Displaying items by tag: exhibition space

Christie’s International announced that they will be closing their Haunch of Venison subsidiaries in New York and London in March 2013. The gallery in Chelsea will close after its exhibition, How to Tell the Future from the Past, ends its run on March 2. The London gallery, known as the Yard, will be converted to a permanent exhibition and sales space for Christie’s private sales department.

Founded by art dealers Harry Blain and Graham Southern in 2002, Haunch of Venison represents and exhibits the works of emerging and established contemporary artists. The gallery’s name comes from the London courtyard, Haunch of Venison Yard, where it was originally based. Christie’s bought the gallery, which had branches in London, Berlin, and New York, in 2007. Haunch of Venison’s Berlin branch closed in 2010, the same year Blain and Southern left Haunch to start a new gallery, BlainSouthern.

Christie’s decision to shutter the Haunch of Venison galleries came as private sales have been gaining ground for the auction house. The restructuring will focus the company’s attention on those private sales rather than working as a primary gallery representing artists. Haunch of Venison has also withdrawn from the upcoming European Fine Art Fair in Maastricht.

Yale University Art Gallery will celebrate the completion of a multi-year, multi-million dollar renovation and expansion on December 12. The project cost $135 million and increased exhibition space by about one-third. The museum, which is located in New Haven, CT, now boasts nearly 70,000 square feet and includes a gallery devoted to African, Asian, and Pre-Columbian art that was designed by Louis Kahn in 1953, the Old Yale Art Gallery, which features ancient, European, and contemporary art, and the 1866 Street Hall. The project joined all three buildings to create one cohesive institution.

Besides the physical expansion, the Yale University Art Gallery has significantly increased its collection’s holdings. The museum acquired 1,100 new works including African terra-cotta figures, Greco-Roman coins, medals from the American Revolution, and marble portraits of Marcus Aurelius and Plato over 1,700 years old.

The expansion and renovation were designed and led by Duncan Hazard and Richard Olcott, partners in New York’s Ennead Architects. The project took 14 years to complete and outfitted the museum with new areas for exhibitions and object study and increased access to the Gallery’s comprehensive collections.