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Philbrook Museum of Art announced the important gift of 364 works of Hopi art, including katsinas, basketry and other media from Atlanta and Santa Fe-based collector, Wayne S. Hyatt. Featuring works by more than 160 artists, the Hyatt Collection both expands and strengthens the impressive survey of 20th and 21st century Native American art within the Philbrook holdings.

The Hyatt family began traveling to the Hopi reservation in northern Arizona in the late 1980s, quickly becoming friends with many artists representing several Hopi communities. With the encouragement and involvement of his late wife Amanda, as well as the continued interest and support of his current wife Margaret, the Hyatt collection now includes a broad range of works spanning the late 1980s to 2013. “The Hopi Collection I am giving to Philbrook consists of far more than cottonwood and plant fibers, carvings and baskets,” said Hyatt. “It contains cultural, indeed spiritual, components as well. Visiting dear friends and ‘family’ on the Mesas and being receptive to what they help me understand has been a vital, motivating force to my collecting.”

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This exhibition celebrates the gift of Thomas Hart Benton's epic mural America Today from AXA Equitable Life Insurance Company to The Metropolitan Museum of Art in December 2012. Benton (1889–1975) painted this mural for New York's New School for Social Research to adorn the school's boardroom in its International Style modernist building on West 12th Street. Showing a sweeping panorama of American life throughout the 1920s, America Today ranks among Benton's most renowned works and is one of the most remarkable accomplishments in American art of the period.

The ten-panel mural will be featured in a space that recreates the boardroom in which it originally hung.

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Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced the two appointees who will inaugurate new curatorships within the Department of Modern and Contemporary Art. Both positions were established this spring through a generous gift from Daniel Brodsky, the Museum’s Chairman, and his wife Estrellita B. Brodsky, an art historian and specialist in Latin American art.

Iria Candela will become the Estrellita B. Brodsky Curator of Latin American Art in the fall, focusing on the art of 20th- and 21st-century Mexico, Central America, the Caribbean, and South America. And Beatrice Galilee, the new Daniel Brodsky Associate Curator of Architecture and Design, began working at the Museum in late April. Both will work closely with the modern and contemporary curatorial team, under the leadership of Sheena Wagstaff, the Museum’s Leonard A. Lauder Chairman of Modern and Contemporary Art, on researching and developing the collection and devising the program for both the main building and the Marcel Breuer-designed building that the Met will occupy once the Whitney Museum moves downtown in 2015.

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Haunting portrait photographs, including a swan-necked David Bowie photographed in 1978, the playwright Nell Dunn looking startlingly like a long-lost Bowie twin, and Vita Sackville-West, the writer, gardener and former lover of Virginia Woolf who was still formidable in the year before her death in 1962, have been donated to the National Portrait Gallery by the society photographer Lord Snowdon.

The gift of 130 original prints, including photographs of his former in-laws from the years he was married to Princess Margaret, is one of the largest ever to the gallery

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The Metropolitan Museum of Art in New York is beefing up its glass collection with a gift of 44 works by the Italian architect Carlo Scarpa from the collection of David Landau and his wife Marie-Rose Kahane. The donation is expected to have a “transformative impact on our holdings of 20th-century glass and design”, says Sheena Wagstaff, the museum’s chairman of modern and contemporary art, in a statement.

Scarpa created the objects during his 15-year collaboration with Venini Glassworks in Venice between 1932 and 1947. Together, the architect and Paolo Venini, the founder of the glass company, modernised glassblowing and pioneered innovations in color, form and technique. The 44 works from the Landau and Kahane collection made their US debut earlier this year in the Met’s exhibition “Venetian Glass by Carlo Scarpa: The Venini Company, 1932-1947.”

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The National Gallery of Victoria recently announced a major donation of artworks by the daughters of the late Melbourne philanthropist Loti Smorgon who died in 2013 at the age of 94. Mrs Smorgon was predeceased by her husband, Victor, who passed in 2009 aged 96.

The decision to donate the works was made by Mrs Smorgon’s daughters, Ginny, Vicki, Bindy, and the family of the late Sandra. It consists of Andy Warhol’s “Portrait of Loti” 1981, Renoir’s “Jeune femme assise décolleté” 1891, Jeffrey Smart’s “Winter carnival, Viareggio” 1988, and Henry Moore’s sculpture “Reclining figure distorted” 1979-80 along with the related prepatory work “Reclining figure distorted – Sectional line” 1979.

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Adam Weitsman is a 45-year-old mogul of a $1 billion scrap metal empire with a dozen locations in New York, stretching from the Port of Albany to Rochester and across the Southern Tier.

He flies in a private Gulfstream jet with his wife, Kim, a former fashion model in her early 30s. They drive a $250,000 Rolls-Royce Ghost between a condominium overlooking Central Park in New York City and their other homes. For a change of pace, they climb into a Lamborghini and cruise to a Finger Lakes summer retreat he renovated for $20 million and filled with museum-quality furnishings.

He employs a publicist.

Weitsman, president of Upstate Shredding, based in Owego in Tioga County, lives large while straddling the disparate worlds of his twin passions: hard-charging junk dealer by day, knowledgeable art collector by night.

Now, Weitsman has donated one of the world's largest private collections of 19th-century American decorated stoneware, valued at about $10 million, to the State Museum.

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The Hood Museum of Art at Dartmouth received an anonymous $10 million donation. The gift, which will be put towards building the centerpiece of the two-year renovation and expansion project:  a new Museum Learning Center.

The renovation project, helmed by Tod Williams Billie Tsien Architects—designers of the American Folk Art Museum building and the new Barnes Foundation—is part of Dartmouth’s aim of beefing up its campus arts district. The expansion will increase the museum’s current 39,000-square-foot space by 15,000 square feet, giving it more room to show off the museum’s collection, which touts some 65,000 objects including paintings by Perugino, Pablo Picasso, Georgia O’Keeffe, and Rockwell Kent, along with a collection of Assyrian stone reliefs. The expansion will also add three classrooms for the use of digital technology.

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London’s Tate Modern has received one of its “most generous gifts ever” thanks to a donation from the late American artist Cy Twombly. Twombly, who is best known for his calligraphic, graffiti-like paintings, expressed his wish to make the donation to the Tate following a major retrospective at the museum in 2008. The gift includes three large paintings, all titled “Untitled (Bacchus),” created between 2006 and 2008, and five bronze sculptures dating from the period 1979-91. The trove is worth around £50 million.

Twombly’s “Bacchus” paintings are an extension of a series of eight works created in 2005 and inspired by Homer’s “The Iliad.” The sculptures, all bronze casts of everyday objects collected by Twombly, are meant to represent classical artifacts. The bronze lends a permanence reminiscent of ancient sculpture to otherwise ephemeral objects. All of the paintings and sculptures are currently on view at the Tate Modern.

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It looks like an art exhibit, when in fact it’s a family tree.

“The Richman Gifts: American Impressionism and Realism,” now at the Norton Museum of Art, is a window into how generations of early 20th century American painters influenced one another.

This collection of 11 paintings given to the museum — a “promised gift” from trustees Priscilla and John Richman upon their passing — allows you to follow how two schools of early American artists developed on different vines.

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