Displaying items by tag: european art

Winslow Homers in the shadow of a defunct Beech-Nut baby food plant. A Rembrandt, Picasso, Rubens and Renoir up the hill from a paper mill. The founder of the Hudson River School vying for attention amid baseball memorabilia and old farm machinery.

There are plenty of treasures to be found among the collections of lesser-known, off-the-beaten-path art museums dotting upstate New York. But they're well worth the trek for anyone looking for great art in unexpected places, whether it's the rolling, bucolic countryside typical of many areas or the industrial grittiness of riverside mill towns.

The Hall Art Foundation announces an exhibition by Danish-Icelandic artist Olafur Eliasson being held in its galleries in Reading, Vermont from 3 May – 30 November 2014. This survey brings a focused selection of Eliasson’s sculptures, photo series, optical devices, and works on paper together with his major outdoor installation, Waterfall (2004), unveiled at the Hall Art Foundation last year.

Throughout the past two decades, Eliasson’s installations, paintings, photography, films, and public projects have served as tools for exploring the cognitive and cultural conditions that inform our perception. Ranging from immersive environments of color, light, and movement to installations that recontextualize natural phenomena, his work defies the notion of art as an autonomous object and instead positions itself as part of an active exchange with the visitor and his or her individualized experience. Described by the artist as “devices for the experience of reality,” his individual works and projects prompt a greater sense of awareness about the ways we both interpret and co-produce the world. By recreating the natural through artificial means and capturing it in both time and space, Eliasson's work encourages the renegotiation of linear perceptions of space as well as the line between reality and representation.

The Currier Museum of Art in Manchester, New Hampshire, announced that it has received a significant gift from the estate of May Gruber, a legendary New Hampshire businesswoman and civic leader. Included in the donation are works by Rembrandt, Giovanni Battista Tiepolo, Pierre Bonnard, James McNeill Whistler, David Hockney, and Jim Hodges. many of the works are currently on view in the museum’s European, Modern, and Contemporary art galleries.

Gruber, the former head of Pandora Industries, a Manchester institution that created iconic sweaters and knitwear in the city from 1940 until 1983, helped found Child Health Services and the Manchester Community Music School. Gruber and her first husband, Saul Sidore, began collecting art in the 1960s based on advice from Charles Buckley, then director of the Currier.

Susan Strickler, the director and CEO of the Currier, said, “May Gruber felt strongly about giving back to the community that helped her company to grow. Her tastes were eclectic and wide-ranging, as is evidenced by the works she gave to the Currier. Because of her bequest, the region has an even more exceptional collection of art to cherish.”

Founded in 1929, the Currier Museum of Art’s collection includes European and American paintings, decorative arts, photographs, and sculpture.

From April 25 through April 27, the Wadsworth Atheneum in Hartford, Connecticut, will host its 33rd annual Fine Art & Flowers show. The event will feature around 50 floral arrangements, each inspired by a specific painting from the museum’s collection. Florists, garden clubs, and interior designers from all over New England will participate in the highly-anticipated event.

Paintings in this year’s show include everything from Baroque masterpieces to contemporary works. All proceeds from the Fine Art & Flowers event will benefit the Wadsworth’s special exhibitions, educational programs, and operating expenses. Visitors are invited to nominate their favorite floral display for the People’s Choice Award.

The Wadsworth Atheneum is the oldest public art museum in the United States and boasts one of the most extensive European art collections in the country, with exceptionally strong Old Master and Impressionist holdings. The museum is in the midst of a $33 million renovation and plans to reinstall its collection of European paintings, sculpture, and decorative arts before the restoration concludes in September 2015.

British businessman and art collector James Stunt has loaned Boston’s Museum of Fine Arts (MFA) five portraits by European masters Anthony van Dyck, Peter Lely, Joshua Reynolds, Thomas Lawrence, and John Constable. Van Dyck’s  portrait of Francois Langlois, a French art dealer, publisher, and amateur musician, as an itinerant performer is on view in the museum’s Leo and Phyllis Beranek Gallery. Lely’s portrait of the notorious entertainer and socialite Moll Davis is on view in the MFA’s Hamilton Palace Room. The works by Reynolds, Lawrence, and Constable will be installed next week.  

Stunt, who has homes in Los Angeles and London, is an avid collector of British portraiture. He recently offered to buy van Dyck’s last self portrait, which he planned to loan to the MFA, but an outpouring of public support to keep the painting in England caused Stunt to withdraw his offer. there is currently an ongoing public fundraising appeal to purchase the painting so that it will remain on view in the U.K.

Malcolm Rogers, the MFA’s Ann and Graham Gund Director, said, “We’re extremely grateful to Mr. Stunt for sharing these important portraits with the MFA. The works complement the MFA’s collection of European portraiture, giving our visitors added insight into art of the period and providing an opportunity to see artists that are not found in great depth in New England collections.”

In 1911, Pennsylvania businessman George D. Horst began acquiring early-to-mid 20th century American and European works of art from th the Pennsylvania Academy of Fine Arts’ annual exhibitions as well as from other fine art institutions, galleries, and auctions. Horst was the primary donor of the fledgling Reading Public Museum, which he helped establish. In 1924, after considerable growth, the Reading Museum began construction on a new location on the edge of town, which angered Horst as he felt it made his collection inaccessible to the public. Ultimately, Horst asked for the return of his paintings from the museum, as well as his financial donations.

