Displaying items by tag: sculptures

The first Joan Miró sculpture exhibit in the Netherlands opened in the Rijksmuseum garden on Friday. The exhibit consists of 21 sculptures by the Spanish artist.

Guest curator Alfred Pacquement, former director of the Centre Pompidou in Paris, selected the Miró sculptures for this exhibit.

Gemeentemuseum Den Haag has acquired two large sculptures by Louise Bourgeois, the grande dame of modern art, on long-term loan. Bourgeois’ work is held in great affection all over the world, among both art-lovers and the general public. The Louise Bourgeois Studio owns a number of the artist’s larger sculptures, and it loans them to only a handful of museums in the world. This now includes Gemeentemuseum Den Haag, alongside Tate Modern, Louisiana Museum of Modern Art and DIA Art Foundation.

The first major museum survey dedicated to scenes of night in American art from 1860 to 1960—from the introduction of electricity to the dawn of the Space Age—opens at the Bowdoin College Museum of Art (BCMA) this June. "Night Vision: Nocturnes in American Art" explores the critical importance of nocturnal imagery in the development of modern art by bringing together 90 works in a range of media—including paintings, prints, drawings, photographs, and sculptures—created by such leading American artists as Ansel Adams, Charles Burchfield, Winslow Homer, Lee Krasner, Georgia O’Keeffe, Albert Ryder, John Sloan, Edward Steichen, and Andrew Wyeth, among others.

Crystal Bridges Museum of American Art has acquired two sculptures and two paintings by artist Louise Bourgeois (1911-2010): "Maman," 1999 (bronze, stainless steel, and marble), "Quarantania," 1947-1953 (bronze, painted white with blue and black, and stainless steel), "Connecticutiana," 1944-1945 (oil on wood), and "Untitled," 1947 (oil on canvas).

“Louise Bourgeois contributed significantly to shaping American narrative with work that spanned most of the twentieth century and helped inform the growing feminist art movement. We’re eager to share her acclaimed sculptures as well as her rare paintings which offer visitors a chance to explore her work in two and three-dimensions,” said Crystal Bridges Executive Director Rod Bigelow.

The Institute of Contemporary Art received permission Tuesday night to demolish three homes in a historic district in order to build a sculpture park, but some conditions placed on the approval may make the decision unpalatable.

Miami’s Historic and Environmental Preservation Board voted 3 to 2 to allow the museum, which is located in the Design District, to tear down the homes behind the building on parcels in the southern edge of the Buena Vista East Historic District.

Greece has ruled out taking legal action against the UK to reclaim the Elgin Marbles from the British Museum.

In an unexpected move, Greece's culture minister said the country would pursue a "diplomatic and political" approach to retrieving the sculptures instead.

In doing so, the country has rejected the advice of barrister Amal Clooney, who had urged Greece to take Britain to the International Court of Justice.

The National Portrait Gallery in London is to stage the first portrait show for an artist whose work ranks as some of the most recognizable of the 20th century.

Alberto Giacometti is well known for his tall and spindly sculptural figures. But he is far less well known as a portrait artist – a situation which the gallery hopes to redress with an exhibition opening in October.

According to Paul Moorhouse, curator of 20th century portraits at the NPG, the show has been five years in the planning. “Giacometti is one of the giants of 20th century art, one of the giants of modernism, but there is a great deal to be discovered about Giacometti,” he said on Tuesday.

New York's Museum of Biblical Art (MOBIA) will close its doors this summer, after operating for a decade. The institution's current Donatello exhibition will remain on view through June 14, as planned, but MOBIA will cease operations on June 30, 2015, the museum announced today.

"Sculpture in the Age of Donatello: Renaissance Masterpieces From Florence Cathedral," which features 25 pieces from the Museo dell'Opera del Duomo, many of which had never before left Italy, has been a blockbuster by the small museum's standards. Since opening in mid-February, the show has very nearly surpassed MOBIA's all-time high for annual attendance with 20,000 visitors.

"Intimacy" is not a word that first comes to mind when thinking about Alexander Calder's steel work. But when you step inside Dominique Levy's immaculate townhouse galleries on the Upper East Side, where some 40 rarely-seen Calder maquettes are on view, intimate is exactly how it feels.

Collaborating with architect Santiago Calatrava Lévy presents two floors of Calder's miniature (the smallest work is 1.5 inches tall) to table-top sized sculptures. Many have not been on view since his MoMA retrospective in 1943.

For much of his life, the Swiss sculptor Alberto Giacometti (1901-1966) lived and worked out of a cramped and cluttered atelier in the 14th Arrondissement of Paris where paint-stained surfaces were covered with busts and figurines and walls were sketched and scrawled over. The artist toiled day and night in this spartan setting, pausing for meals with plaster still stuck in his hair.

That 270-square-foot studio will be recreated exactly as he left it as part of the new Institut Giacometti, a research center and exhibition space that will open to the public late next year in the same arrondissement, or district, according to Catherine Grenier, the director of the Fondation Alberto et Annette Giacometti.