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The Los Angeles County Museum of Art presents Expressionism in Germany and France: From Van Gogh to Kandinsky ( on view through September 14, 2014), an exhibition that sheds new light on the extraordinary response of artists in Germany and France to key developments in modern art in the early 20th century. For the first time in a major museum exhibition, Expressionism is presented not as a distinctly German style but as an international movement in which artists in Germany and France responded with various aesthetic approaches to modern masters such as Vincent van Gogh, Paul Cézanne, Henri Matisse, and Paul Gauguin, among others. Over 40 artists—including Wassily Kandinsky, Emil Nolde, Gabrielle Münter, Franz Marc, Robert Delaunay, and Pierre Bonnard—are represented in over 90 paintings and 45 works on paper, in addition to approximately 30 ephemera objects.

“Expressionism in Germany and France offers a unique opportunity to observe the ways that a generation of artists was influenced by some of the greatest names in modern art history,” says exhibition curator Timothy O. Benson. “Our visitors will gain insight into the culturally rich cosmopolitan milieu established by the many exhibitions, collectors, gallerists, critics, and not least the artists of the time (many of whom traveled between Paris and Germany) and how this cultural atmosphere transcended national borders.”

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From quick sketches to watercolors and finished masterpieces, works by artists such as Eugène Delacroix, Jacques-Louis David, Edgar Degas, Edouard Manet, Paul Cézanne, Vincent van Gogh, Egon Schiele, Piet Mondrian and Pablo Picasso are brought together in Mind’s Eye: Masterworks on Paper from David to Cézanne (on view through October 26, 2014). Organized by the Dallas Museum of Art, the exhibition features more than 120 works on paper—many of which have never been exhibited publicly—by 70 artists. Drawn in part from the DMA’s collection, but with significant loans from private collections in North Texas, Mind’s Eye, offers new insights into the working methods and practices of these artists, providing an intimate view of their approach to art making while also presenting the drawings and watercolors as finished works of art in their own right.

“One of the goals of the Dallas Museum of Art is to encourage collecting within the community. There is no better example of how to do this than to highlight the Museum’s graphic holdings together with those that have been assembled in private homes throughout our area,” said Maxwell L. Anderson, The Eugene McDermott Director of the DMA. “Mind’s Eye: Masterworks on Paper from David to Cézanne presents a rich and fascinating array of works in various media by artists from the Austro-Hungarian, Belgian, British, Dutch, French, German, Spanish and Swiss schools, spanning nearly 150 years—from the French Revolution to the dawn of modernism.”

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A prolific artist who synthesized formal problems through a close study of objects, Paul Cézanne’s lifelong engagement with still life yielded what is arguably the most innovative body of work in the genre by any artist in the Western canon. Premiering this weekend at the Barnes Foundation, “The World is an Apple: The Still Lifes of Cézanne” exhibition is a select gathering of 21 paintings which includes early to very late works — with themes ranging from apples and flowers to skulls — and demonstrates Cézanne’s achievement in the genre. This is the only U.S. location where this exhibition will be seen, and is primarily made up of paintings from private collections around the world, so are rarely seen by the public.

“While he surely looked closely at nature, Cézanne self-consciously plays with colors, forms and space in a manner that invites a free association that contrasts with the fixed meanings of academic tradition in his still lifes. He creates an alternative world where things can move and exist improbably and signify variously, exploding and evading the traditional containment of the ‘silent life of things,’” explained exhibition curator Benedict Leca.

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In fall 2015, the Minneapolis Institute of Arts will present “Eugène Delacroix and Modernity,” the first major exhibition to explore the legacy of the celebrated French painter, an influential trailblazer and one of the first modern masters of the form. The exhibition takes Cézanne’s observation that “we all paint in Delacroix’s language” as its starting point to reveal how Delacroix revolutionized French painting for the next generation of artists, leaving an indelible mark on Matisse, Van Gogh, Gauguin, Renoir, Degas, Monet, and others. The MIA is partnering with the National Gallery, London, for this unprecedented survey, featuring important works from the museums’ collections as well as rarely seen works from private collections. The exhibition opens at the MIA on October 18, 2015, and runs through January 10, 2016. It is on view at the National Gallery, London, February 10 through May 15, 2016.

