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Displaying items by tag: sculptures
The Renaissance sculptures in Florence’s Piazza della Signoria, including the replica of Michelangelo’s David, will soon have a shiny new neighbor: Jeff Koons’s Pluto and Proserpina (2010-13). The 11ft work in gold-colored stainless steel will stand in front of the Palazzo Vecchio, Florence’s town hall and civic museum, from September 25 until December 28. Inside, Koons’s Gazing Ball (Barberini Faun) (2013), from his series of plaster casts of Greco-Roman sculptures, will be presented in the Hall of Lilies, where Donatello’s original bronze Judith and Holofernes (around 1457-64) is on permanent display.
The most comprehensive career retrospective in the U.S. to date of the work of Frank Stella, co-organized by the Whitney Museum of American Art and the Modern Art Museum of Fort Worth, will debut at the Whitney this fall. Frank Stella: A Retrospective brings together the artist’s best-known works installed alongside lesser known examples to reveal the extraordinary scope and diversity of his nearly sixty-year career. Approximately 100 works, including icons of major museum and private collections, will be shown. Along with paintings, reliefs, sculptures, and prints, a selection of drawings and maquettes have been included to shed light on Stella’s conceptual and material process. Frank Stella: A Retrospective is organized by Michael Auping, Chief Curator, Modern Art Museum of Fort Worth, in association with Adam D. Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art, New York, with the involvement of Carrie Springer, Assistant Curator, Whitney Museum of American Art, New York.
At nearly all museums, the treasures on public display are but a small fraction of the riches within. Gallery space being limited, priceless paintings and rare sculptures are consigned to basements or off-site storage much of the time.
But the soon-to-open Broad museum next to Walt Disney Concert Hall will offer visitors a peek behind the institutional curtain, a concept that is central to the new building's design. Past the elevator, over a stainless steel railing and through a steep stairwell, a patch of glass offers a peek into the museum's storage area, "the vault."
Inverleith House, Edinburgh presents the first exhibition in a UK public gallery by the great American artist John Chamberlain (1927-2011). One of the pioneers of post-war American art, Chamberlain was a key figure in the vibrant New York art scene of the 1950s and ‘60s; his innovative work in sculpture, painting and film spans six decades.
Chamberlain represents a unique link between the vivid colour palettes and frenetic energy of Abstract Expressionist painting and the truthfulness to material found in Minimalist sculpture.
A new exhibition at the Cloisters in Manhattan, "Treasures and Talismans: Rings From the Griffin Collection," put together by C. Griffith Mann, curator of the Department of Medieval Art and the Cloisters, explores the subtle meanings behind beloved pieces of jewelry.
A number of ancient and medieval rings, on long-term loan to the museum, are shown in a wider historical and cultural context in the exhibition. Displayed alongside the jewels is a curated selection of paintings and sculptures borrowed from the museum's Greek and Roman Art, European Paintings, and Robert Lehman Collection.
Extraordinary work by glass luminary Dale Chihuly is shown at Museum of Glass through January 4, 2016. Creating a vibrant display, the exhibition features Chihuly’s own contemporary versions of Italian Art Deco Venetian sculptures. Chihuly’s Venetians were developed from the inspiration he acquired while making a trip to Venice in 1988. During this trip, he visited a gallery that housed an extraordinary private collection of Venetian glass that represented the pinnacle of Venetian Art Deco. Returning to the U.S., he then decided to create his own versions of the classic pieces with his unique, lively twist.
Princeton University Art Museum, Princeton, NJ September 19, 2015 – January 3, 2016 For information, call 609.258.3788 or visit artmuseum.princeton.edu
One of the finest collections of works to be held by a single family, the Henry and Rose Pearlman Collection has not toured in its entirety since 1974, when it was placed on long-term loan at the Princeton University Art Museum and where it has remained ever since. This major exhibition will present Impressionist and Post-Impressionist masterpieces from the Pearlman Collection and will feature paintings and sculptures by artists who were transformative members of the avant-garde of their day.
This exhibition will offer insights not only into the development of Impressionism and Post Impressionism, but into the history of collecting avant-garde art in the United States. A fully illustrated catalogue accompanies the exhibition. The exhibition has been made possible, in part, by presenting sponsor Neiman Marcus and additional supporters.
London's Royal Academy of Arts has turned to crowdfunding to raise £100,000 ($156,358) to bring eight Ai Weiwei tree sculptures to the English capital. The trees will be featured as a part of the artist's upcoming show at the RA this autumn.
To incentivize donors to contribute towards the project, the RA is offering rewards including limited edition prints and private tours.
The first carved woodblock prints by Wharton Esherick, an artist who was a major figure in American crafts, have just been republished. They illustrated "Rhymes of Early Jungle Folk," a book of children's verse, published in 1922.
Pieces by Esherick, known for his expressive, modernist furniture and wood sculpture, are now collected by major museums around the world. But he started as a painter at the Pennsylvania Academy of the Fine Arts in Philadelphia.
Unfortunately, nobody wanted his paintings.
The National Academy Museum & School has added 150 high-resolution artworks to the Google Art Project, enabling individuals across America to access and explore a sample of its rich collection of paintings, sculptures, new media and architectural drawings and models. The works available through the Google Art Project are representative of the wide-ranging collection of the National Academy. Among the works included are paintings by Samuel F. B. Morse and Asher B. Durand - the artists who founded the Academy in 1825 - as well as works by many of the iconic names in American art and architecture, all of whom have been members of the Academy and who contributed to its legacy: Cecelia Beaux, Thomas Eakins, Frank Gehry, Winslow Homer, Jacob Lawrence, Robert Rauschenberg, Cindy Sherman, Wayne Thiebaud and Frank Lloyd Wright, among many others.
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