Displaying items by tag: sandro botticelli

It has been one of the more intriguing art historical mysteries for more than a century: did the great pre-Raphaelite Dante Gabriel Rossetti touch up a Botticelli painting he owned by giving the sitter a vibrant red rinse?

On Thursday, curators at the Victoria and Albert Museum gave the definitive answer – the red hair of the 15th-century woman known as Smerelda Bandinelli is her own and the supposed Rossetti intervention can finally be laid to rest as a myth.

Treasures from the National Galleries of Scotland will be visiting the Kimbell Art Museum at the end of June and staying through September. Some of the works have never been shown in the U.S., and one is quite a rare treat, as it has not left Scotland for more than 50 years — Sandro Botticelli’s The Virgin Adoring the Sleeping Christ Child (c. 1490).

The Scottish collection parallels the Kimbell’s in many respects, and with several of the same artists, such as Velázquez, Rembrandt, Cézanne, Monet and Braque

The Gemäldegalerie in Berlin and London's Victoria and Albert Museum have joined forces to present a comprehensive exhibition of works by the early Renaissance master Sandro Botticelli, "Monopol" reports.

Botticelli is not only regarded as one of the leading painters of the Italian Renaissance, but also as an icon of pop culture. The exhibition, thus, will pay tribute to the artist's enduring influence on art, design, and fashion, which can be traced to the present day.

Following a seven-year legal battle over a Sandro Botticelli painting "Madonna and Child" (1485) that was caught up in the collapse and ensuing bankruptcy proceedings of Salander-O'Reilly Galleries, rulings by two New York judges last month have resulted in the painting—worth an estimated $10 million—being returned to its rightful owner, Panama-based Kraken Investments. Ronald Fuhrer, a Tel Aviv-based dealer and advisor to Kraken, confirmed to artnet News that he had retrieved the painting on behalf of the investment firm on December 8. At various times, it looked as though the painting would be classified for legal purposes as gallery collateral and thus one of the assets that should be sold to repay creditors, despite the owners insistence that it had merely been loaned for a show.

Bellini. Botticelli. Titian. "Of Heaven and Earth: 500 Years of Italian Painting from Glasgow Museums" celebrates the richness of Italy’s artistic legacy. It features religious paintings of the late Middle Ages and Renaissance, along with secular Neoclassical and genre paintings of the nineteenth century—with the principal artistic centers, such as Bologna, Florence, Milan, Naples, Rome, and Venice, represented. Milwaukee is the only Midwest stop on the tour of this rare exhibition.

Opening with some of the earliest and most refined examples of Italian painting, including Sandro Botticelli’s stunning "Annunciation," the exhibition unfolds chronologically.

A traveling exhibition of master paintings by some of the greatest names in European art ends its East Coast summer residency at the Allentown Art Museum on Sunday, September 7. "Of Heaven and Earth: 500 Years of Italian Painting from Glasgow Museums" features works by Italian Renaissance and Baroque masters such as Giovanni Bellini, Sandro Botticelli, Francesco Guardi, Salvator Rosa, and Titian, many of which have never before been exhibited in the United States. This is a once-in-a-lifetime opportunity to see these forty major works; after Allentown, the exhibition will travel west to the Milwaukee Art Museum and the Santa Barbara Museum of Art.

Thanks to a generous grant from the Society of the Arts (SOTA), the exhibition is free to all visitors, Wednesday-Saturday 11-4 and Sunday noon-4. “The elimination of our admission fees this summer, and dual-language labels in English and Spanish, are intended to deliver a message that in this, our eightieth anniversary year, the Allentown Art Museum is accessible to all and that we encourage everyone to experience what this extraordinary institution has to offer,” says David Mickenberg, Priscilla Payne Hurd President and CEO of the Art Museum.

Following a two-year refurbishment, the National Gallery’s impressive gallery space, Room A, has reopened to the public. Lying beneath the main floor galleries, this permanent display offers visitors a chance to explore 218 pictures dating from the 13th to the late 19th centuries.

This newly reopened gallery offers a different way of experiencing the nation’s collection of European paintings as it is hung in broadly chronological order, telling the entire story of 400 years of painting in a single space. It aims to enhance visitors’ appreciation and understanding of some of the National Gallery’s lesser-known paintings and it provides the space and opportunity to study these works in greater detail - and in better viewing conditions - than before. With a record-breaking 6 million visitors during 2013, the National Gallery remains committed to researching and showcasing its extraordinarily rich permanent collection.

Centuries ago, if you wanted to see the paintings of the great Italian masters, you would have embarked on something called The Grand Tour, a kind of traveling educational experience to the principal artistic centers of Renaissance Italy: Rome, Milan, Bologna, Florence, Siena, Naples and Venice.

This summer, The Grand Tour, by way of Glasgow, Scotland, is coming to Allentown.

The Allentown Art Museum of the Lehigh Valley is one of the stops on an once-in-a-lifetime American tour of paintings by some of the greatest names in Italian art. It's a rare opportunity to see the work of artists that quite literally changed the world. And admission will be free, due to an initiative to make the museum more accessible.

Earlier this month Italy’s Culture Ministry said that it would delay the loan of Sandro Botticelli’s The Annunciation of San Martino alla Scala (1481) to the Israel Museum because the timing was “not appropriate.” Following the announcement, Israeli Culture Minister Limor Livnat did all she could to assure her Italian counterpart that there was no danger in the artwork going on view in Israel. While many speculated that Italy’s decision to delay the loan was due to conflict in Syria, museum officials claimed that conservation issues were to blame for the near postponement.

Ultimately, on Tuesday, September 17, 2013, the work went on view at the Israel Museum as planned. The Annunciation is a large fresco that was originally painted on a hospital wall in Florence. After suffering significant damage, it was removed in 1920 and transferred to the Uffizi Gallery, where it underwent restoration. James Snyder, the Israel Museum’s director, said that the work has a deep connection to the Holy Land since the annunciation story took place in Nazareth, and “the landscape in the fresco is the landscape of this ancient land.”  

The loan is part of celebrations in honor of Israel’s 65^th anniversary.

Amid Syria fears, Italy’s culture ministry in Rome announced that it will delay its loan of a famous 15^th-century painting by Sandro Botticelli to Israel because the timing is “not appropriate.” The Renaissance masterpiece The Annunciation of San Martino alla Scala was supposed to be sent to the Israel Museum in Jerusalem for inclusion in an exhibition opening on September 17, 2013.

The culture ministry said that it would send another painting of equal cultural and artistic content. The Uffizi Gallery organized the loan as part of celebrations for Israel’s 65^th anniversary.

The Annunciation is a large fresco that was originally painted on a hospital wall in Florence. It was removed in 1920 and transferred to the Uffizi, where it underwent restoration.