

The man, who worked in the library of the Saint Petersburg museum, was taken into custody Friday in connection with a probe launched after items were found missing during an inspection last month, Russia's secret service FSB said in a statement.