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Widely considered one of the greatest sculptors of all time, British artist Henry Moore played a pivotal role in translating modernism into three dimensions. A new exhibition at the artist’s former home in Hertfordshire, England, examines the influence that Moore’s soaring, organic sculptures had on contemporary art.

“Body & Void: Echoes of Moore in Contemporary Art” presents works by some of the world’s most celebrated contemporary arts, including Damien Hirst, Rachel Whiteread, Antony Gormley, and Anish Kapoor. Works by a number of post-war artists, such as Joseph Beuys and Bruce Nauman, are also included in the exhibition. Site specific works by leading British artists Richard Deacon and Robert Long have been commissioned as part of the show.

“Body & Void” presents sculptures that examine Moore’s central themes, including the exploration of internal and external space, mother and child, and figures in a landscape, alongside contemporary works that touch on the same topics. For example, Hirst’s “Mother and Child (Divided),” a bisected cow and calf floating in giant tanks of formaldehyde, appears between Moore’s rose marble sculpture “Mother and Child” and “Stringed Mother and Child,” a single plaster cast that features two forms connected by a series of cords. The three works explore the same mother and child relationship in vastly different ways.

“Body and Void” fills the galleries and gardens at Perry Green, where Moore lived and worked for 50 years. The estate is also home to the Henry Moore Foundation, which was established by the artist in 1977. Although Moore amassed considerable wealth during his lifetime, he chose to live frugally and put most of his fortune towards endowing the Foundation, which continues to support education and promotion of the arts.  

“Body & Void: Echoes of Moore in Contemporary Art” will remain on view at Perry Green through October 26.

Published in News
Wednesday, 20 February 2013 12:08

Art Institute of Chicago Celebrates Pablo Picasso

In 1913, the Art Institute of Chicago became the first American art museum to present the work of the young Spanish artist, Pablo Picasso (1881-1973). One hundred years later, the museum is celebrating its important relationship with the artist with the exhibition Picasso and Chicago.

Picasso and Chicago features 250 works by the artist who went on to become one of the defining figures in 20th century art. Paintings, sculptures, prints, drawings, and ceramics from the museum’s holdings as well as private collections in the city will be on view. This is the first comprehensive Picasso exhibition organized by the Art Institute in nearly 30 years.

The Art Institute of Chicago began collecting works by Picasso after the seminal 1913 Armory Show, which revolutionized American modern art. Works on view from the museum’s collection include The Old Guitarist (1903-04), Mother and Child (1921), Red Armchair (1931), and the sculpture Cubist Head of a Woman (Fernande) (1909). The exhibit also features impressions of The Frugal Meal (1904), one of only three examples in the world of the well-known Blue Period etching actually printed in blue ink.

Picasso and Chicago will be on view through May 12, 2013.

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