Displaying items by tag: museum board

A handful of art collectors who have donated to the Museum of Contemporary Art in North Miami are seeking to clear up any confusion: They say they gave their art to the museum, not the city.

In a motion filed late Tuesday in the museum board’s lawsuit against the city, the collectors sought to explain the “intent behind their donations, which was always to donate to MOCA, the 501 (c)(3), and not to the city.”

The National Academy Museum and School has let go several members of its staff, including both its registrars, the marketing director, the building manager and senior curator Bruce Weber. Dr. Marshall Price, the museum’s contemporary curator, left on his own volition in March to become a curator at the Nasher Museum of Art at Duke University. According to sources with knowledge of the situation, the National Academy’s director, Carmine Branagan, told the museum’s board that the reason the employees were let go was financial, but the real reason stems from disagreements within the institution over its future direction—namely, the promotion of Maurizio Pellegrin, a member of the school’s faculty, to the powerful position of creative director of both the National Academy School and its museum, which are located in a townhouse on Museum Mile.

After three years at the helm of the Los Angeles Museum of Contemporary Art (MOCA), former New York art dealer, Jeffrey Deitch, is expected to resign as director. Deitch announced his intention to leave the institution to MOCA's trustees and board. He is currently in the middle of a five-year contract with the museum.

Prior to joining MOCA in 2010, Deitch ran the Deitch Project, a massively successful and pioneering contemporary art gallery in Manhattan. He also served on the authentication committee of the estate of Jean-Michel Basquiat, one of Deitch’s close friends.

Deitch’s tenure at MOCA has been plagued by criticism. After firing longtime chief curator Paul Schimmel in 2012, John Baldessari, Ed Ruscha, Catherine Opie and Barbara Kruger resigned from the museum’s board, leaving it void of artist representation. While MOCA was in poor financial standing when Deitch came on board, the museum continued to fall into financial despair during his time as director. The museum is just starting to regain its footing after fundraising efforts by board members garnered over $75 million in donations.

A meeting is schedule for MOCA’s board on Wednesday, July 24, 2013. A search committee is expected to form shortly after.

Less than two months after Richard Koshalek, the director of the Hirshhorn Museum and Sculpture Park in Washington, D.C. resigned, Constance Caplan, the chair of the museum’s board, has followed suit. Caplan announced her resignation in a strongly worded letter on July 8, 2013; she is the third member to leave the board since early June. Caplan cited lack of transparency, trust, vision and good faith as her reasons for leaving. Koshelek listed similar reasons in his resignation letter.

Staff members have been losing faith in the Hirshhorn since it embarked on its doomed Seasonal Inflatable Structure project in 2009. The project was continually stalled due to rising construction costs and conflicting feelings about the structure’s purpose. It was ultimately abandoned after Koshalek’s resignation.

The original vision was to create a 150-foot-tall bubble that would connect the inside and outside of the Hirshhorn and create additional space for installations and performances. Designed by Diller Scofidio & Renfro, the bubble was expected to cost over $12.5 million to create and install. Previous fund-raising efforts brought in about $7.8 million. When it was first announced, the Bubble garnered national attention and was applauded for being highly innovated.

After 15 months without a director, the Fine Arts Museums of San Francisco will appoint Colin B. Bailey, a deputy director at the Frick Collection in New York, the head of the consortium. Bailey, 57, is a renowned specialist in 18^th and 19^th century French art and has been at the Frick since 2000.

The Fine Arts Museums of San Francisco, which includes the modern-leaning M.H. de Young Memorial Museum and the neoclassical California Palace of the Legion of Honor, was left leader-less after the death of its previous director, John Buchanan, in 2011. The city of San Francisco and a private board of trustees oversee the museums, which collectively are the largest public arts institution in San Francisco and one of the largest art museums in the state of California.

The announcement, which was made by the museum board on Wednesday, March 27, 2013, comes after a considerable period of tumult among the museums; the past year has included tense labor negotiations, firings of senior staff members, and scathing criticism of the board’s president, Diane Wilsey. Wilsey, an art collector, philanthropist, and prominent San Francisco socialite, has been accused of using the museums’ resources for her own benefit and of nepotism.

The museums’ recent troubles have not deterred Bailey’s excitement to join the Fine Arts Museums. His abundance of museum experience includes stints at the National Gallery of Canada, the J. Paul Getty Museum in Los Angeles, the Philadelphia Museum of Art, and the Kimbell Art Museum in Fort Worth, Texas.    

Longtime supporters of Chicago’s Museum of Contemporary Art, Sam and Helen Zell, donated $10 million to the institution on behalf of the Zell Family Foundation. It is the second substantial gift the museum has received in less than seven months.

Business and publishing magnate, Sam Zell, and his wife, Helen, hope to create “The Zell Fund for Artistic Excellence” through their sizable gift. Helen served as the chair of the museum’s board from 2004-2008 and has served on various other museum committees. She is currently chairman of the collection committee.

Madeleine Grynsztejn, the museum’s director, said, “The museum is extremely grateful for this generous gift.” Grynsztejn plans to use the money to help underwrite programs like the museum’s outdoor summer plaza series, exhibitions, and artist residency programs, expand its education lectures and programs, and to help pay off debt stemming from the museum’s mortgage on its building at 220 E. Chicago Ave.

The museum received another $10 million gift in April of this year from Stefan Edlis and Gael Neeson. Edis, a trustee since 1981, and Ms. Neeson are longtime supporters of the museum.