Displaying items by tag: private collections

This fall, the Museum of Fine Arts, Boston, presents "Goya: Order and Disorder," a landmark exhibition dedicated to Spanish master Francisco Goya (1746–1828). The largest retrospective of the artist to take place in America in 25 years features 170 paintings, prints and drawings—offering the rare opportunity to examine Goya’s powers of observation and invention across the full range of his work. The MFA welcomes many loans from Europe and the US, including 21 works from the Museo Nacional del Prado in Madrid, along with loans from the Musée du Louvre, the Galleria degli Uffizi, The Metropolitan Museum of Art, the National Gallery of Art (Washington) and private collections. "Goya: Order and Disorder" includes some 60 works from the MFA’s collection of Goya’s works on paper, one of the most important in the world. Many of these prints and drawings have not been on view in Boston in 25 years. Employed as a court painter by four successive rulers of Spain, Goya managed to explore an extraordinarily wide range of subjects, genres and formats. From the striking portrait "Duchess of Alba" (1797) from the Hispanic Society of America, to the tour de force of Goya’s "Seated Giant" (by 1818) in the MFA’s collection, to his drawings of lunacy, the works on view demonstrate the artist’s fluency across media.

A new exhibition will open at Christie's Mayfair 11 October 2014. "The Bad Shepherd" is a major exhibition exploring the continued influence of Pieter Brueghel the Elder and his artistic dynasty in the 21st century. This is the first exhibition ever to present the work of the Brueghels in dialogue with contemporary art and features many rarely seen works from private collections.

Artists include: Pieter Brueghel the Elder, Pieter Brueghel the Younger, Jan Brueghel the Elder, Marten Van Cleve and Abel Grimmer Peter Doig, Nicole Eisenman, Jeff Koons, Sarah Lucas, Neo Rauch, Thomas Schütte, and Jeff Wall.

The Royal Academy of Arts presents the first major retrospective of Anselm Kiefer’s work to be held in the UK. Considered to be one of the most important artists of his generation, the exhibition spans over forty years from Kiefer’s early career to the present time, bringing together artwork from international private and public collections. The exhibition has been arranged chronologically, presenting the epic scale of his artwork and the breadth of media he has used throughout his career, including painting, sculpture, photography and installation. Kiefer has also created a number of works conceived specifically for the Royal Academy’s Main Galleries, showcasing his continued interest in seeking new challenges and producing ever more ambitious artwork.

The Frick’s Center for the History of Collecting announces a new book series with the publication of its first volume, "Holland’s Golden Age in America: Collecting the Art of Rembrandt, Vermeer, and Hals." This series, entitled The Frick Collection Studies in the History of Collecting, is co-published with the Pennsylvania State University Press, and will ultimately cover a broad range of art collecting, reflecting the Center's reach well beyond the parameters of the Frick's own scope to include topics on modern and non-western art. Comments Inge Reist, Director of the Center, “We aim to encourage new scholarship in this young field of art history through our annual acclaimed symposia and ongoing fellowship program, much of which leads to new publications. Complementing that activity is this series that enables the Center to make its own contribution to the growing bibliography on the history of collecting in America.” This and future volumes are drawn from papers given at the Center’s symposia. Upcoming books from recent events include "A Market for Merchant Princes: Collecting Italian Renaissance Painting in America" (February 2015), edited by Inge Reist; "Going for Baroque: Americans Collect Italian Paintings of the 17th and 18th Centuries," edited by Edgar Peters Bowron; and "The Americas Revealed: Collecting Colonial and Modern Latin American Art in the United States," edited by Edward Sullivan.

Americans have long had an interest in the art and culture of Holland’s Golden Age. As a result, the United States can boast extraordinary holdings of Dutch paintings. Celebrated masters such as Rembrandt, Johannes Vermeer, and Frans Hals are exceptionally well represented in museums and private collections, but many fine paintings by their contemporaries can be found here as well.

The vibrant, visionary landscapes of Charles Burchfield (1893-1976), one of the leading American artists of the 20th century, are featured in a major exhibition of more than 50 paintings on view at the Brandywine River Museum of Art from Saturday, Aug. 23 through Nov. 16.

Co-organized by the Brandywine River Museum of Art and the Burchfield Penney Art Center, Buffalo, the exhibition features works borrowed from museums and private collections across the United States, including the Burchfield Penney Art Center, the largest repository of the artist’s work.

