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When the Corcoran Gallery of Art in Washington — one of the nation’s oldest privately supported museums — announced in May that its artwork, landmark building and venerable school would be taken over by the National Gallery of Art and George Washington University, the arrangement was presented as a done deal.

But on Wednesday, a group of museum donors, current and former students, and former faculty and staff members went to court to try to block the dismantling of the Corcoran, saying it would violate the 1869 deed and the charter of the museum’s founder, William W. Corcoran, a banker who gave his art for the “perpetual establishment and maintenance of a public gallery and museum” to promote painting, sculpture and other fine arts. The opponents, members of a group called Save the Corcoran, contend in court papers that museum trustees want to “commit the gravest form of fiduciary breach: to destroy the very institution they are charged with protecting.”

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On March 4, 2013 the Philadelphia Museum of Art announced a number of important acquisitions that will enhance the institution’s European, Latin, and American art collections. The gifts came from various donors including collectors Roberta and Richard Huber, global healthcare company GlaxoSmithKline, and several Museum Trustees.

Among the recent acquisitions is Amaryllis Josephine, a double-page watercolor on vellum by Belgian painter and botanist Pierre Joseph Redouté (1759-1840). A pencil drawing of the flower’s bulb accompanies the watercolor. Both of the works were created as part of a series of engravings made under the patronage of the empress Joséphine, Napoleon Bonaparte’s first wife.

The museum also received four 18th century paintings that are currently on view as part of the exhibition Journeys to New Worlds: Spanish and Portuguese Colonial Art from the Roberta and Richard Huber Collection (on view through May 19, 2013). The works include King Luis I of Spain on Horseback (unknown artist, Peru); Saint Anthony of Padua Preaching Before Pope Gregory IX (unknown artist Peru); The House at Nazareth (unknown artist, Bolivia); and Our Lady of the Reedbed or Irún with Donor, Captain Joaquín Elorrieta by Ecuadorian artist José Cortés de Alcocer.    

Other acquisitions include 236 photographs by pioneering modern photographer Paul Strand (1890-1976); N.C. Wyeth’s (1890-1976) Trial of the Bow, the first painting to enter the museum’s collection by the artist; and an early 20th century stained glass and bronze chandelier by Tiffany Studios under the artistic direction of Louis Comfort Tiffany (1848-1933).

The Philadelphia Museum of Art will hold an exhibition of its recent acquisitions this summer.

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