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Suspended Forms: American Modernism 1908-1928 opened yesterday, January 31, 2013 at Driscoll Babcock Galleries in New York and will run through February 16, 2013. The exhibition focuses on American modern art’s earlier phase and includes paintings and drawings by modern masters such as Alfred Maurer (1868-1932), Walt Kuhn (1877-1949), Stuart Davis (1892-1964), Charles Burchfield (1893-1967), Marsden Hartley (1877-1943), Charles Sheeler (1883-1965), and Joseph Stella (1877-1946).

Suspended Forms will be held at Driscoll Babcock’s relatively new location in Chelsea. Founded 160 years ago, Driscoll Babcock Galleries moved from its former Fifth Avenue location to Chelsea in September 2012.

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100 years after the seminal Armory Show in New York City, The Heckscher Museum of Art presents Modernizing America: Artists of the Armory Show. On view through April 14, 2013, the exhibition features works from the museum’s permanent collection and explores the show that changed the country’s perception of modern art.

Organized by the Association of American Painters and Sculptors, the Armory Show, officially titled the International Exhibition of Modern Art, took place at the 69th Regiment Armory and introduced radical works of art to the public; a far cry from the realistic art they were accustomed to. Artists, critics, and patrons were presented with European works that boasted avant-garde sensibilities and spanned genres like Futurism, Cubism, and Fauvism. The show transformed the landscape of modern art and inspired an unmatched growth and progression in American art.

Works on view include paintings by Marguerite Zorach (1877-1968) and Arthur B. Carles (1882-1952); works on paper by Joseph Stella (1877-1946), Oscar Bluemner (1867-1938), and Charles Sheeler (1883-1965); and sculptures by artists such as Walter Kuhn (1877-1949).

The Heckscher Museum of Art was founded in 1920 by August Heckscher in Huntington, New York. The museum boasts over 2,000 works and focuses mainly on American landscape paintings as well as American and European modernism and photography.

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After twenty-two years, Nicholas Capasso will be leaving his post at the deCordova Sculpture Park and Museum in Lincoln, MA. Capasso, who is currently the deCordova’s deputy director for Curatorial Affairs, has been named the new director of the Fitchburg Art Museum and will start his latest venture on December 3.

During his time at the deCordova, Capasso has overseen a permanent collection that included 3,500 objects, changing gallery exhibitions, and an outdoor sculpture park. He helped to bring recognition to the institution and to reposition it as an important contemporary museum.

While Capasso specializes in contemporary art, he is eager to work with the Fitchburg Art Museum’s collection that spans more than 5,000 years and includes American and European paintings, prints, drawings, ceramics, decorative arts, and Greek, Roman, Asian, and pre-Columbian antiquities. The Museum’s collection, which is housed between twelve galleries, includes works by William Zorach, John Singleton Copley, Joseph Stella, Edward Hopper, Charles Burchfield, Charles Sheeler, Walker Evans, and Georgia O’Keeffe.

Capasso will take over the role of director from the soon-to-be-retired Peter Timms who has held the position since 1973.

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