By the time of his death, Eugène Delacroix (1798–1863) was one of the most revered artists in Paris and a hero of the avant-garde. By challenging the status quo by pushing the boundaries of the “Grand Style” of painting into the realm of modernism, he paved the way for younger artists. His large-scale paintings were the first to use the expressive, improvisational markmaking of the Impressionists, the dreamlike allusion of the Symbolists, and the bold colors of Morocco made famous 80 years later by Renoir and Matisse.

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Wednesday, 14 May 2014 11:59

Art Hoarder Cornelius Gurlitt Left Second Will

The late German recluse who hoarded a priceless art trove, some of it suspected Nazi loot, left two wills, a court said Tuesday, adding however that they "complement each other".

The Munich court did not reveal the beneficiary but said both documents named the same recipient or recipients of the spectacular estate of Cornelius Gurlitt, who died last week aged 81.

The art treasure of Gurlitt, the son of a Nazi-era art dealer, came to light last year, with many works believed to have been stolen or extorted from Jewish collectors, sparking claims by some of their descendants.

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The Legion of Honor in San Francisco is currently hosting the exhibition “Intimate Impressionism,” which features nearly 70 Impressionist and Post-Impressionist landscapes, seascapes, still lifes, interiors, and portraits from the collections of the National Gallery of Art in Washington, D.C. Masterpieces by Paul Cezanne, Edgar Degas, Pierre-Auguste Renoir, Edouard Manet, Claude Monet, Camille Pissarro, and Alfred Sisley are on view.

The sweeping exhibition offers glimpses into the artists’ processes and highlights their inspirations, favorite subjects, and individual perspectives. For instance, a section of the show explores how Monet, Renoir, Pissarro, and Sisley were motivated by their plein-air predecessors when painting the natural world. Depictions of artists’ studios, domestic interiors, and family members further deepen connections between the artists, their works, and the audience.

The exhibition, which will remain on view at the Legion of Honor through August 3, was made possible by the closure of the National Gallery’s East Building for a major renovation and expansion project.    

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An oil painting by Claude Monet of London’s Waterloo Bridge is among the 180 artworks recently found in Cornelius Gurlitt’s home in Austria. Monet painted the Waterloo Bridge repeatedly between 1900 and 1908, often using a limited palette of blues, yellows, and greens to capture the bridge in the dreary London weather at various times of day. 

In November 2013, it was reported that in 2012, over 1,400 artworks, many of which were stolen from their owners by Nazis, were discovered in Gurlitt’s apartment in Munich. The subsequent investigation led authorities to Gurlitt’s other home in Salzburg, where two additional troves were discovered. A total of 238 works were found in Austria and are currently being held in a high-security storage unit. In addition to the Monet painting, the recently discovered works include a bronze sculpture by Pierre-Auguste Renoir and drawings by Paul Gauguin, Paul Cezanne, and Pablo Picasso.

Gurlitt, 81, is the son of the art dealer Hildebrandt Gurlitt, who supposedly acquired the works in the late 1930s and 1940s. Gurlitt’s father had been put in charge of selling the stolen artworks abroad by Joseph Goebbels, Hitler’s Minister of Propaganda, but secretly hoarded many of them and later claimed that they were destroyed in the bombing of Dresden. Gurlitt sold a number of the paintings over the years and lived off of the profits.
Some of the paintings were sold at a very high price. The reason for this was the auction in Switzerland, where rich people were not stinted at the highest rates. Many of them are gamblers and play in the Swiss online casino. Select the best of them helps them site resuko.ch, where you can also find the most profitable and unique bonuses. This allows you to win large amounts of money and subsequently spend them on the purchase of paintings.

German authorities have formed a task force that is responsible for establishing the ownership histories of each artwork. While many of the works were looted, a number of pieces were acquired legitimately by Gurlitt’s father both before and after the war. Last week, Gurlitt’s lawyers said that their client would return any stolen artworks to their original owners or their heirs.

Authorities have been photographing and uploading each artwork to Germany’s Lost Art Internet Database.

