Displaying items by tag: documents

Opening this summer at the New Orleans Museum of Art, A Louisiana Parlor: Antebellum Taste & Context is an exhibition featuring the Butler-Greenwood Plantation parlor furnishings acquired by the museum from descendants of the family in St. Francisville, Louisiana. The 1850s/60s parlor suite has survived with original textiles and rich documentation, making it one of the South’s best preserved examples of a pre-Civil War Louisiana interior.

The exhibition explores the relationship between this refined interior and its layered historical context through family portraits on loan from The Historic New Orleans Collection and through documents housed in the Mathews family archives of letters, receipts, and bills of sale held at LSU Library Special Collections.

A 67-year-old assessor named Wolf G., and a 60-year-old art dealer named Hans K., have been accused of art fraud and the falsification of documents, in a court case that has been brought against a German ring who stand accused of knowingly attempting to put a forged Alberto Giacometti sculpture on the market, Süddeutsche Zeitung has reported.

Wolf. G's ex-wife Ulrike G., a 63-year-old solicitor and her 92-year-old mother have been accused of being accomplices. Wolf.

Fraktur—decorated Germanic manuscripts and printed documents—have long been admired as an extraordinarily vibrant and creative art form (Fig. 1). A European tradition brought to America by German-speaking immigrants, who began settling in southeastern Pennsylvania in 1683, fraktur are among the most distinctive and iconic forms of American folk art. The Philadelphia Museum of Art was one of the first major institutions to collect Pennsylvania German fraktur and decorative arts. In 1897, then-curator Edwin Atlee Barber acquired the museum’s first fraktur and, in 1929, the museum opened to the public the first period rooms of Pennsylvania German art. Many of the furnishings were donated by J. Stogdell Stokes, with additional furniture, ironwork, textiles, redware, and other objects acquired from Titus C. Geesey. The museum’s fraktur were never on par with the rest of the collection, but with the recent promised gift of nearly 250 fraktur from the collection of Joan and Victor Johnson (Fig. 2), the museum’s fraktur collection is now one of the finest in the country.

The Johnsons, Philadelphia natives, began collecting fraktur nearly sixty years ago, initially to help fill the walls of a historic farmhouse they bought and restored after their marriage in 1955. Joan, who studied contemporary art at Goucher College, loved the Bauhaus and planned to collect accordingly—but Victor, who worked in the computer industry, didn’t want to live with modern art.

Visit InCollect.com to read more about Pennsylvania German Fraktur.

Thomas Jefferson’s handwritten copy of the Declaration of Independence, on loan from The New York Public Library, and the Delaware copy of the US Bill of Rights, on loan from The US National Archives, two of the most iconic documents in American history, are in the UK for the first time and on display at the British Library from last Friday in the world’s largest exhibition about Magna Carta.

"Magna Carta: Law, Liberty, Legacy" unites over 200 exhibits, including iconic documents, such as two of the four surviving 1215 Magna Carta manuscripts, artworks, medieval manuscripts, Royal remains, weaponry and 800 year old garments, through to modern interpretations and satires of the document, to tell a revealing story of how Magna Carta has become a global symbol of freedom.

An employee at Russia's Hermitage Museum was arrested for stealing books and documents, some centuries-old, from the institution's celebrated collection and then trying to sell them to antique dealers, officials said Monday.

The man, who worked in the library of the Saint Petersburg museum, was taken into custody Friday in connection with a probe launched after items were found missing during an inspection last month, Russia's secret service FSB said in a statement.

Paris-based publicist Franck Davidovici is accusing American contemporary artist Jeff Koons of unlawfully copying a 1985 advertisement in a work on display in the French capital, the plaintiff's lawyer said Wednesday.

On Sunday, December 7, a fire swept through the Galerie Canesso, on the rue Laffitte in central Paris, destroying part of its library, documents, and offices. The gallery specializes in Italian Old Master paintings from the Renaissance to the Baroque. The fire was caused by an electrical fault, said Véronique Damian, an art historian who works with the gallery’s founder Maurizio Canesso.

“This was a great loss for us but fortunately no paintings were damaged,” Damian said in a telephone interview.

An East Hampton man accused of selling dozens of fake paintings and sketches purported to be by famous artists, and using some of the money to buy a submarine, pleaded guilty in federal court on Monday to one count of wire fraud.

Prosecutors said the man, John Re, 54, claimed the pieces were by Jackson Pollock and Willem de Kooning, and caused about $2.5 million in losses to victims. For nine years beginning in 2005, Mr. Re tricked art collectors by creating a false provenance, the document that shows the history of a piece of art, prosecutors said. He bought the submarine, which he called the Deep Quest, with the proceeds from a fake Pollock painting, they said.

Just in time for Thanksgiving, Seth Kaller, one of the world’s leading dealers in rare historic documents, will exhibit and offer for sale George Washington’s Thanksgiving Proclamation in conjunction with Leigh Keno, President of Keno Auctions, now through November 26.

The Thanksgiving Proclamation is priced at $8.4 million, and is the only example in private hands. The only other Washington-signed copy was acquired by the Library of Congress in 1921. The document was offered at Christie’s on November 14, 2013, where it was expected to sell for upwards of $12,000,000. Kaller represents the document’s owner, who has decided to offer the manuscript through exhibition and private sale.

Paris’ Picasso Museum will reopen on Saturday, October 25, following a turbulent renovation and expansion. The institution closed in 2009 for what was expected to be a two-year refurbishment, but once underway, the scope of the project expanded. Five years later and $27 million over budget, the renovation is finally complete.

The Picasso Museum, which is housed in a 17th-century Baroque mansion in Paris’ historic Marais quarter, first opened to the public in 1985. The majority of its collection, which features around 5,000 paintings, drawings, sculptures, ceramics, photographs, and documents, was left to the French state by the Picasso family after the artist’s death in 1973.