Displaying items by tag: pavilions

Olafur Eliasson has relaunched his website with an innovative web-based survey of his artwork. Your uncertain archive presents artworks, exhibitions, works in public space, pavilions, models, books, talks, and research by Olafur Eliasson and his studio. The site encourages chance encounters with its content, using an extensive system of tags so that you can discover the common threads running through everything. The connections mode is used to highlight associations, or simply drift through a cloud of archival objects.

Olafur Eliasson says: “What I’m interested in with my work at the Louisiana isn’t really that you experience an object or an artwork. I am interested in how you connect this landscape to the rest of the world and ultimately, how you experience yourself within it."

On July 11 the British Museum unveiled its World Conservation and Exhibitions Centre (WCEC), one of the largest developments in its 260-year history. The center is a significant addition to the Museum’s estate of notable architecture.

Designed by lead architect Graham Stirk of Rogers Stirk Harbour + Partners (RSHP), Stirk described its style as an “architectural vocabulary quite new to us . . . emotional modernity.” The Centre comprises five pavilions with a public temporary exhibitions gallery accessed through the main east entrance. The Centre as a whole, however, is a non-public “support” building. Three of the Centre’s five pavilions plug into a three-sided courtyard behind the Museum’s King Edward VII building; a fourth aligns with the King Edward street frontage; and the fifth is 68 percent below ground with a light-filled atrium. The pavilions will house world class conservation studios, science laboratories, storage, and a collections hub for loans. Stirk and RSHP architect John McElgunn led a tour for the press.

The Museum of Contemporary Art in Los Angeles is planning to open A New Sculpturalism: Contemporary Architecture in Southern California on June 2, 2013. Funded in part by the Getty Foundation, the show is now in jeopardy of being cancelled.

The Getty provided $445,000 for the exhibition, which is part of the Foundation’s new architecture series “Pacific Standard Time Presents: Modern Architecture in L.A.” An exploration of the last 25 years of Los Angeles architecture, A New Sculpturalism was suppose to feature works by Frank Gehry, Thom Mayne, Michael Maltzan, Barbara Bestor, and a number of young architects. A nearly 300-page exhibition catalogue, co-published by Rizzoli, has already been completed.

Guest curated by Christopher Mount, the former executive director of the Pasadena Museum of California Art, the show may not be fully installed by its opening date. The participating architects have grown wary of the show’s direction and how their works will be presented, which prompted Gehry to withdraw from the show altogether.

The expansive exhibition includes four purpose-built pavilions, which were commissioned from various emerging architecture firms in Los Angeles. There have been some preliminary talks about holding the show later this year.