Displaying items by tag: national trust

The UK culture minister has delayed issuing an export license on Rembrandt’s Portrait of Catrina Hooghsaet (1657), which has been in the UK for over 250 years but was recently sold to a foreign buyer for £35m. The painting is particularly popular with the public because Hooghsaet, a wealthy Amsterdam woman, is shown with her pet parrot—who was named in her will—not her estranged husband.

Earlier this year, the Rembrandt was sold by the Douglas-Pennant family, whose home is Penrhyn Castle, a National Trust mansion in north Wales. The portrait had hung there since 1860.

A fire has gutted much of Clandon Park, the Palladian house near Guildford in the south east of England. Many of the country house’s rooms and its magnificent great hall are feared destroyed by a blaze that started in the basement yesterday afternoon, April 29, and soon spread throughout the building despite the efforts of more than 80 firefighters, who were hampered in their efforts by low water pressure. The National Trust, which owns the house, describes the building, designed by Giacomo Leoni in the 1720s, as one of the country’s most complete examples of a Palladian building.

Some of the Grade 1 listed house’s contents, including paintings and furniture, are reported to have been saved by staff and firefighters: images posted on social media show objects on the lawn.

A painting gifted to the National Trust has been verified as a genuine Rembrandt estimated to be worth £30m.

The self-portrait, which hangs in Devon's Buckland Abbey, had been the subject of debate over its authenticity, since 1968.

Eight months of investigative work at the Hamilton Kerr Institute (HKI) confirmed it was painted by Rembrandt.

The National Trust said extra security measures had been put in place as well as a specially created gallery.

In 2010, the UK’s National Trust was given five paintings from the estate of the late Edna, Lady Samuel of Wych Cross, the widow of Harold, Lord Samuel of Wych Cross, a property developer, philanthropist, and prominent art collector. Among the bequest was a portrait of an ornately dressed man believed to be a relatively unremarkable 17^th century painting. Although the work bears a signature and date reading “Rembrandt 1635,” experts believed it to be a later copy or the work of one of the Dutch master’s pupils.

The painting, which spent nearly two years in storage, has just been identified as an authentic Rembrandt (1606-1669) self-portrait worth over $30 million. The painting hadn’t been examined since 1968 and recent X-ray analysis along with newly found circumstantial evidence from the Rembrandt Research Project indicates that the work is in fact genuine.

The self-portrait is the only Rembrandt in the National Trust’s collection of 13,500 paintings and will remain on view at Buckland Abbey through the end of tourist season. Once it is taken off view the painting will be undergo a thorough cleaning and further technical analysis. Experts will perform dendrochronology to date the beech panel the work is painted on, the paint will be analyzed, and the painting will be x-rayed again to check for under-drawings.

David Taylor, the National Trust’s curator of paintings and sculpture, expects to have a final confirmation on the painting by early next year.