Displaying items by tag: frederic church

With the Thomas Cole National Historic Site in Catskill and Frederic Church’s home Olana, a New York state Parks Historic Site, in Greenport, it’s fair to say that Greene and Columbia counties form the heartland of the Hudson River School of Painting.

As such, movement in the art world that pertains to their works is always of interest to many in the area, and there has, in fact, been movement.

  Thomas Cole was the founder of The Hudson River School of painting – the mid-19th century American art movement of landscape paintings with an aesthetic vision influenced by romanticism.

The Thomas Cole Historic Site in Catskill, NY has a new exhibition entitled Master, Mentor, Master: Thomas Cole & Frederic Church which is on view now and will be until November 2nd 2014.

The Smithsonian in Washington, D.C. is currently hosting a number of events commemorating the 150^th anniversary of the arrival of the Emancipation Proclamation (1963) during the Civil War (1861-1865). The exhibition, The Civil War and American Art, focuses on how the devastation, emotions, and revolution associated with the war affected what appeared on the canvas for many artists working at the time.

Now on view at the Smithsonian’s American Art Museum, The Civil War and American Art relies on Winslow Homer (1836-1910), Eastman Johnson (1824-1906), Frederic Church (1826-1900), and Sanford Gifford (1823-1880) to ground the show. Through 75 works including paintings and vintage photographs, the exhibition creates a linear model, which mirrors the progression of the Civil War as a sense of unease on the eve of war transitioned to hope that the conflict would be resolved speedily to the harsh realization that there were too many wrongs to be righted quickly. Genre and landscape painters best captured the transformative effect of the Civil War as amber waves of grain were reduced to trampled crops, burned-down trees, and blood-soaked fields littered with bodies. There was also much to grapple with as the war ended and the country was left to restore itself and its identity.

The photography component of the exhibition includes snapshots taken on the battlefield by Alexander Gardner (1821-1882), Timothy H. O’Sullivan (1840-1882), and George Barnard (1819-1902). These photographs, which document the Civil War’s carnage and destruction, shed light on the very real devastation that was suffered by many.

The Civil War and American Art will be on view at the Smithsonian through April 28, 2013 and will travel to the Metropolitan Museum of Art (May 21-September 2, 2013) in New York after its run in Washington.