Displaying items by tag: patronage

Paris' Musée d'Art Moderne is expanding its collection of photography thanks to a pioneering patronage scheme focused on young collectors, "Le Figaro" reports.

The 21 members of the newly established patronage group have committed to pledge €5,000 each year. This means the museum has secured a yearly budget of €105,000 entirely allocated to the acquisition of international works of photography. Two new female members will join the group during 2015, and the museum is hoping to reach a total of 30 young patrons in the longer term.

On October 20, 1984, the Fondation Cartier pour l’Art Contemporain opened its doors in Jouy-en-Josas, offering visitors a pioneering, visionary approach to exhibition-making and engaging artists with its radical, free-spirited attitude to art. Thirty years later, its track record is impressive: over 100 exhibitions have been hosted on its premises and more than 800 artworks have been commissioned – which have since entered the Foundation’s collection and testify to its unique views on patronage. In honor of the occasion, over a period of almost one year, artists will occupy and animate the space with creations that represent all that the Fondation Cartier stands for: creation and discovery, openness to multiple disciplines, progressive voices and ideas.

On March 4, 2013 the Philadelphia Museum of Art announced a number of important acquisitions that will enhance the institution’s European, Latin, and American art collections. The gifts came from various donors including collectors Roberta and Richard Huber, global healthcare company GlaxoSmithKline, and several Museum Trustees.

Among the recent acquisitions is Amaryllis Josephine, a double-page watercolor on vellum by Belgian painter and botanist Pierre Joseph Redouté (1759-1840). A pencil drawing of the flower’s bulb accompanies the watercolor. Both of the works were created as part of a series of engravings made under the patronage of the empress Joséphine, Napoleon Bonaparte’s first wife.

The museum also received four 18^th century paintings that are currently on view as part of the exhibition Journeys to New Worlds: Spanish and Portuguese Colonial Art from the Roberta and Richard Huber Collection (on view through May 19, 2013). The works include King Luis I of Spain on Horseback (unknown artist, Peru); Saint Anthony of Padua Preaching Before Pope Gregory IX (unknown artist Peru); The House at Nazareth (unknown artist, Bolivia); and Our Lady of the Reedbed or Irún with Donor, Captain Joaquín Elorrieta by Ecuadorian artist José Cortés de Alcocer.    

Other acquisitions include 236 photographs by pioneering modern photographer Paul Strand (1890-1976); N.C. Wyeth’s (1890-1976) Trial of the Bow, the first painting to enter the museum’s collection by the artist; and an early 20^th century stained glass and bronze chandelier by Tiffany Studios under the artistic direction of Louis Comfort Tiffany (1848-1933).

The Philadelphia Museum of Art will hold an exhibition of its recent acquisitions this summer.

Dallas’ Southern Methodist University and Philadelphia’s Cultural Data Project have joined forces to launch the National Center for Arts Research. The Center, which is the first of its kind in the United States, will conduct, analyze, and assemble arts research as well as investigate issues concerning arts management and patronage. The Center will make all of its finding public to art leaders, funders, policymakers, researchers, and the general public.

Through extensive studies and follow-up analysis, the National Center for Arts Research plans to create a comprehensive depiction of the health of the country’s arts sector. The Center, which launched on February 13, 2013, plans to collaborate with I.B.M. to create an interactive dashboard that will allow arts organizations to compare themselves to their peers.

Jose Bowen, dean of the Meadows School of the Arts at Southern Methodist University said, “Arts organizations must have a more research-driven understanding of their markets and industry trends in order to more deeply engage existing audiences and reach new ones.” Along with management and patronage, the National Center for Arts Research will specialize in the impact of the arts on communities across the U.S. as well as fiscal trends and stability of the arts in the U.S.