Displaying items by tag: national museum

Morocco is due to get its first major national museum since gaining independence from France more than 50 years ago. The Mohammed VI Musée National d’Art Moderne et Contemporaine will open officially on 25 September. Located in the heart of the capital city Rabat, the three-level 22,350 sq. m building will consist of 4,921 sq. m for a permanent collection and 2,558 sq. m for temporary exhibits, conservation laboratories, an auditorium, education center, a multimedia library and a café. The ministry of culture and the Fonds Hassan II for Economic and Social Development funded the 73m Dh ($9m) building and Abdelazzi Idrissi, an archaeologist and conservator, has been appointed its director. The museum was scheduled to open at the end of May, although many thought the date somewhat optimistic.

Conceived in 1999 and under construction since 2004, the museum has been controversial.

“For a long time, the Cultural Department has followed the development of the institution and pointed out a need for a change,” Sweden’s cultural minister Lena Adelsohn Liljeroth says.

A commissioned study showed that the annual economic impact of Amsterdam’s Rijksmuseum, which recently underwent an extensive renovation, has increased to €235 million since reopening. 80% of the reported increase is a result of the spike in visitor expenditure. In addition to boosting the city’s economy, the Rijksmuseum has created approximately 1,000 jobs since the renovation.

Wim Pijbes, Director of the Rijksmuseum, said, “It is clear that the investment in the new Rijksmuseum has had major consequences that stretch far beyond the walls of the building itself. These results prove that the age-old wisdom of John Paul Getty still rings true: fine art is the finest investment.”

The Rijksmuseum, which was founded in 1798, is the national museum of the Netherlands. It reopened to the public after a 10 year, €375 million renovation on April 13,2013. The Rijksmuseum welcomed its millionth visitor on August 23, 2013.

Two 10^th century statues that were looted from jungle temples have been returned to Cambodia by the Metropolitan Museum of Art. The Met announced in May 2013 that they would send the Khmer sculptures known as Kneeling Attendants back to Cambodia after being displayed in the museum’s Asian Wing for 10 years.

Hab Touch, director general at the Ministry of Culture, said, “The return of the statues is a historic event for us.” Seven Buddhist monks blessed the life-size statues during a religious ceremony attended by officials from the government and the Met at the airport. Upon their return to Cambodia, the sculptures will be put on display at the Peace Palace in Phnom Penh and later kept at either the National Museum in the capital or at a museum in the northwestern city of Siem Reap.

The two statues were looted from the Koh Ker temple site in the early 1970s. At the time, Cambodia was being ravaged by a brutal civil war and looting was rampant. The works were donated piece by piece to the Met in the late 1980s and 1990s. Recent documentary research revealed that the statues were in fact looted from Cambodia.

British art collector, Douglas A.J. Latchford, has spent decades building his reputation as one of the foremost experts in Khmer antiquities. Latchford, a resident of Thailand, was knighted in 2008 by the Cambodian government for admirably returning 14^th-century Khmer artifacts.

In sharp contrast to his previous accolades, Latchford is currently the subject of a civil complaint files by the U.S. attorney’s office. Federal lawyers state that Latchford, referred to in proceedings as “the Collector,” bought a 10^th century Khmer warrior statue known as the Duryodhana in the 1970s knowing that it had been looted from a temple during the Cambodian civil war.

While Latchford denies ever having owned the work, court papers claim that he purchased the statue from a Thai dealer who acquired the work from an organized looting network. Allegedly, Latchford then helped get the piece into Britain by concealing what was actually being shipped. Upon its arrival to the U.K., the auction house Spink & Son sold the statue to a Belgian collector in 1975. The collector’s widow is the Duryodhana’s current owner.

The widow approached Sotheby’s New York in 2010, hoping to sell the 500-pound sandstone statue. However, the sale was put on hold because of objections from the Cambodian government. While lawyers are hoping to return the work to Cambodia, the auction house still plans on selling the treasure, stating that there is no evidence to prove that the statue was looted or that it is the property of the Cambodian government.

Latchford has been collecting Cambodian antiquities for over 55 years and has donated many works to well-known institutions, including the National Museum in Phnom Penh and the Metropolitan Museum of Art. A judge is expected to rule on the Duryodhana case within the next few months.