The Art Gallery of Toronto (AGO) has announced that it will host the first-ever major retrospective of Jean-Michel Basquiat’s (1960-1988) work in Canada. The show, which will run from February 7, 2015 to May 10, 2015, will feature over 140 paintings and drawings from private collections and public museums across Europe and North America. After its time at the AGO, “Basquiat” will travel to the Centro Cultural Banco de Brasil in Rio de Janeiro, in July 2015.

Basquiat, who rose to fame in the 1980s, is best known for his graffiti-tinged Neo-expressionist and Primitivist works. Drawing inspiration from the street culture of his native New York, Basquiat explored serious topics, including politics, racism, and social hypocrisy, in his work.

From July 20 through October 13, the Parrish Art Museum presents William Glackens—the first comprehensive survey of the artist’s work since 1966. The exhibition spans Glackens’s career from the 1890s through the 1930s, with more than 70 important paintings and works on paper from some of America's finest private and public collections, including the Metropolitan Museum of Art, Fine Arts Museum of San Francisco, the National Gallery of Art, and the Cleveland Museum, among others. Several works in the exhibition are on view to the public for the first time since 1966.

William Glackens, co-organized and presented by the Parrish Art Museum; Nova Southeastern University Museum of Art | Fort Lauderdale (where it was on view earlier this year); and the Barnes Foundation, Philadelphia (where the exhibition will also travel), spans the full career of the artist, who painted on Long Island from 1911–1915. Curated by writer and art historian Avis Berman, the exhibition focuses on Glackens’s most distinctive and adventurous works.

From quick sketches to watercolors and finished masterpieces, works by artists such as Eugène Delacroix, Jacques-Louis David, Edgar Degas, Edouard Manet, Paul Cézanne, Vincent van Gogh, Egon Schiele, Piet Mondrian and Pablo Picasso are brought together in Mind’s Eye: Masterworks on Paper from David to Cézanne (on view through October 26, 2014). Organized by the Dallas Museum of Art, the exhibition features more than 120 works on paper—many of which have never been exhibited publicly—by 70 artists. Drawn in part from the DMA’s collection, but with significant loans from private collections in North Texas, Mind’s Eye, offers new insights into the working methods and practices of these artists, providing an intimate view of their approach to art making while also presenting the drawings and watercolors as finished works of art in their own right.

“One of the goals of the Dallas Museum of Art is to encourage collecting within the community. There is no better example of how to do this than to highlight the Museum’s graphic holdings together with those that have been assembled in private homes throughout our area,” said Maxwell L. Anderson, The Eugene McDermott Director of the DMA. “Mind’s Eye: Masterworks on Paper from David to Cézanne presents a rich and fascinating array of works in various media by artists from the Austro-Hungarian, Belgian, British, Dutch, French, German, Spanish and Swiss schools, spanning nearly 150 years—from the French Revolution to the dawn of modernism.”

A prolific artist who synthesized formal problems through a close study of objects, Paul Cézanne’s lifelong engagement with still life yielded what is arguably the most innovative body of work in the genre by any artist in the Western canon. Premiering this weekend at the Barnes Foundation, “The World is an Apple: The Still Lifes of Cézanne” exhibition is a select gathering of 21 paintings which includes early to very late works — with themes ranging from apples and flowers to skulls — and demonstrates Cézanne’s achievement in the genre. This is the only U.S. location where this exhibition will be seen, and is primarily made up of paintings from private collections around the world, so are rarely seen by the public.

“While he surely looked closely at nature, Cézanne self-consciously plays with colors, forms and space in a manner that invites a free association that contrasts with the fixed meanings of academic tradition in his still lifes. He creates an alternative world where things can move and exist improbably and signify variously, exploding and evading the traditional containment of the ‘silent life of things,’” explained exhibition curator Benedict Leca.

This summer, fourteen monumental sculptures by Alexander Calder (1898-1976) are taking over the Rijksmuseum’s 'outdoor gallery' for the largest freely accessible outdoor exhibition of his work to date.

Calder (1898-1976) is undoubtedly one of the most celebrated inventors of modern sculpture. His cut-out and colorful abstract objects that move in the air or rest firmly on the ground can be found throughout the world, whether in museums or in gardens and public plazas, ranking him among the first and most prolific sculptors of large-scale outdoor works. This show of his monumental sculptures in the gardens of the Rijksmuseum creates a fascinating landscape of stately abstract forms.

Guest curator Alfred Pacquement, former director of Musée National d’Art Moderne Centre Pompidou in Paris, has selected mobiles, stabiles, and standing mobiles by Calder from major museums and private collections.

This exhibition is the second in a series of annual international sculpture displays, which will be presented in the Rijksmuseum’s gardens over the next four years, made possible with funding from the BankGiro Loterij and the Terra Foundation for American Art.