Displaying items by tag: hardedge

Impressionist Claude Monet is one of history's most famous artists. Hard-edge painter Ellsworth Kelly is equally illustrious in contemporary circles.

They never met in person. Kelly was 3 when Monet died in 1926 at 86. Their approaches and their art could not be more different.

Yet their worlds intersected for a moment in 1952, an encounter illuminated in an exhibition that opened this weekend at the Clark Art Institute. "Monet / Kelly," featuring nine paintings by Monet and 20 artworks by Kelly, all but two of them drawings, runs through Feb. 15.

The Museum of Modern Art in New York is celebrating Ellsworth Kelly’s (b. 1932) 90^th birthday by reuniting his Chatham Series for the first time in 40 years. The series of paintings were the first works Kelly made after leaving New York City for upstate New York in 1970. Ellsworth Kelly: Chatham Series will be on view at MoMA through September 8, 2013.

All of the 14 paintings in the Chatham Series are made out of two joined canvases, which come together to create an inverted “L” shape. All of the works vary in color and proportion and were made intuitively by the artist. For the final paintings in the series, Kelly used pieces of colored paper to determine the right hues and ratios for the finished works. The Chatham series was first exhibited in 1972 at the Albright-Knox Art Gallery in Buffalo, NY. Following the show, the works were split up until their reunion at MoMA.

Kelly, who was already an established artist when he created the Chatham Series, is best known for his hard-edge and color field paintings, which are defined by an overarching minimalist aesthetic. Kelly aimed to erase any trace of the artist’s hand, making what he described as “anonymous” art.