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On March 15, the Museum of Modern Art’s William S. Paley Collection will go on view at the Crystal Bridges Museum of American Art in Bentonville, Arkansas. “A Taste for Modernism” presents 62 works that cover all of the pivotal movements that defined the art world between 1880 and 1940. The exhibition features works by 24 major artists including Edgar Degas, Paul Cézanne, Paul Gauguin, Pablo Picasso, Henri Matisse, Alberto Giacometti, and Francis Bacon. The William S. Paley Collection has been on a North American tour since 2012. The Crystal Bridges Museum will be the last venue to host the exhibition before it returns to MoMA.

Highlights from the exhibition include two works by Cézanne, which Paley acquired from the artist’s son; eight works by Picasso that trace his artistic evolution over the first three decades of the 20th century, including “Boy Leading a Horse” from his Rose period, the Cubist painting “An Architect’s Table,” and the collage-inspired composition “Still Life with Guitar”; Gauguin’s “The Seed of the Areoi,” which was inspired by the artist’s trips to Tahiti; and realist landscapes by Edward Hopper.

William S. Paley, the media mogul who built the CBS broadcasting empire, was an important art collector and philanthropist. Paley began collecting in the 1930s and had a particular fondness for French modernist movements such as Fauvism, Cubism, and Post-Impressionism. Paley played a major role in establishing MoMA as one of the most significant institutions in the world and he fulfilled various roles at the museum including patron, trustee, president, and board chairman from 1937 until his death in 1999.

“A Taste for Modernism” will remain on view at the Crystal Bridges Museum of American Art through July 7.

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Since September 2013, the National Gallery of Art in Washington, D.C. has acquired a number of important works from the 15th through 20th centuries including tempera-and-gold drawings on vellum from the Middle Ages and works on paper by Paul Cézanne, Claude Monet and Paul Gauguin. Earl A. Powell III, the director of the National Gallery of Art, said, “These acquisitions are masterworks from the Middle Ages to the current moment that represent the highest levels of creativity in media ranging from printmaking and manuscript illumination to easel painting and photography. We are delighted that they can be shared with the public as part of our permanent collection.”

Among the museum’s recent acquisitions are a woodcut-illustrated book of Giovanni Boccaccio’s ‘Seminal History of Famous Women’, the Gallery’s earliest German woodcut book; ‘Still Life with Peacock Pie,’ a banquet piece measuring more than four feet across by the Dutch Golden Age painter Pieter Claesz; one of Jean-Honoré Fragonard’s finest versions of ‘Avenue of Cypresses at Villa d’Este’; a watercolor by Cézanne titled ‘A Stand of Trees Along a River Bank’; an early drawing by Gauguin titled ‘Seated Nude Seen from Above’; a pastel of Waterloo Bridge by Monet; and Pop artist Jim Dine’s ‘Name Painting.’ The National Gallery of Art also received works by artists such as Roy Lichtenstein, Pablo Picasso, Andy Warhol, Marc Chagall, Jasper Johns and Robert Motherwell from the celebrated Herbert and Dorothy Vogel Collection. 

The National Gallery of Art was established in 1937 for the people of the United States by a joint resolution of the U.S. Congress. Financier and art collector, Andrew W. Mellon, donated a portion of his sizeable art collection to the museum, forming its core holdings. The National Gallery of Art’s collection of paintings, drawings, prints, photographs, sculptures and decorative arts spans from the Middle Ages to the present and includes the only painting by Leonardo da Vinci in the Americas as well as the largest mobile ever created by Alexander Calder.

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The Denver Art Museum announced on Monday, January 13 that it has received 22 Impressionist masterpieces by artists including Vincent van Gogh, Claude Monet, Paul Cezanne, Edouard Manet and Pierre-Auguste Renoir. It is the museum’s most significant gift  of paintings to date.

The donation comes from the collection of Frederic C. Hamilton, an oil and gas magnate who has been the museum’s chief benefactor for decades. In addition to European paintings, the gift includes works by American Impressionists such as Childe Hassam and William Merritt Chase.

The paintings, which elevate the Denver Art Museum’s collection of Impressionism into one of the finest in the American west, will go on view in the Frederic C. Hamilton Building, which opened in 2006. Hamilton led the fundraising effort for the $110 million expansion project that gave the museum an additional 146,000 square feet of gallery space.

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