On March 30, Freeman’s in Philadelphia will offer 64 paintings from Horst’s collection. The works, most of which remain in their original frames, have hung in Horst’s custom-built gallery since 1929. Since Horst’s death in 1934, the works have been loaned on occasion for exhibitions, but have mainly been hidden from public view. The collection is being offered by Horst’s grandchildren.

Horst’s collection includes works by American Impressionists such as Childe Hassam, Daniel Garber, Edward Willis Redfield, and Frank W. Benson as well as Barbizon works by Jean-Baptiste Camille Corot, Eugène Boudin, and Charles-François Daubigny. Estimates range from a few thousand dollars up to $300,000.  

On November 16, 2014, the Harvard Art Museums -- including the Busch-Reisinger Museum, the Arthur M. Sackler Museum, and the Fogg Museum of Art -- will reopen to the public under one state-of-the art roof. The project, which began in 2008, has entailed a complete renovation and expansion of Harvard’s museum system. The endeavor has increased gallery space by 40 percent, for a total of approximately 43,000 square feet.

Harvard tapped renowned architect Renzo Piano to transform 32 Quincy Street in Cambridge, Massachusetts, the landmark building that previously housed the Fogg and Busch-Reisinger Museum, into the university’s artistic hub. The new facility combines the 32 Quincy Street building, which was constructed in 1927, with a new addition and a striking glass rooftop structure that will allow controlled natural light into the facility’s conservation lab, study centers, and galleries. The overhaul also includes a theater for lectures and public programming.

The Busch-Reisinger Museum, which was founded in 1903, is the only museum in North America dedicated to the art of the German-speaking countries of Central and Northern Europe. The Fogg Art Museum, which opened to the public in 1896, boasts extensive holdings of American and European art from the Middle Ages to the present. The Arthur M. Sackler Museum, which holds a remarkable Asian art collection, was established in 1985 in a separate building from the Fogg and Busch-Reisinger. The museum has been closed since June to prepare for its relocation to the new facility.  

Thomas W. Lentz, the Elizabeth and John Moors Cabot Director of the Harvard Art Museums, said, “We knew that we had an opportunity to redefine the Harvard Art Museums as an accessible and connected 21st-century facility for teaching and learning, so we engaged Renzo Piano to design a building to implement that vision. We asked him to design it from the inside out—to create a new kind of laboratory for the fine arts that would support our mission of teaching across disciplines, conducting research, and training museum professionals. We also wanted to strengthen the museums’ role as an integral part of Cambridge and Boston’s cultural ecosystem. We look forward to welcoming students, faculty, and staff at Harvard, our Cambridge friends and neighbors, the entire Greater Boston community, and travelers from afar into our new home this November.”

The Orlando Museum of Art is currently presenting the exhibition ‘Rembrandt, Rubens, Gainsborough and the Golden Age of Painting’. The opening of the monumental show, which took place on January 25, 2014, marked the beginning of the museum’s 90th anniversary celebration.

The works on view are on loan from the Speed Art Museum in Louisville, Kentucky and were created between 1600 and 1800, a period commonly known as the Golden Age of European painting. During this time, the number of artists and art collectors in Europe grew exponentially. The exhibition presents 71 works including portraits, religious paintings, landscapes and still lifes by artists such as Rembrandt, Peter Paul Rubens, Anthony Van Dyck, Jan Steen, Jacob Van Ruisdael and Thomas Gainsborough.

‘Rembrandt, Rubens, Gainsborough and the Golden Age of Painting’ will be on view at the Orlando Museum of Art through May 25, 2014.

The Wadsworth Atheneum in Hartford, CT has received a $9.6 million gift from the estate of Charles H. Schwartz, a former museum member. The generous donation, which is the largest bequest in the Atheneum’s history, will help the museum establish an endowment to develop its collection of English and European art from the 18th century and earlier.

The Wadsworth Atheneum is the oldest public art museum in the United States and boasts one of the most extensive European art collections in the country, with exceptionally strong Old Master and Impressionist holdings. The museum is in the midst of a $33 million renovation project and plans to reinstall its collection of European paintings, sculpture and decorative arts before the restoration wraps up in September 2015.  

Schwartz, who joined the museum in 1987, was a member of the Society of Daniel Wadsworth -- the Atheneum’s premier membership program -- until he passed away in 1995. Schwartz was an avid collector of Old Master paintings as well as European decorative arts. David W. Dangremond, the President of the museum’s Board of Trustees, said, “It is an honor to receive such a transformative gift from a man who was a visionary in his own collecting endeavors, and who was a dear friend to many in the Wadsworth family. Museums thrive on the generosity and foresight of donors like Charles Schwartz.”

Art experts are searching for an eBay user that purchased a canvas for £3,000 in an online auction back in 2006. The painting, which depicts a couple eating oysters and drinking Champagne, was recently revealed to be an authentic work by the French Impressionist painter Édouard Vuillard. The canvas is estimated to be worth £250,000.

The discovery was made after experts on the BBC antiques program, Fake or Fortune, appraised a painting owned by a writer named Keith Tutt. Tutt had purchased the work, which was later revealed to be an authentic Vuillard painting, at an auction for a minimal amount. Robert Warren, the art dealer who sold the canvas to Tutt, stated that it had been one of a pair and that he had sold the other on eBay but could not remember who purchased it.

Fiona Bruce, co-host of Fake or Fortune, said, “We've done all the forensic and investigative work to prove it's genuine, now we just need to find the owner and tell them the good news. Someone, somewhere in the world is sitting on a fortune."