Displaying items by tag: phillips collection

The Phillips Collection’s Director Dorothy Kosinski and University of Maryland President Wallace D. Loh announced today a bold partnership between the two institutions with a shared vision to dramatically transform scholarship and innovation in the arts.

Layered with rich opportunities to collaborate, the agreement is ambitious, entrepreneurial, and risk-supportive, which are considered essential qualities in today’s competitive arts and academic environments. Together, The Phillips Collection will expand its education programs, reach new and diverse audiences, and pursue key initiatives that align with the museum’s strategic mission as an “experiment station” and institution for learning.

Paul Gauguin's  1892 painting, Nafea Faa Ipoipo (When Will You Marry?), is coming to the Phillips Collection in Washington, DC.

The most expensive painting ever sold was reportedly purchased by the Qatar Museums for nearly $300 million back in February, smashing the old record for Paul Cézanne's late 19th century work, The Card Players, which sold for an estimated $250 million.

In celebration of recent major gifts, this summer The Phillips Collection presents for the first time a major photography exhibition drawn exclusively from the museum’s permanent collection. "American Moments: Photographs from The Phillips Collection" features more than 130 photographs that evoke a sense of time, place, and experience. More than 30 renowned artists are represented in the exhibition, including Esther Bubley, Bruce Davidson, Alfred Eisenstaedt, Louis Faurer, Joel Meyerowitz, and Arnold Newman.

The Phillips Collection’s Director Dorothy Kosinski announced today the acquisition of several hundred gifts of photography to the museum’s permanent collection, accepted from a small group of collectors. Nearly 300 of the photographs were given to the museum in 2014, increasing the collection by more than 25 percent. Many of these new acquisitions, including superb color prints and black-and-white photographs from masters such as Berenice Abbott, Esther Bubley, Louis Faurer, and Joel Meyerowitz, will be displayed at the museum for the first time on June 6 with the opening of the special exhibition "American Moments: Photographs from The Phillips Collection."

All exhibitions during the 50th anniversary year in 2015 are inspired by the MFA’s stellar collection. Masterpieces created by French artists and by others working in France are a hallmark, and four are included in "Monet to Matisse—On the French Coast."

Exceptional paintings are also coming from The Metropolitan Museum of Art, the Brooklyn Museum, the Art Institute of Chicago, the National Gallery of Art, and The Phillips Collection in Washington, D.C., and closer to home, the Norton Museum of Art in West Palm Beach. Private collectors in both the U.S. and Europe are sharing their treasures.

"Monet to Matisse," set for Saturday, February 7-Sunday, May 31, brings together paintings created on both the Atlantic and Mediterranean coasts of France and opens on the same day the MFA opened to the public in 1965. To commemorate this joyous occasion, the MFA is presenting a Founders Day Open House—free for everyone—on the first day of the exhibition from 10 a.m.-3 p.m.

The Phillips Collection opened an exhibition of works by preeminent artist Jacob Lawrence. Produced between 1954 and 1956, "Struggle … From the History of the American People" portrays scenes from American history, chronicling events from the Revolutionary War through the great westward expansion of 1817. The Phillips is displaying 12 panels from the series, on loan from the Harvey and Harvey-Ann Ross collection, in "Jacob Lawrence: Struggle … From the History of the American People." The exhibition runs through August 9, 2015.

In 1954—a decade after completing his epic masterwork "The Migration Series"—Lawrence conceived of a new 60-panel series dedicated to telling the history of the American people.

The Phillips Collection wants to share its vast collection of scholarship, photographs and interviews with preeminent African-American artist Jacob Lawrence by creating a special website devoted to his life and work. But it needs the public to chip in to pay for it.

Phillips’ officials have raised $80,000 of the $125,000 required for what they are calling a “robust microsite” featuring images of all 60 panels of Lawrence’s masterwork, “The Migration Series,” as well as unpublished interviews conducted by Phillips curators in 1992 and 2000, just before his death.

As its landmark Made in the U.S.A. exhibition continues through August 31, The Phillips Collection unveils another layer of interactive programming through an educational app. The “uCurate: The Phillips Collection” app, compatible with Android and Apple devices, is an extension of the museum’s existing in-gallery and online program, an engagement technology that allows users to curate their own virtual exhibitions.

Using the free uCurate app, participants may choose from 52 artworks featured in Made in the U.S.A.—ranging from Winslow Homer’s To the Rescue (1886) to Alexander Calder’s Red Polygons (c. 1950)—and arrange them in a “virtual gallery.” The artwork is organized according to the exhibition’s themes, and users can add their comments to the information panels provided with each piece.

The Phillips Collection in Washington, D.C. has organized several installations throughout the museum showcasing recent acquisitions alongside popular masterpieces and rarely exhibited works from its permanent collection. Divided among several intimate galleries, the installations are organized by theme, including sculpture, drawings, and portraiture.

Perpetual crowd-pleasers such as Edgar Degas’ “Dancers at the Barre,” Joan Miró’s “The Red Sun,” and Pierre-Auguste Renoir’s “Luncheon of the Boating Party” will appear next to rarely seen works, including Jean-Honore Fragonard’s drawing “Odorico Kills Corebo and Sets Out in Pursuit of Isabella” and Pablo Picasso’s bronze sculpture “Head of a Woman,” promoting the rediscovery of treasures in the museum’s holdings. Showing support for established and emerging artists alike, recent acquisitions, including contemporary works by living artists, will be exhibited on the museum’s second floor.

Dr. Dorothy Kosinski, the Phillips Collection’s director, said, “The juxtaposition of provocative new additions with iconic European masterworks demonstrates the museum’s commitment to founder Duncan Phillips’s mission to create an ‘intimate museum combined with an experiment station.’”

The Phillips Collection plans to display a selection of new acquisitions throughout the spring and summer, with a rotation of artworks in May.

Between 2010 and 2013, 100 American masterworks from the Phillips Collection in Washington, D.C. traveled to museums in Italy, Spain, Japan, Tennessee, Texas, and Florida. The exhibition earned rave reviews and was seen by more than 30,000 people. The Phillips Collection is currently hosting an expanded version of this hit show, titled “Made in the USA: American Masters from the Phillips Collection, 1850-1970.”

The exhibition is the most comprehensive presentation of the museum’s American art collection undertaken in nearly 40 years. “Made in the USA” presents over 200 works from the museum’s holdings including seascapes, city scenes, abstract canvases, and portraits. The exhibition is organized chronologically, beginning with American art from the late 19th century and ending with works from the postwar years. “Made in the USA” includes paintings, drawings, and etchings by Thomas Eakins, Rockwell Kent, Edward Hopper, John Marin, Arthur Dove, and Willem de Kooning.

The Phillips Collection, which was founded in 1921 by Duncan Phillips, was the first museum in the United States dedicated to American art. Over the course of 50 years, Phillips built a collection of nearly 2,000 pieces of modern art of which 1,400 were American.

“Made in the USA” will be on view at the Phillips Collection through August 31.