Displaying items by tag: patterns

The colorful, stained-glass effect decor items produced by Tiffany Studios represent some of the most beautiful and quintessential specimens of pre-war design such as the Oriental Poppy lamp, which sold for $1.1 million at Sotheby’s in New York this past May. As a painter, Louis Comfort Tiffany was fascinated with the interplay of light and color, and using opalescent glass as his canvas, created masterful renderings of nature — such as flowers or landscape scenes — and decorative geometric patterns in lampshades and leaded-glass windows that popped with color and texture.

An enameled glass exhibit at the Flint Institute of Arts takes visitors back in time to the post-World War I art scene of Europe.

The exhibit, "Style Moderne: French Art Deco Enameled Glass from the Ed & Karen Ogul Collection," will continue through Sept. 13.

The Art Deco style embraces modernity in Europe, incorporating elements of luxury and combining bold colors and floral patterns, according to the FIA's description of the exhibit.

A little-known Dutch collection of Indian chintzes, newly acquired by the Peabody Essex Museum in Salem, Mass., is revealing centuries of changing habits in fabric exporting, collecting and tailoring.

The museum paid an undisclosed price for about 170 textiles, including bedspreads, caps, jackets and robes, dating to the early 1700s. The designs combine European folk patterns and botanical motifs typical of Mughal landscape paintings.

Maurice Prendergast: By the Sea, which is now on view at the Bowdoin College Museum of Art in Brunswick, Maine, explores the artist’s lifelong fascination with the sea. Maurice Prendergast, a pioneering post-Impressionist painter, spent much of the late 19^th century and early 20^th century capturing modern life on the coast of New England.

 By the Sea is the first retrospective of Prendergast’s oeuvre in over two decades. The exhibition presents more than 90 works in a variety of media from over 30 public and private collections in addition to Bowdoin College Museum of Art’s own holdings. The exhibition traces the development of Prendergast’s highly personal style, which is recognized for its use of jewel-like colors and pattern-like compositions containing flattened, free-form figures. The exhibition also includes Prendergast’s sketchbooks and oil studies, allowing visitors to see into the Modernist artist’s creative process.

Highlights include the watercolor The Balloon, which is part of a private collection and has not been included in earlier Prendergast retrospectives; St. Malo, a bright watercolor on loan from the Williams College Museum of Art, which was lauded as one of the first American introductions of the bold European Post-Impressionist avant-garde; and a number of works that the artist contributed to the seminal Armory Show of 1913 (also known as the International Exhibition of Modern Art).

Maurice Prendergast: By the Sea will be on view at the Bowdoin College Museum of Art through October 13, 2013.